I predoni del Kansas

What are you going to do when you are a national hero; the most decorated combat soldier of WWII? Among his 33 awards was the Congressional Medal of Honor, the highest award for bravery that a soldier can receive. In addition, he was also decorated for bravery by the governments of France and Belgium, and was credited with killing over 240 German soldiers and wounding and capturing many more.

Well, I guess you go kill out in the Ole West, and that is JustWhat Audie Murphy did. This is one of his early efforts and it really is not a bad one. He plays Jesse James who, along with his brother Frank, the Younger brothers and Kit Dalton join Quantrille's Raiders until they realize just what he was and become sick of the whole thing.

Tony Curtis is here - I think it may have been the second film he did.

A good shoot 'em up about a sordid chapter of our history.

I'll always wonder why Hollywood could waste talent when given opportunities so golden. The raw talents of much of the cast here was completely undercut by an abbreviated, romanticized script only faintly resembling historical events. Audie Murphy, so young in this case, significantly outperforms the cheesy part he's given, sometimes acting profoundly with just his eyes and body language. His trademark speech patterns, recognizable in much of his other work in my opinion ranks equal with Gregory Peck in terms of depth and sincerity. Other young actors rise to meet his level acting above the quality of the thin and barely cohesive plot.

Secondly, the director of photography deserves praise for skill and editing, but the studio gets raspberries for location. I've been to Kansas enough times to know the erratic boulder, pine, and fir strewn mountain ridges seen in this "kansas" are nowhere in reality. California is diverse enough to provide ample locations and, I know politics and money rule, but why the heck couldn't the Central Valley be considered? With the obvious well-endowed budget this film got it just appears the studio assumes its audience was too stupid to know better at the time. I hope not.

As commented by others, it's regrettable that the writers forfeited an opportunity to correctly document a basic record of the Quantrill gang and its opportunistic co-opting of the Civil War for its own gain. Inventing the early conversion of an idealistic and noble Jesse James and gang and making a fictional romance the focus of the story seems consistent with how Hollywood made money then and to a larges extent, now.

By comparison, it's a tightly edited, almost too-well edited movie. I wished some things were better developed. But, it's not dopey like so many from the period. And, the photography, as un-Kansan as it is, is beautiful.

I would have liked to have given Kansas Raiders a slightly higher rating but for the corny script. At no time could I imagine Jesse James, as played by the legendary Audie Murphy, as having a conscience. As I understand it, James was a cold blooded individual, where here, Murphy keeps having twinges of sympathy and romantic notions. Hollywood at it's most watered down. On the up side, it's beautifully shot with some rousing and quite brutal raids on the North by Quantrill's ragbag of followers from the South, during the American Civil War. There's a nice performance by Brian Donlevy as Quantrill and on looking at the cast as the movie starts, was quite taken by seeing Tony Curtis listed as the fifth name, here playing Kit Dalton, one of Murphy's pals. Other character actors of some fame are featured include Richard Long and James Best, and two actors who went on to have some measure of fame as leading men, Scott Brady and Richard Egan. Marguerite Chapman is the leading lady, although I've never heard of her before, and average for the period. I can always watch Murphy, who always underplays with an air of authority, and I think a better actor than some gave him credit for.

Kansas Raiders was an opportunity for Universal-International to display some of its young contract players of the time to see who might have some career potential. In terms of career longevity all of them had varying degrees of success.

With Audie Murphy as young Jesse James and Richard Long as brother Frank with Tony Curtis as Kit Dalton and James Best and Dewey Martin as the Younger Brothers we see them all as young guns during the Civil War from Missouri all joining up with William Quantrill to raid, plunder, and pillage the west.

Quantrill has never really gotten a revisionist view from either history or Hollywood. He's a murdering skunk who's using the Civil War as cover for what he would be doing in civilian life anyway. But he's probably seen in the best Hollywood light possible in this film.

Brian Donlevy in this very confused story is as bad as they come, but he does take a kind of fatherly interest in all these young men who've come to join up with him. That's the problem with Kansas Raiders, Quantrill's character is so badly written you can't understand why all those young potential outlaws see in him.

Definitely for fans of the above named players only.

Kansas Raiders is directed by Ray Enright and written by Robert Richards. It stars Audie Murphy, Brian Donlevy, Marguerite Chapman, James Best, Scott Brady and Tony Curtis. A Technicolor production, music is by Milton Rosen and cinematography by Irving Glassberg. Plot has it that the James and Younger Brothers along with Kit Dalton, join Quantrill's Raiders after witnessing at first hand some Redleg atrocities. However, after believing they would be fighting soldiers for the war effort, the men find themselves participating in equally worse war crimes - something that deeply affects the young Jesse James.

OK, it's very fanciful in the telling of a bitter and sad period of American history. Facts of the period and the characters are jettisoned in favour of making an exciting 1950s Oater. Any hope of a depth strewn historical take on William Quantrill's Raiders will only lead to disappointment - something that is all too evident with many of the venomous reviews of the film out in internet world. Yet judged on its own unfussy entertainment terms, then the film scores high for the casual Western fan as shoot-outs, knife fights and stand-offs ensure things always stay perky.

The ominous black flag of Quantrill.

On narrative terms pic provides enough of an edge to make its point, for we are left in no doubt about the "atrocity exhibition" dealt out by Quantrill's Raiders, there's also a neat thread within about the corruption of youth. Yes, for sure this be a picture low on accuracy, but crucially it doesn't soft soap the subject to hand. This is a 1950s production after all and the makers at least manage to leave us in no doubt about the nature of the crimes committed by certain factions in the Civil War. In fact, a couple of scenes really leave indelible images, and from an action viewpoint the "sacking of Lawrence" is excellent in construction and the impact that it garners.

Production wise there's good value on show, Glassberg's Technicolor photography is gorgeous, and not just for the Garner Valley and Kanab locations, but also for bringing out the quality of the set decoration (Russell A. Gausman/Ruby R. Levitt) and Bill Thomas' costuming. Cast are fine without pulling up any trees, where Donlevy is clearly the class act on show, but here as Quantrill he gets by on presence alone, the absence of outright character nastiness is sorely felt. The latter of which, however, is provided by the solid Brady as Bill Anderson. Murphy as young Jesse James has youthful exuberance and bravado down pat, while Curtis as Kit Dalton is enjoyable in amongst the five group dynamic.

Marguerite Chapman (Coroner Creek) as Kate Clarke (Quantrill's girl) has the tough task of playing the sole female in the film, and although she's well older than the character in real life (and coming off as a right cradle snatcher due to the writer's artistic licence), she does do a nice line as a sexy and wise older woman for the scenes she shares with Murphy's baby faced Jesse James. All told, historical fudging aside, this is a fine Oater that began the decade on a high for Audie's rewarding assault on the Western genre. 7/10