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Nebbia a San Francisco

Titolo originale: Fog Over Frisco
  • 1934
  • Approved
  • 1h 8min
VALUTAZIONE IMDb
6,5/10
1968
LA TUA VALUTAZIONE
Bette Davis and Donald Woods in Nebbia a San Francisco (1934)
The lifestyles of Arlene and Valkyr Bradford, half-sisters from a respected San Francisco family, diverge markedly as Arlene takes up with criminals.
Riproduci trailer2: 30
2 video
15 foto
CrimeMysteryRomanceThriller

Aggiungi una trama nella tua linguaThe lifestyles of Arlene and Valkyr Bradford, half-sisters from a respected San Francisco family, diverge markedly as Arlene takes up with criminals.The lifestyles of Arlene and Valkyr Bradford, half-sisters from a respected San Francisco family, diverge markedly as Arlene takes up with criminals.The lifestyles of Arlene and Valkyr Bradford, half-sisters from a respected San Francisco family, diverge markedly as Arlene takes up with criminals.

  • Regia
    • William Dieterle
  • Sceneggiatura
    • Robert N. Lee
    • George Dyer
    • Eugene Solow
  • Star
    • Bette Davis
    • Donald Woods
    • Margaret Lindsay
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,5/10
    1968
    LA TUA VALUTAZIONE
    • Regia
      • William Dieterle
    • Sceneggiatura
      • Robert N. Lee
      • George Dyer
      • Eugene Solow
    • Star
      • Bette Davis
      • Donald Woods
      • Margaret Lindsay
    • 31Recensioni degli utenti
    • 19Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video2

    Official Trailer
    Trailer 2:30
    Official Trailer
    Fog Over Frisco Clip
    Clip 2:56
    Fog Over Frisco Clip
    Fog Over Frisco Clip
    Clip 2:56
    Fog Over Frisco Clip

    Foto15

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    Interpreti principali40

    Modifica
    Bette Davis
    Bette Davis
    • Arlene Bradford
    Donald Woods
    Donald Woods
    • Tony Sterling
    Margaret Lindsay
    Margaret Lindsay
    • Valkyr 'Val' Bradford
    Lyle Talbot
    Lyle Talbot
    • Spencer Carleton
    Hugh Herbert
    Hugh Herbert
    • Izzy Wright
    Arthur Byron
    Arthur Byron
    • Everett Bradford
    Robert Barrat
    Robert Barrat
    • Thorne
    Henry O'Neill
    Henry O'Neill
    • Oren Porter
    Irving Pichel
    Irving Pichel
    • Jake Bello
    Douglass Dumbrille
    Douglass Dumbrille
    • Joshua Mayard
    • (as Douglas Dumbrille)
    Alan Hale
    Alan Hale
    • Police Chief O'Malley
    Gordon Westcott
    Gordon Westcott
    • Joe Bello
    Charles C. Wilson
    Charles C. Wilson
    • Detective Sgt. O'Hagen
    • (as Charles Wilson)
    Harold Minjir
    Harold Minjir
    • Archie Van Ness
    William Demarest
    William Demarest
    • Spike Smith
    Douglas Cosgrove
    Douglas Cosgrove
    • Detective Lt. Davis
    William B. Davidson
    William B. Davidson
    • Joe Hogue - Editor
    • (as William Davidson)
    George Chandler
    George Chandler
    • Taxi Driver
    • Regia
      • William Dieterle
    • Sceneggiatura
      • Robert N. Lee
      • George Dyer
      • Eugene Solow
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti31

    6,51.9K
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    10

    Recensioni in evidenza

    7HerrDoktorMabuse

    Great Movie? No. Great Fun? Yes!

    I saw this at the Stanford Theatre in Palo Alto last week on a double bill with Of Human Bondage. At any rate, nothing really groundbreaking about this movie except that it was a fast paced, low budget bill-filler made before Bette Davis had broken through as a big star. The real treat here is the location shooting in San Francisco, showing the city before they built the bridges and a car chase that predates the one in Bullitt, except never exceeding 35 miles per hour. I also give the scriptwriters high marks for authentic use of forgotten place names ("Butchertown," "South of the Slot"). I'll admit my admiration is parochial, but you could do worse if it ever turns up on TCM or a streaming video service.

    BTW: I can't recommend the Stanford highly enough. Beautifully restored movie palace featuring live intermission organ music on weekends and the cheapest date in town at only $7/ticket for a double bill. Google Stanford Theatre for the latest program.
    baker845

    So . . . What Gives?

    Considering the reputations and historicity of Bette Davis and Michael Curtiz, why hasn't anyone issued this marvelously little fast-paced film on video? Davis is lightning-sharp as wicked Arlene, and Margaret Lindsay was an interesting early Warners player. I understand that Jack Warner, in the early days of the talkies, used this film to demonstrate what a director could accomplish with a tight budget and filmic expertise.
    6TheLittleSongbird

    Fun in the fog

    Have been through a lot of completest quests recently, most of them yet to be completed. One of those completest was to see all the films not yet seen of the films featuring and especially starring Bette Davis. Whether from early in her career when she was finding her footing, from the late-30s through to the 50s when she had found her style or from her twilight years. William Dieterle also did a fair share of films worthy of admiration and more.

    Dieterle did do much better films in his career, epecially 'The Hunchback of Notre Dame' (one of the best versions), his Paul Muni collaborations and from memory 'Duel in the Sun'. 'Jewel Robbery' also is a gem worthy of more attention. Davis definitely did as well, too many to list being such a great actress who never phoned in regardless of what she was given and many of her films were good to brilliant, though she also did worse. The story also intrigued me but it could have been more.

    Although it was great for some that it went at a fast pace and was short, there were times where those things were un-doings for 'Fog Over Frisco'. Did think that 'Fog Over Frisco' was too short, barely over an hour is not enough for a story that gets very complicated in the second half, and it did feel rushed towards the end when it literally felt like it sped up the action.

    This resulted in from the middle act the story being too busy and at times very complicated, so coherence is affected. The dialogue does beggar belief far too much of the time, the worst of it vomit-inducingly inane, and Donald Woods is incredibly bland and simply does not have the presence for leading man material.

    On the other point of view, Davis gives a fiercely committed performance and is a force to be reckoned with. Margaret Lindsay isn't quite as forceful, but she certainly does have much more presence than Woods and nobody doubts her commitment. The supporting cast are not exceptional but do well in rather cardboard roles, even Hugh Herbert (who for me is a take or leave sort of actor, sometimes amusing and at other times irritating depending on the material) and with Irving Pichel being the standout.

    'Fog Over Frisco' looks good, especially the locations which have so much atmosphere. As does the photography which is eerie at its best. The film is hauntingly and not too melodramatically scored and Dieterle does competently with the direction. It starts off great with a very promising first twenty minutes that doesn't take too long to set up. The ending does excite

    Concluding, not a great film but fun. 6/10
    8ksf-2

    good who-dunnit with B Davis

    LOVE the butt-snapping game the reporters play at the city desk of the newspaper. That scene was a little risqué for its time, but the Hayes Code hadn't quite kicked in yet. It's a possible kidnapping of a rich, scheming socialite Arlene Bradford (Bette Davis). William Demarest is the reporter "Spike" who gets the call to check out the story. It's a Warner shortie, at 68 minutes, and just one of the four films Davis made with director William Dieterle in the 1930s. Margaret Lindsay and Donald Woods co-star. Alan Hale Sr. is Chief O'Malley, of course. No movie could be made in the 1930s or 1940s without Hale. Regular TCM viewers will also recognize Douglass Dumbrille as "Josh Maynard"; Dumbrille had made "A Day a the Races" and "The Big Store" with the Marx Brothers. Gordon Westcott plays Joe Bello, and in real life, Westcott died at 32 in a weird polo accident. The newspaper dudes and photographers are all over this story, so apparently being followed by the news hounds is nothing new... Arlene's dad is played by Arthur Byron, and he died only a couple years after making this. Some GREAT scenery of foggy San Francisco. The story moves pretty quickly, so pay attention! The sound and photography are a little shaky, but it does show on Turner Classic Movies now & then. A Fun, quick paced film, even if Bette Davis doesn't appear in much of the film! /ksf-2
    6Nate-48

    Davis is as good as ever but it slows down

    Bette Davis is an absolute delight and this is worth watching just to see her in her pre-code sultry best. There are some great costumes, nice sets and sequences but the plot and direction gets muddled midway after a great 20 minutes at the beginning. They try to cram too much into a short space and then move too quickly without making sense of what happens. There is also some corny screwball stuff which interferes with the flow of the film. This is what you would call a b picture with some good appearances by an interesting cast but it has an identity crisis going from serious danger in the air beginning with hot fox Davis and ends up as your average who done it vehicle.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The dog in this film is played by Asta, who rose to fame as with that name in L'uomo ombra (1934) series. His uncredited name in this film is "Ragsy".
    • Blooper
      When Joe the newspaper editor nudges Tony toward the desk, his hand is on Tony's arm. But on the next immediate cut, Joe now has his hand on Tony's back.
    • Citazioni

      Spike Smith: Say, Society, who's the gal dancing with Tony

      Archie Van Ness: She's the only real Bradford daughter. Arlene's her stepsister.

      Spike Smith: Say, she must be respectable. I've never seen her before.

      Archie Van Ness: Say,I've picked Arlene off the blotter for everything from speeding to being picked up in Chinatown raids.

      Izzy Wright: Oh, that I were young.

      Archie Van Ness: And old Bradford's got more millions than there were Indians out here when her family landed.

    • Connessioni
      Edited into The Green Fog (2017)
    • Colonne sonore
      Why Do I Dream Those Dreams?
      (1933) (uncredited)

      Music by Harry Warren

      Played by request by the nightclub band and as background music

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    Dettagli

    Modifica
    • Data di uscita
      • 2 giugno 1934 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Fog Over Frisco
    • Luoghi delle riprese
      • 2180 Washington St., San Francisco, California, Stati Uniti(Bradford mansion - burned down 1955)
    • Azienda produttrice
      • First National Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 8 minuti
    • Colore
      • Black and White
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.37 : 1

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