The Saint Strikes Back

Who is the Saint? "Well, not the man who knows everything, just the man who knows the important things."

George Sanders is the mysterious, charming and dangerous Simon Templar: "You're important to me—that's why I know you," he explains to an annoyed Wendy Barrie, whom he has just forcibly escorted from a nightclub—moments before the cops arrive to investigate a murder.

Sanders is perfect as the Saint: a droll wit, a cad, an underdog, a shrewd tactician who is not afraid to take a risk. And that Sanders voice!

Wendy Barrie is also fine as the hard-edged daughter of a policeman. Her father was framed by a fellow cop and died in disgrace; Barrie is out to exact some revenge for her father by stirring up trouble for the department. Sanders explains her plot nicely to the investigating officers: "She thinks he got a dirty deal from the police so she's enlisted a bunch of second rate crooks to annoy you."

The Saint is on the scene as one who always takes an interest in rooting out corruption; in this case, his sense of adventure and interest in justice have brought him all the way to San Francisco.

The supporting cast includes great character actors who all do their jobs: Jerome Cowan is a cop who's obviously mixed up in the dirty business somehow; Neil Hamilton is another detective; Barry Fitzgerald is "Zipper," a small time crook impressed with Sanders' style ("I never seen such a cop").

Jonathan Hale is again on hand as Inspector Fernack, the old pro who has had dealings with Templar in the past. His relationship with the Saint is of course complicated—one minute he is sticking up for Templar's motives and methods, not much later he is (momentarily) convinced that Templar is the mastermind behind the whole San Francisco setup.

Besides the great cast, this film features a strong script and is beautifully photographed—a very classy B mystery.

When Simon Templar (aka The Saint) helps self-styled crime boss and daughter of a disgraced cop Val Travers to get away from a nightclub after they were both involved in a shooting. The police connect Templar to the shooting and call in Inspector Fernack from New York to bring him in. Meanwhile Templar gets on the wrong side of Travers and earns her vengeance while also trying to get to the bottom of the mystery surrounding her father's fall from grace at the hands of an internal investigation.

Following on from the hard edge and anti-hero approach of The Saint when he was in New York, this film cannot help but feel like much more of a sedentary affair with a more liberal approach perhaps befitting the San Francisco setting. That said the film still has a nice feel to it that makes it just a shade better than the b-movie series generally achieved from this point onwards. Much of the credit should probably lie with Farrow's direction because he does give it quite a professional and gritty atmosphere. The story is quite good although not anywhere near as engaging as it should have been and I must admit that at times I drifted away as it lacked a consistent hook to keep me watching.

Coming in to replace Hayward, Sanders was never really going to do it for me as I already knew him to be all about the smoothness and the suaveness and it didn't surprised me when his criminal edge was played down to almost nothing and he turned in the sort of performance that made him vastly inferior to the original Saint (in my mind anyway). Support is pretty good from Val Travers – not quite a femme fatale perhaps but certainly a tough woman when required. Hale is OK while people like Elliot, Fitzgerald etc all fill in around the edges.

Overall a well-directed film that is a reasonable stab at continuing the series but, for reasons that are perhaps obvious, scaling down the mean edge the original had. Problem is that I liked this about the original film and found this film lacking teeth for being smooth without the savage. Sanders is a nice lead but he cannot lift the material and the end result is a standard b-movie that will please fans of The Saint and The Falcon.

George Sanders made his debut as Leslie Charteris's international man of mystery Simon Templar, AKA The Saint in this film, The Saint Strikes Back. For all the rumors about his crooked ways Sanders is more often helping the local authorities than not, especially if it's doggedly honest Inspector Fernack of the NYPD homicide squad resolutely played as always by Jonanthan Hale.

One gets jet lagged now with the time zone changes and the jet air speeds with coast to coast flights. But Sanders had to have the worst case of it film history as he flies from San Francisco to New York after saving Wendy Barrie from being the object of a hit man. She's the daughter of a disgraced former NYPD detective who was accused of crookedness and took his own life. Now she's a West Coast wild child and thought to be in the rackets as well. Sanders then flies back bringing Hale in tow.

She's close to them however in her associates and it's up to the Saint to discover who's a San Francisco rackets boss and bring them to justice.

Sanders who in most films was the movie's biggest cad is a fine hero, a regular modern Robin Hood. Still people don't believe he's quite honest and he likes it that way.

If you like the books and the films, you'll enjoy this one.

I've just seen The Saint Strikes Back for the first time and found it quite good. This was George Sanders's first appearance as the Saint, where he replaces Louis Hayward.

In this one, the Saint is sent to San Francisco to investigate a shooting at a night club. With the help of his acquaintance Inspector Fernack who has come down from New York, they help a daughter of a crime boss.

Joining Sanders in the cast are Wendy Barrie and Jonathan Hale.

Not a bad Saint movie. Worth seeing.

Rating: 3 stars out of 5.

I love B-detective series films like Charlie Chan, Sherlock Holmes and The Falcon. Sure, they are mighty predictable, but there is also a certain charm and sense of fun about them that is hard to beat. While the Saint series is not my favorite, I have always enjoyed them because I love seeing George Sanders so gracefully navigate himself through the mystery--he was the epitome of cool and sophisticated. Because of this, I often find myself watching the film for his performance but caring little for the actual mystery (so many of them seem similar). However, in this dull effort, I just couldn't get past the lifeless plot and lack of decent supporting characters. Compared to most of the other films in this series, this might just be the worst, though I did appreciate how the film made reference to the prior film (starring Louis Hayward)--giving the film a sense of continuity and context. Now this isn't to say it's bad--but unfortunately, it is only a time-passer and not a whole lot more.