Su di un'isola con te

Musical-comedy vehicle for swimming star Esther Williams set in Hawaii. Peter Lawford has a rather hopeless role as a moony-eyed Lieutenant who becomes obsessed with Esther, playing a movie actress; she's already involved with her co-star (Ricardo Montalban) and is also busy sparring with her unloved movie-rival (Cyd Charisse, in a demeaning part as a girl nobody seems to want). In its day, probably a very acceptable piece of fluff, but in this age of celebrity stalkers, Lawford's intrusive, seemingly off-balanced fan is unintentionally creepy (at one point he even kidnaps Williams, but she stops him from being arrested). Only for die-hard MGM musical buffs, although Esther's swimming sequences are not on their usual grand scale here. *1/2 from ****

The heck with the other critics on this movie. Esther gets into a Navy Airforce jacket and perches on a table for one of the most sexy pin-up poses of all time. Peter Lawford was adequate in an Esther Williams movie. Jimmy Durante was adequate in an Esther Williams movie. Ricardo Montalban was adequate in an Esther ... well, you get the idea. Cyd Charisse was more than adequate as a dancer and Ricardo fared much better when he danced with Cyd.

The colored tropical Island scenery is terrific. Xaviar Cugat is one creature that I will never understand. Guess I don't like Bongos. I have the video and play it over from time to time which is more than I can say for a great many of the MGM musicals. If Peter was upset because he just came off of "Good News" and resented playing in an Esther Williams movie, I have news for him .... he will be better remembered for "On An Island With You" than in "Good News". That one I have only played once.

This is truly a great Musical Classic from 1948 with a cast of veteran actors and all at the height of their careers. Esther Williams, (Rosalind Reynolds) is a movie star who gives outstanding performances swimming gracefully with Richardo Montalban, (Ricardo Montez) and Peter Lawford, (Lt. Lawrence Y. Kingslee) who is a U. S. Navy technical adviser on the film who is suppose to fly a plane with Rosalind Reynolds hiding on the plane. Richardo Montez is in love with Rosalind Reynolds and expects to marry her after their filming of their movie. However, Lt. Kingslee met Rosalind a few years in the past and fell immediately in love with her and has every intention to marry her at all costs. Jimmy Durante, (Jimmy Buckley) along with Xavier Cugat and his orchestra gave great supporting roles to this great musical classic.

It's difficult sometimes to view an older film without using a modern lens and being oversensitive or judgmental. Case in point: On an Island with You, where Peter Lawford plays a Navy officer who kidnaps his romantic obsession, a movie star played by Esther Williams. What is acceptable behavior from men towards women has obviously changed a lot in the last sixty plus years since this was made. It's hard for me to believe that there was ever a time when the disturbing and outright criminal behavior of Lawford's character could pass for romantic. But sadly, that is the case and the movie fails because of it.

It doesn't help matters that Lawford, always a stiff actor, plays the character as though he is an unbalanced creep. Lawford has no chemistry with Williams, either. This is made more apparent when Esther shares scenes with Ricardo Montalban, whom she did have wonderful chemistry with. Lawford pales by comparison. On the plus side, it's a Technicolor movie with Esther Williams so you know the gorgeous quota will be met and then some. The musical and aquatic numbers are all good, though none are classics. Jimmy Durante does his best to keep things light. Cyd Charisse shows off her dancing skills, which is always nice. As it stands, it's a watchable movie (more so if you're a big Esther fan) but probably the weakest of all of Esther's starring vehicles.

One doesn't come to this type of picture with high expectations, but many such films rely on familiar story elements, star turns, colorful settings and lively music to deliver pleasant, unchallenging entertainment that will satisfy an audience. No studio did this better than MGM.

But something went wrong this time around. Maybe it was having four screenwriters contributing to a dull, contrived story. Maybe it was making a musical in which the leading lady is neither a singer nor a dancer, in which one of the male leads also neither sings nor dances, in which the other leading man dances but does not sing, and in which none of the foregoing trio has the slightest flair for comedy. What to do? Give Jimmy Durante a couple of night club scenes in which he can do some familiar turns (which he has done far better elsewhere), fill some time with Cugat's orchestra, have some "native" dancers cavort at a festival. You get the idea. Even Esther's wet scenes don't compare favorably with those in most of her other films. And Peter Lawford, a firmly-established would-be leading man without a shred of discernible talent? His character here, supposedly infatuated and preoccupied, becomes thoroughly distasteful, so much so that his romantic reconciliation with Esther becomes impossible to accept.

Any redeeming qualities in this picture? You bet. Cyd Charisse (whose role, like Durante's, has nothing to do with the plot) is featured in two dance routines with Ricardo Montalban. He is surprisingly good, and she is unsurprisingly great. Perhaps one of those four screenwriters suggested that since they were making a musical without any leading players who could sing, they had better use at least somebody who could claim to be a dancer. Good thinking, MGM. You made the right choice. As for the rest...the sooner forgotten, the better.