Smith il taciturno

In "this gun's for hire" ,Robert Preston was Veronika Lake's co-star whereas Alan Ladd was supporting.But when you see that movie today you realize that ,although the credits mention "introducing A.L." ,his part was much more "written" ,more important than that of the lead.

In "whispering Smith" ,the roles are reversed:not only Ladd plays the lead ,but he has also the part of the good guy whereas Preston is supporting and gets the role of the villain.It's a routine western with a derivative screenplay:the umpteenth story of the pretty girl who married the wrong guy and see the other one come back into her life.The talents of the actor ,with many fine supporting performances (particularly Donald Crisp and Fay Holden who sings a duet with Ladd) make the movie watchable though.

Agreeable Western packs drama , thrills , go riding , shootouts and some moving action sequences . Highly watchable Western in which a railway detective resolves conflicts and investigates train assaults . As the legendary railroad detective Whispering Smith (Alan Ladd) becomes convinced that old friend and colleague Murray Sinclair (Robert Preston) has united a criminal band to loot the railroad . But Murray is married to a beautiful wife , Marian Sinclair (Brenda Marshall) , who was Smith's old flame . A new Ladd thrills the Old West ! LADD'S In the West...In Two-Gun Technicolor!here is a Ladd you have always dreamed about quiet gentle-like , but the feared man on the wild frontier ¡ Afraid of nothing but the woman who loved him ¡.

This colorful as well as enjoyable picture contains action , thrills , fights , crossfire and results to be entertaining , being a decent oater . Well crafted and sweeping Western with interesting screenplay , brilliant cinematography and breathtaking production design . Finely starred by Alan Ladd who gives a nice acting in one of his first roles as starring . After a string of bit parts in "B" pictures and an unbilled part in Orson Welles' classic Kane Citizen (1941) he tested for This Gun for Hire (1942) late in 1941. His fourth-billed role as psychotic killer Raven made him a star. He was drafted in January 1943 and discharged in November with an ulcer and double hernia. Throughout the 1940s his tough-guy roles packed audiences into theaters and he was one of the very few males whose cover photos sold movie magazines. His career as Western starring starts in this Whispering Smith (1948) , following Branded (1951) as a captain who joins Quantrill's Confederate army , Red Mountain (1951) the historical Jim Bowie in The Iron Mistress (1952) . In the 1950s he was performing in lucrative but unrewarding films , an exception being what many regard as his greatest role, Shane (1953), his tough-guy roles packed audiences into theaters and he was one of the very few males whose cover photos sold movie magazinesm. And other Western roles as a Sergeant of the brave Canadian Mounted Police in Saskatchewan (1954) , as a goverment agent againt Indians in Drum Beat (1954) , as a cattle drive guide in The big land (1957) , a family man in The proud rebel (1958) , and , furthermore , The Badlanders , Timberland , One foot in hell , among others. Ladd is nicely assisted by an awesome support cast , such as : Donald Crisp , William Demarest , Fay Holden, Murvyn Vye , Ray Teal , and Frank Faylen.

Filmed on a scale to rival the never-to-be-forgotten Union Pacific , including portentous cinematography in Technicolor by Ray Rennahan , shot on location in Sierra Railroad, Jamestown,Cornell Road, Agoura, Paramount Ranch, California . As well as rousing and moving musical score by Adolph Deutsch. The motion picture was directed in sure visual eye by Leslie Fenton . He was a good actor and occassionally filmmaker , including some Westerns such as : The Redhead and the Cowboy , Three Texans ,The Man from Dakota and this Whispering Smith . Rating : 6.5/10. Wellworth watching .

Two railroad buddies drift apart when one decides to join a local gang.

Good "buddy" western. The soft-spoken Ladd and the voluble Preston play off one another really well. Their friendship appears touchingly real, unusual for movie make-believe. Then too, the movie has a lot of colorful aspects, especially the train wreckage scene that's both well-written and well-mounted, and like no other western set-up I've seen. There's also some great Sierra scenery along with a fine supporting cast. I especially like Frank Faylen's droopy-eyed gunman and Donald Crisp's friendly bad guy. And catch the lovely Brenda Marshall, unusually soulful for a western heroine. In fact, each of the supporting players manages a distinctive personality.

Certainly, no one could ever accuse Ladd of over-acting. He was always best when asserting a kind of quiet authority as he does here. Actually, that's an effective way to compete with Preston's naturally big personality. So, when the two have a showdown, it's almost like two complementary personalities tragically splitting apart. Something should also be said of the skillfully thought-out script that manages to mesh the complex plot into a believable whole. Anyway, in my book, it's a colorfully done, generally underrated oater from Hollywood's golden period.

This is a very fine western. Great Technicolor, decent acting and a nice plot. As a fan of the western genre, I appreciate the snappy way the story moves along. Modern westerns (and most films, in fact) drag the exposition out. Here, for example, when Robert Preston's character meets up with his old friend Ladd and mentions Preston's wife's name, the look on Ladd's face instantly tells you "oh-oh, there's a history here." Very quick, but well done and you know what's coming.

This is a "railroad western." It's nice to see a western that emphasizes the importance and power of the the railroads in the settlement of the west.

Alan Ladd's first starring western and first film in technicolor is Whispering Smith. I have a funny feeling that someone at Paramount figured out that in boots with a couple of inches of heels on them, Mr. Ladd could get some additional height unnoticed. He certainly did do a lot of westerns after Whispering Smith.

According to the films of Alan Ladd and the biography by Beverly Linet, Ladd had purchased a ranch for his family and enjoyed his time out there and became an expert rider. For someone who arrived late to the western genre, Alan Ladd does sit the saddle well and looks right at home on the range.

The story based on a novel by Frank Spearman had been filmed two times previously as a silent film. Ladd is a railroad detective and we first meet him going after Murvyn Vye and his two outlaw brothers. Ladd's best friend is Robert Preston and his wife Brenda Marshall almost married Ladd back in the day.

Preston is a happy go lucky sort, but a lout none the less. The green eyed monster gets him though as Ladd is hanging around. Preston falls for the line that chief villain Donald Crisp gives him. Especially after he gets fired from the railroad after tangling with new superintendent John Eldredge. With his knowledge about the railroad, Preston becomes invaluable to Crisp.

Whispering Smith is directed by Leslie Fenton, former actor who was gradually getting into A films, but he retired after directing only a few more films after this one. The character he creates for Ladd is a harbinger of the one that George Stevens did for Ladd in Shane. I have no doubt that Stevens cast Ladd in Shane after viewing Whispering Smith.

And Whispering Smith probably would be considered a classic western if someone like George Stevens or John Ford or Anthony Mann had directed it. It's that good.

Donald Crisp is a garrulous, but crafty outlaw leader. William Demarest is fine in the sidekick role. But the portrayal among the supporting cast to watch is Frank Faylen's as the albino killer in Crisp's gang. I also think that George Stevens was influenced in his direction of Jack Palance in Shane from Faylen's portrayal. Faylen has even less dialog than Palance did in Shane, but he will absolutely chill you when you watch the film.

Whispering Smith is an absolute must for western fans and fans of Alan Ladd. It's a turning point film in his career and I'm glad it is finally out on DVD. Only wish a VHS version had been made of it.