La figlia di Nettuno

Lame musical comedy starring Esther Williams and Ricardo Montalbahn. Williams plays a bathing suit designer who wants to protect her sister, Betty Garrett, from Montalbahn, a polo star and Lothario whom Garrett has fallen for. Really, though, Garrett has fallen for Red Skelton, who pretends to be Montalbahn. While Williams thinks she's keeping Montalbahn occupied, the two, as you expect, fall in love. Williams is a pretty boring actress, famously only "something" when she's wet, and she's kept out of the water for 95% of the movie, and they even cut away from what promises to be an epic water ballet in the final moments. The only amusing moments come between Skelton and Garrett, though their antics never rise above slightly amusing. They have good chemistry, though. It's too bad their studio didn't recognize it at the time, because they should have been paired again. There are two bits of interest in the film: first, it won the Oscar for best song, Frank Loesser's "Baby, It's Cold Outside". Now there's a trivia question! The song doesn't even make sense in the movie. As far as I could tell, the movie takes place in California. Even if I'm incorrect on that, it certainly was never cold in the movie, and why would someone even write a song about the cold and snowstorms for an Esther Williams movie? Weird. It's a great song, of course, and the best part of the film. Both couples sing it in full back to back, with Garrett and Skelton reversing the roles the second time around. The second thing, there's this one character in the movie named Pancho, who works for the polo team or something. When he began to talk, I was thinking, "Wow, what a stereotypical accent. Sounds just like Speedy Gonzales." Then, "Wow, really a lot like Speedy Gonzales. Wait a second… that actor looks like…" Yes, it was! Mel Blanc, playing a guy who sounds just like Speedy Gonzales. I didn't know Mel Blanc did anything live action.

The movie features a marvelous cast, each doing his or her specialty. But I especially like the unheralded Betty Garret as the ditzy sister who manages to steal several scenes. Williams has a few abbreviated swim scenes, but does more acting than paddling. Then too, making her a swimsuit designer gives us guys an eyeful of the modeling scenes. Frankly, though, I was disappointed with the big aqua number, which has legions of girls diving into the pool but little more. It's far from any kind of ballet that Williams is so good at.

Of course, Skelton is made for movies like this where his slapstick comedy can blend into the overall shenanigans. However, a couple of his skits (mounting the horse & piling it on muscle- man Mazurki) went past their peak of hilarity. Good to see voice wizard Mel Blanc get a movie break after so many years of funny dialects on radio, TV, and cartoons. All in all, the movie's an entertaining and certainly colorful 90-minutes, but unfortunately not Williams' best.

While not a great film, and it won't be for all tastes, 'Neptune's Daughter' was to me an entertaining film that ticked most of the right boxes.

'Neptune's Daughter' is at its weakest in the story department, where the silly and thin mistaken-identity story is purely functional at best, where a few parts border on the improbable. Keenan Wynn is given little to do and his acting and narration felt like they belonged in another (darker) film because they seemed at odds here. Most of the comedy is a lot of good-natured fun, but some falls flat due to being overdone somewhat.

However, 'Neptune's Daughter' is a beautiful-looking film, with opulent use of colour, handsome cinematography and elegant costumes and sets. The songs and music are pleasant and energetic, "Baby It's Cold Outside" being one of the most deserving wins in the Best Song category though Red Skelton and Betty Garrett's number with Xavier Cugat is a delight too.

While not all the comedy works, most of it does and in a way that's genuinely amusing and good-natured. The highlight is Skelton and Garrett's first date in her apartment, a hilarious scene and beautifully played and executed. The staging for the songs is suitably spirited and always pleasing visually, though while the big water ballet is beautifully photographed and performed and fun it wasn't quite the "aqua spectacular" that was expected, just lacking the continuous energy and imagination of the best Esther Williams water ballets.

Esther Williams is very charming and brightens up the screen whether in or out of the water, while Ricardo Montalban is suave, devilishly handsome and full of energy and charisma. Red Skelton seems to be really enjoying himself and is very funny, a riot even in his best bits, and bubbly Betty Garrett enchants the viewer from the moment she's introduced to her last second. Look out also for a rare live-action appearance from the immortal voice actor Mel Blanc, in case you don't spot him he's the mustachioed guy that sounds exactly like Speedy Gonzales.

In conclusion, a very enjoyable film that did make me feel warm inside, though it is not masterpiece status. 7/10 Bethany Cox

Esther Williams had some fairly amusing comedies in the '40s that had her jumping into a pool every so often to keep her "Million Dollar Mermaid" label intact. She not only swims here, but joins in the fun and even lends herself to a funny rendition of "Baby, It's Cold Outside" with Ricardo Montalban while Red Skelton is doing his own version of the song with Betty Garrett. It's a wacky bit of fun about Red being mistaken for a polo player. He has some wild slapstick scenes--one of which has him joining a bevy of bathing beauties as he attempts to fit into a water ballet (reminiscent of his hijinks in "Bathing Beauty"). His partner in fun is Betty Garrett who delivers her own special brand of comedy with no strain at all.

Ricardo Montalban is an excellent foil for Esther's romantic scenes as the wealthy polo player. The blurb on the video jacket offers a quote from the N.Y. Times: "The most entertaining of all the aquatic spectacles in which Esther Williams has starred."

'Nuff said. Enjoy!

Not many people today seem to know much about Esther Williams' fabulous films of the mid and late 1940s and early 1950s. The later 1950s is such a well known era with the birth of rock'n'roll and Elvis, but the immediate post WW2 years 1945-1954 are in general bit less known to the under 60 year old age group today (a 60 year old this year would've just been born in 1957, and many people can only relate so much to the time periods before they were even born). Some of the best Golden Age films (there are many wonderful films in the 1928- 1945 period too) are from 1945-1954 such as "Singing in the rain", "Easter parade", "A streetcar named Desire", and many others. And of course Esther Williams' films, all of them were between 1944 and 1955.

"Neptune's daughter" was great. Esther here is owner Kenan Wynn's assistant of a large clothing and swimsuit company. Red Skelton has a funny role as a masseur of the South American polo team, which includes star player Ricardo Montanan. I like the early scene with Red almost winning top prize in a radio show contest but barely missing out due to one little reason, that scene was funny due to how it was played out. This film has the great "Baby it's cold outside", first verse Esther and Riccardo, second Betty and Red.

Red lies about being Latino to attract Esther's sister Betty. That idea was played out like a joke, since Red has red (no pun intended) hair, fair skin, and is not too talented at acting Hispanic. Betty was also not too bright for completely falling for it. There were a few sexual tones in this film; when Ricardo compares a woman to a horse and says "but one cannot make love to a horse, unless one is another horse". That line in a more modern movie would've certainly come with some perverted smart*** comebacks, and people wouldn't use the term "make love", they would've used dirtier language. I liked the scene with Betty and Red with Xavier Cougat's orchestra (this is another of numerous Esther films with Xavier) Since Red lied about understanding Spanish, he had to play his way out of a situation during a song where he was thought to know how to play several different instruments. There was also another great old fashioned exotic samba type song with Xavier, orchestra, and beautiful exotic Latin girls.

I loved the addition of Mel Blanc and his Speedy Gonzales voice, the Bugs bunny reference with Red saying "Albaquerque" and saying "he went thataway" while pointing two fingers in two different directions, and the whip and cigarette in the mouth trick and Mel's cousin "No nose". I also found funny a scene with several men trying to get Red onto a horse, and it almost looked like the horse was looking at the camera and thinking "what a maroon".

I also loved the scenes with Esther and Riccardo such as the dialogue between them in the car while driving, Riccardo had some amusing lines there such as his comments on the sites Esther was trying to show him ("you've showed me pirates cove with no pirates, inspiration point with no inspiration, and lovers lane with no love"). Also funny was Riccardo's comment on the detour sign ("quote, a detour is to take the bad road cause the good road's unavailable, unquote") bringing up Esther's earlier detour remark (then comically says "you also implied I am a blackmailer, and several other unpleasant things".). I like how Esther tells Ricardo before reluctantly taking him on a date "I will show you the most boring evening of your life". That sort of reminded me of in "Bathing beauty" Esther's reluctantly accepting Red into the college showing him his room saying "I hope you will be very uncomfortable here". Kenan's comment over seeing Riccardo with Esther at the club was also funny ("There he goes feathering his nest, unfeathering mine"). I also loved the part in Esther's clothes factory when Riccardo and Esther were talking in her office. I don't know how many people caught the "Naked gun" reference; Riccardo got a thin piece of glass stuck on the end of his finger in the same way Frank Drebin (Leslie Nielsen) got a thin tropical biting fish stuck on the end of his finger in Ludwig's (played by Riccardo) office in "The naked gun". Esther also had a tropical fish tank in her office that Riccardo noticed in this film much like in "Naked gun" the tropical fish tank in Ludwig's office that Drebin got the fish stuck on his finger out of. Also the same was how in both films they were trying to pull it off their finger and then quickly hiding that hand behind their back whenever someone looked at them. Good referencing. I'm guessing the "Neptune's daughter" referencing in "Naked gun" was Riccardo's idea since he was in both films and in both scenes I just mentioned (he did not look as much as 40 years older in "Naked gun", he aged well). The only thing is that there are likely a good amount of Naked gun fans who hasn't known what film they were referencing in the scene in Ludwig's office.