VALUTAZIONE IMDb
6,5/10
460
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA socialite in financial trouble gets involved with a nightclub and gambling club owner, whose hoodlums are not afraid to kill, only to regret it and finally help a police lieutenant incrimi... Leggi tuttoA socialite in financial trouble gets involved with a nightclub and gambling club owner, whose hoodlums are not afraid to kill, only to regret it and finally help a police lieutenant incriminate him and his gunman.A socialite in financial trouble gets involved with a nightclub and gambling club owner, whose hoodlums are not afraid to kill, only to regret it and finally help a police lieutenant incriminate him and his gunman.
Phyllis Coates
- Cigarette Girl
- (non citato nei titoli originali)
Eddie Foster
- Gunman
- (non citato nei titoli originali)
Kenneth Gibson
- Nightclub Patron
- (non citato nei titoli originali)
Joe Gilbert
- Johnny
- (non citato nei titoli originali)
Creighton Hale
- Apartment House Clerk
- (non citato nei titoli originali)
Edna Harris
- Miss Frey
- (non citato nei titoli originali)
Harry Hayden
- Ballistics Expert
- (non citato nei titoli originali)
George Hoagland
- Gunman
- (non citato nei titoli originali)
Charles Jordan
- Detective
- (non citato nei titoli originali)
Fred Kelsey
- Bartender at Roadhouse
- (non citato nei titoli originali)
Recensioni in evidenza
It's an interesting film and entertaining. The plot keeps moving, and there is an unexpected death. What makes it unusual is that, except for Mayo, it doesn't have any big stars. They have some solid supporting actors like Bruce Bennett and Tom D'Andrea.. But on a bigger budget there would be Cuddles or Jack Carson or Alan Hale. What this does is give lesser known actors bigger roles, like Bennett, who plays a bad guy in contrast to his loyal good-guy husband in Mildred Pierce, and Helen Westcott, who a year later had a marveous moment in the Adventures of Don Juan playing one of Don Juan's previous lovers whom he doesn't remember but she seizes the opportunity to reignite with him. Two years later, she would have the prime role of Gregory Peck's estranged ife in The Gunfighter. There's even Phyliss Coates, the first Lois Lane in The Adventures of Superman TV series, in her first role as a cigarette girl. It is norish and has a romantic ending that does come out of nowhere. But it's worth a look.
A romantic relationship between a charming, erudite gambler/hood and a wayward rich gal. Sounds like it could be promising, especially when the girl is played by Virginia Mayo with whom it is almost always worthwhile spending time. Unfortunately, the clunky screenplay by William Sackheim resolves the central conflict between these two halfway through the friggin picture so that the second half lacks any dramatic tension whatsoever. Plus, Sackheim's dialogue is, with the exception of a few Tom D'Andrea zingers (the future Gillis on "Life Of Riley" is here playing the Eve Arden role), humorless and stiff with lines like: "We are two trains meeting in a depot and now going separate ways". Oh, lordy. Also not helping matters is overscoring from David Buttolph (a poor man's Bronislau Kaper) and undistinguished cinematography from the usually good Ted McCord that gives the film a most generic back lot look. Give it a generous C plus, mostly for Mayo.
Petty criminal Johnny Warjack and his gang hold up the Club Bermuda, a casino nightclub. Club owner Marty Fain (Bruce Bennett) allows them to escape and orders his men to track them down later. Fain is covering all his customers' stolen cash. Not all the claims are believed. Broke socialite Linda Vickers (Virginia Mayo) insists that she lost expensive jewelry. In turn, Fain insists on seeing her insurance policy... at her apartment. On the next morning, Warjack is found murdered and police Lieutenant McReady (Richard Rober) comes to interview Vickers.
It's crime B-drama. It has some limited noir style. Virginia Mayo is doing yeoman's work. I like the premise and how it starts. It could go harder. A modern movie would play up the erotic part and add in more action. The story is not that dramatic. It has an interesting spin but it's nothing outstanding. It's solid work all around.
It's crime B-drama. It has some limited noir style. Virginia Mayo is doing yeoman's work. I like the premise and how it starts. It could go harder. A modern movie would play up the erotic part and add in more action. The story is not that dramatic. It has an interesting spin but it's nothing outstanding. It's solid work all around.
This isn't bad but it has a false ring. Virginia Mayo is OK. At the start we hear about her being from a high society family with no money left to back that up. This gets lost.
She gets involved in a gambling house raid. The proprietor kind of likes her and also sees her as someone he could use. Enter her brother, the honest "Doc," just out of medical school. He sets her straight about the bad guys but they kill him.
The settings are believable -- clubs, apartments, streets. But it has no sense of reality. It's very formulaic.
The lower budget studios like PRC and Republic -- where have those all gone? They used to appear on local TV regularly -- did noir well. And surprisingly, MGM did it very well too.
Warner Bothers, which released this, had some very good ones but they were of a distinct kind. They were about detectives often, though "Nora Prentice" has the same leading man and is head and shoulders above this.
In sum, it moves along but it doesn't really work.
She gets involved in a gambling house raid. The proprietor kind of likes her and also sees her as someone he could use. Enter her brother, the honest "Doc," just out of medical school. He sets her straight about the bad guys but they kill him.
The settings are believable -- clubs, apartments, streets. But it has no sense of reality. It's very formulaic.
The lower budget studios like PRC and Republic -- where have those all gone? They used to appear on local TV regularly -- did noir well. And surprisingly, MGM did it very well too.
Warner Bothers, which released this, had some very good ones but they were of a distinct kind. They were about detectives often, though "Nora Prentice" has the same leading man and is head and shoulders above this.
In sum, it moves along but it doesn't really work.
10nbrice18
I tend to watch old movies over 2 or 3 nights and with some I wind up only watching half. My ratings are never as technical as some of the others here; I rate them on whether or not they hold my interest, as well as whether the actors and actresses are well cast.
I'm perplexed at the overall low rating for this film. I'm familiar with Virginia Mayo from The Best Years of Our Lives, and Jimmy Stewart lookalike Robert Hutton from the Janie movies, but I wasn't familiar with the rest of the cast. Bruce Bennett was really good, great to look at, and was a former Olympic athlete who lived to 100!
Smart Girls Don't Talk held my interest and had a few twists and turns. I could find no flaws and enjoyed the music and the noir atmosphere. 10 stars from me!
I'm perplexed at the overall low rating for this film. I'm familiar with Virginia Mayo from The Best Years of Our Lives, and Jimmy Stewart lookalike Robert Hutton from the Janie movies, but I wasn't familiar with the rest of the cast. Bruce Bennett was really good, great to look at, and was a former Olympic athlete who lived to 100!
Smart Girls Don't Talk held my interest and had a few twists and turns. I could find no flaws and enjoyed the music and the noir atmosphere. 10 stars from me!
Lo sapevi?
- QuizThe huge black car Marty drives Linda to her apartment in is a 1938 Cadillac Series 90 V-16 Fleetwood Town Car. An example in excellent condition in 2024 could be worth well over $100,000. The next day he drives to her place in a 1946 Lincoln Continental Cabriolet; only 201 of those cars were made.
- BlooperWhe Linda takes Marty's gun in for ballistics testing - to see if it was the one that killed her brother - the expert says it doesn't match. ("They're not even close.") But looking through the comparison microscope, it's apparent that if the right image is moved up slightly, all the markings from the lands and grooves would match perfectly. The expert then switches the bullet to the one that killed Clark, and the same images as before are used; only this time, the expert moves the images and everything does align.
- ConnessioniReferenced in Espaldas mojadas (1955)
- Colonne sonoreThe Very Thought of You
(uncredited)
Music by Ray Noble
[Played during the opening credits and occasionally in the score]
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Smart Girls Don't Talk
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 21min(81 min)
- Colore
- Proporzioni
- 1.37 : 1
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