VALUTAZIONE IMDb
6,1/10
548
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe liberated daughter of a 1905 minister innocently starts a scandal.The liberated daughter of a 1905 minister innocently starts a scandal.The liberated daughter of a 1905 minister innocently starts a scandal.
- Regia
- Sceneggiatura
- Star
Carol Brannon
- Bernice Eckert
- (as Carol Brannan)
Erville Alderson
- Vestryman
- (non citato nei titoli originali)
Monya Andre
- Townswoman
- (non citato nei titoli originali)
Mary Bayless
- Townswoman
- (non citato nei titoli originali)
Recensioni in evidenza
Shirley Temple was capable of turning in better performances than "Baltimore" as she transitioned to adulthood, but the script (a flashback to 1905?) and the other actors were not people she could play off well.
Just two years earlier, Temple had a major hit with Myrna Loy and Cary Grant in "The Bachelor and the Bobby-Soxer". In this, the script was sharper and funnier. It was in the present day, focusing on Shirley's growth, and she had the dependable Myrna Loy to work off. Loy, while projecting a solid and comedic presence herself, always went out of her way to make sure the other actors were comfortable with her and with their role. In this case, when an agitated Temple kept showing up for work due to marriage difficulties, Loy sent her a beautiful bouquet of flowers and a heartfelt note, bonding the two actors for the rest of their lives.
Loy was the rock in every comedic group of actors she worked with. She went out of her way to allow the other actors to feel comfortable and do their best work, a proactive behavior she had learned when working with Clark Gable, Melvyn Douglas, Spencer Tracy, William Powell, Clifton Webb and numerous other co-stars.
Loy's steady and dependable acting allowed both Shirley and Cary Grant to be more expressive than the script indicates, making the movie a giant success and bringing Shirley's (adult) acting into the limelight once again. With this freedom, she could be herself and act. The result was a half million dollars for RKO and a runaway hit's publicity for Temple.
In "Baltimore" Shirley has no such attachments and no such freedom. There was no Myrna Loy to make her feel alive and open. The movie doesn't work well because there is little chemistry between the actors, even between Temple and her husband, John Agar, who did a good job with his role. A period piece was not something Temple needed. She was growing up and needed to be seen in the present day, as she was in "Bobbysoxer". Instead, and unfortunately, she is to go through several more scripts that do not fit her burgeoning character, and thus are movie flops, before finally calling it quits.
Shirley Temple had the acting skills to continue making movies, but she needed adult scripts and actors around her who were supportive, like Loy. It's a shame she hung up her shingle and simply quit. All she needed was the right "magic" around her.
Just two years earlier, Temple had a major hit with Myrna Loy and Cary Grant in "The Bachelor and the Bobby-Soxer". In this, the script was sharper and funnier. It was in the present day, focusing on Shirley's growth, and she had the dependable Myrna Loy to work off. Loy, while projecting a solid and comedic presence herself, always went out of her way to make sure the other actors were comfortable with her and with their role. In this case, when an agitated Temple kept showing up for work due to marriage difficulties, Loy sent her a beautiful bouquet of flowers and a heartfelt note, bonding the two actors for the rest of their lives.
Loy was the rock in every comedic group of actors she worked with. She went out of her way to allow the other actors to feel comfortable and do their best work, a proactive behavior she had learned when working with Clark Gable, Melvyn Douglas, Spencer Tracy, William Powell, Clifton Webb and numerous other co-stars.
Loy's steady and dependable acting allowed both Shirley and Cary Grant to be more expressive than the script indicates, making the movie a giant success and bringing Shirley's (adult) acting into the limelight once again. With this freedom, she could be herself and act. The result was a half million dollars for RKO and a runaway hit's publicity for Temple.
In "Baltimore" Shirley has no such attachments and no such freedom. There was no Myrna Loy to make her feel alive and open. The movie doesn't work well because there is little chemistry between the actors, even between Temple and her husband, John Agar, who did a good job with his role. A period piece was not something Temple needed. She was growing up and needed to be seen in the present day, as she was in "Bobbysoxer". Instead, and unfortunately, she is to go through several more scripts that do not fit her burgeoning character, and thus are movie flops, before finally calling it quits.
Shirley Temple had the acting skills to continue making movies, but she needed adult scripts and actors around her who were supportive, like Loy. It's a shame she hung up her shingle and simply quit. All she needed was the right "magic" around her.
I'm not sure what kind of adventure folks were having in 1905 Baltimore, but it's clear to me that RKO was trying to cash in on a bit of the nostalgia gold that MGM found with Meet Me In St. Louis. There's no musical score in Adventure In Baltimore, but Shirley Temple taking the place of Judy Garland provides a nice wholesome image of a young woman who was questioning just what woman's place was in society as so many thousands of others were doing in America in 1905.
Shirley's a preacher's kid and her father is an amused and tolerant, but slightly put out Robert Young. The film opens with her returning to Baltimore because she's been expelled from a Ladies Finishing School, the kind of places that would shortly go out of date and style. She's been espousing such radical ideas as woman's suffrage and she wants to be an artist.
In addition to a slightly exasperated father, Shirley's also got a more than slightly exasperated young man who is interested in her in her then real life husband John Agar. One of the funniest scenes in the film is Agar at an oratorical society meeting delivering a speech expressing Temple's progressive ideas. The problem is she did not change the pronouns and poor Agar is making a big old fool of himself. Later on a 'scandalous' painting Temple does of Agar causes great concern and is used against Young who is being touted for the position of Bishop of the Episcopal Diocese of Baltimore.
Robert Young was made up to look a great deal older than he was at the time the film was made. With his graying hair and with it curled the way it was, Young looks like Robert Donat as he was in Goodbye Mr. Chips. It made me think that Donat might have been who RKO had in mind originally for the plot. Nevertheless Young does fine in the role and his scenes with Shirley have some real tenderness to them.
Adventure In Baltimore is not as good as Meet Me In St. Louis, but the film is nice family entertainment.
Shirley's a preacher's kid and her father is an amused and tolerant, but slightly put out Robert Young. The film opens with her returning to Baltimore because she's been expelled from a Ladies Finishing School, the kind of places that would shortly go out of date and style. She's been espousing such radical ideas as woman's suffrage and she wants to be an artist.
In addition to a slightly exasperated father, Shirley's also got a more than slightly exasperated young man who is interested in her in her then real life husband John Agar. One of the funniest scenes in the film is Agar at an oratorical society meeting delivering a speech expressing Temple's progressive ideas. The problem is she did not change the pronouns and poor Agar is making a big old fool of himself. Later on a 'scandalous' painting Temple does of Agar causes great concern and is used against Young who is being touted for the position of Bishop of the Episcopal Diocese of Baltimore.
Robert Young was made up to look a great deal older than he was at the time the film was made. With his graying hair and with it curled the way it was, Young looks like Robert Donat as he was in Goodbye Mr. Chips. It made me think that Donat might have been who RKO had in mind originally for the plot. Nevertheless Young does fine in the role and his scenes with Shirley have some real tenderness to them.
Adventure In Baltimore is not as good as Meet Me In St. Louis, but the film is nice family entertainment.
Back in 1905, atypical teenager Shirley Temple (as Dinah "Di" Sheldon) is expelled from school after telling her teacher she wants to study human anatomy by painting nude models. Called "immoral," the budding art student also advocates a woman's right to vote. Plus, she wears two petticoats instead of the standard five. Sent home to North Baltimore, Ms. Temple receives moral support from understanding minister father Robert Young (as Andrew Sheldon). As a youth, he dabbled in ballroom dancing. Temple is attracted to tall, dark and handsome John Agar (as Thomas "Tom" Wade), but he prefers a traditionally feminine woman...
Back home, Temple gets into more political trouble when she paints Mr. Agar in his bathing suit. But, we do not see this on camera. Agar appears fully clothed while posing for Temple, but is bare-chested in the finished product. First of all, we are left to wonder when Temple became an expert in his male anatomy. Of course, in real life, they were married. After an interesting start, this becomes a silly film. However, the star (now being billed below Robert Young) shows her natural appeal. This is especially evident in the opening minutes. With cast and crew possibly helping set the mood, Temple appears to be comfortable and competent.
***** Adventure in Baltimore (4/19/49) Richard Wallace ~ Shirley Temple, John Agar, Robert Young, Josephine Hutchinson
Back home, Temple gets into more political trouble when she paints Mr. Agar in his bathing suit. But, we do not see this on camera. Agar appears fully clothed while posing for Temple, but is bare-chested in the finished product. First of all, we are left to wonder when Temple became an expert in his male anatomy. Of course, in real life, they were married. After an interesting start, this becomes a silly film. However, the star (now being billed below Robert Young) shows her natural appeal. This is especially evident in the opening minutes. With cast and crew possibly helping set the mood, Temple appears to be comfortable and competent.
***** Adventure in Baltimore (4/19/49) Richard Wallace ~ Shirley Temple, John Agar, Robert Young, Josephine Hutchinson
Plot-- A reverend's 1905 family must find a way to adjust to the eldest daughter's instincts for equality at a time when women were denied many opportunities. Meanwhile, Dad may lose his chance to become a bishop because of town gossip over his daughter.
Looks like the misleading title and Shirley's rebellious upstart were meant to provide some edge to her squeaky-clean image. However, the results are what could be expected of the Temple brand—a wholesome little family drama, on the order of Father Knows Best. As daughter Dinah, Shirley manages to keep her feminist instincts within appealing bounds; at the same time, she defies confining norms placed on 1905 women. The rebellious context is carefully calibrated so as to be acceptable to 1949 audiences without offending the values of that later time. Note how in the movie Dinah's desire for women's suffrage is endorsed, but not her inclination for a career as a painter. That accords with norms of the late-40's when women still weren't expected to have careers. Careers would come later in the 1960's.
As Pastor Sheldon, Young is likably bland in the type role soon to define him. More importantly, as the voice of reason and church authority, he gives official approval to his daughter's actions. So the audience knows she's more than just rebellious— she's on the right track. On the other hand, too bad the studio didn't hire a more appealing swain than the dull- as-cement John Agar. But then he's certainly no competition for his then real life wife.
On the whole, the movie tells us more about Temple's career and the social norms of two historical periods than anything else. However, I'm still wondering how this revealing slice of fluff escaped from RKO's dream factory that was then turning out noirs by the dozen.
Looks like the misleading title and Shirley's rebellious upstart were meant to provide some edge to her squeaky-clean image. However, the results are what could be expected of the Temple brand—a wholesome little family drama, on the order of Father Knows Best. As daughter Dinah, Shirley manages to keep her feminist instincts within appealing bounds; at the same time, she defies confining norms placed on 1905 women. The rebellious context is carefully calibrated so as to be acceptable to 1949 audiences without offending the values of that later time. Note how in the movie Dinah's desire for women's suffrage is endorsed, but not her inclination for a career as a painter. That accords with norms of the late-40's when women still weren't expected to have careers. Careers would come later in the 1960's.
As Pastor Sheldon, Young is likably bland in the type role soon to define him. More importantly, as the voice of reason and church authority, he gives official approval to his daughter's actions. So the audience knows she's more than just rebellious— she's on the right track. On the other hand, too bad the studio didn't hire a more appealing swain than the dull- as-cement John Agar. But then he's certainly no competition for his then real life wife.
On the whole, the movie tells us more about Temple's career and the social norms of two historical periods than anything else. However, I'm still wondering how this revealing slice of fluff escaped from RKO's dream factory that was then turning out noirs by the dozen.
I saw this movie about ten years ago and absolutely loved it! It made me laugh and cry. I have always been amazed when I hear of Shirley Temples "struggle" to have successful movies as an adult. I think she was delightful and had a real gift for comedy. I am sorry her career ended so soon and can't help but wonder what we're now missing out on because of it. I am also frustrated that her later movies are not made available on DVD...at least hardly any. I think people could now begin to appreciate her...to rediscover the adult Shirley, because they'd be able to see her in a fresh way...something they had trouble with years ago. Adventure in Baltimore is a movie that makes you long for the innocence of the day and at the same time cheer for new youthful freedoms. I found myself really involved in her situations and couldn't wait to see what would come next. If you want a great and entertaining afternoon, just hope some channel is playing this movie and enjoy!
Lo sapevi?
- Quiz"The Screen Guild Theater" broadcast a 30-minute radio adaptation of Diana vuole la libertà (1949) on March 30, 1950 with Shirley Temple reprising her film role.
- BlooperAt 1:02:39, a boom microphone can be seen when Lily Sheldon, the mother, announces to her children that her husband has been nominated to become a bishop.
- Citazioni
[first lines]
Narrator: [voice over narration] What could be more symbolic of America than the modern American schoolgirl? Intelligent, restrained, dignified and...
- Curiosità sui creditiThe opening credits appear on a large pad with a hand tearing off the individual pages.
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Dettagli
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- Paese di origine
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- Adventure in Baltimore
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 29min(89 min)
- Colore
- Proporzioni
- 1.37 : 1
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