Stage Struck

Nightclub owner Benny Nordick is arguing with his hostess Helen Howard. They fight over his gun and he shots her dead. Petty criminal Nick Mantee offers to cover it up and dumps the body in the streets. Police Lt. Williams and Sgt. Tom Ramey starts the investigation by interviewing the family. Helen's sister Nancy gets involved. Meanwhile, Nick blackmails Benny over the murder.

The investigation is too slow. The movie spends too much time with the family. Everything about the cops move at about half a step too slow. Even their walking is a slow mosey. The family is bland. Maybe they could streamline it to just Nancy. The movie slows to a crawl when the cops take over the narrative. Nick is the only truly interesting character. The criminals have some fun. It's the saving grace in an otherwise bland crime drama. The cops need to be more compelling.

Pitiful acting, a crashing bore. Skip this one. Kane Richmond wasn't what you could call first rate in the acting department, but he was handsome--in this one as in all his films. Poor Audrey Long never had a chance in Hollywood--she was just a nice girl, hardly Hollywood material. In fact Richmond was also a "nice guy"--very boring by Hollywood standards of the time. Anyway this picture is a flop--Richmond left movies after this and so did the director, and probably with relief.

Nightclub and model agency owner John Gallaudet (Benny) defends himself when an enraged Wanda McKay (Helen Howard) pulls a gun on him in his office. In the ensuing struggle, she is shot dead. The incident is witnessed by nasty employee Kane Richmond (Nick) who uses blackmail to promote his status and become co-owner of both businesses. Gallaudet agrees to the arrangement in return for Kane's silence. The police team of Conrad Nagel (Williams) and Ralph Byrd (Ramey) try to uncover the murderer but when they don't seem to be treating things as urgently as they should be, the murdered girl's sister Audrey Long (Nancy) takes matters into her own hands.

The film is ok. Nagel entertained me the most with his moments of unconvincing acting in the style of Whit Bissell. This is evident when he delivers all the preachy stuff about 100s of girls going missing every day and the classic ending where he pretty much tells all young women to stay at home with their mums. Hilarious. I also learned how not to deliver bad news to people.

Interesting to take note of the scam in this film whereby young girls are fooled into thinking they are signing up for a course that will turn them into movie stars. In reality, they are being groomed to act as hostesses in a gentleman's club. It's your basic escort work. Pretty clever idea for whoever thought of it first. Anyway, this film presumes the murdered McKay was an innocent girl who was obviously wrongly killed. We never know the truth surrounding this and I have to admit to feeling sorry for Gallaudet during this film. He seems alright and he's no fool. Unlike Richmond.

Hostess Wanda McKay's corpse is found, and police Lt. Conrad Nagel is assigned the case, but Miss McKay's small-town sister, Audrey Long, grows impatient with nothing happening. She decides to go undercover herself at the suspects' talent agency, where Kane Richmond and John Gallaudet charge ridiculous fees to girls for dramatic training, feed them to their operations as b-girls at their club, and eventually into the white slavery trade.

William Nigh's last movie is filled with competent talent in a 1930s B movie plot. If you wish to play spot the performer, you'll have a good time seeing Ralph Byrd, Pamela Blake, Nana Bryant, Evelyn Brent, and Franklyn Farnum, and the dialogue is pretty good, but the story is tired.

Nigh had entered movies in 1913 as an actor at Keystone. By the next year he was directing, and by the 1920s he was directing for MGM. Like many directors, his career went downhill fast during the sound era, and by 1931 he was on Poverty Row. He was in charge of 121 movies in total. He died in 1955, shortly after his 74th birthday.

Monogram Pictures was a very prolific small studio that specialized in making B-movies. In general, their output was just fair...entertaining but also filled with cheaply made pictures with mostly second and third-tier actors. "Stage Struck" is pretty much average for the studio.

A hostess in a night club is found murdered and the cops seem baffled and unable to solve the crime. So, the dead woman's sister, on her own, decides to get a job with the agency that places these hostesses in various clubs in the hope she'll be able to dig up incriminating evidence. Unfortunately, she isn't particularly bright and she nearly gets herself killed playing amateur cop.

The acting in this one is purely adequate...and the story really lets you down near the end because the lady investigating seems a bit dim. She makes a lot of silly blunders and instead of being the smart, confident woman the film wants you to believe, she instead seems a bit dippy. A time-passer and nothing more.