Shed No Tears

She certainly shed no tears, not even when her lover was murdered. Even less she shed any tears at the loss of her first husband, but didn't he tell her explicitly, when they met for the last time, to shed no tears? She looks very much like Ann Todd in this film, callous, calculating, ruthless and merciless, a shrewd beautiful woman at her most irresistible, and her husband really loves her, as does her lover, while it's hard to believe that she could love anyone. All she has is her beauty, all the rest is fraud and deceit. It's a very well written story, the dialog is terrific, and the detective (Johnstone. White) provides all the matchless eloquence. It's a messy story, and what a mess it will be to sort out afterwards, while at least one got out of it alive. It all starts with a fire and someone falling out of the window irrecognizable for his burns, and the end is perfectly logical. It's not a great film, but it is worth watching indeed for its very crooked tale.

Shed No Tears was a product of short lived Eagle-Lion Pictures. Too bad this one was not done by even a studio like RKO. The thing looks like it was shot with my father's old Bell&Howell movie camera, the sets are threadbare. But it's a fascinating story about how things can go wrong when you hook up in a confidence game.

Wallace Ford fakes his own death in a fire and wife June Vincent and his insurance policy names her the beneficiary. So he hides, she collects the money and they run off to live large anonymously. Only Ford really has picked a winner in two timing June Vincent. She's been two timing Ford with Mark Roberts and she plans to have him bumped off and the two of them go to Rio by the sea-o.

All this doesn't sit well with Ford's son by his first marriage Dick Hogan. He hires a private detective, a Nero Wolfe like character in Johnston White. But White's also a two timer. In fact he steals the film whenever he's on screen.

Quite a lot of plot is packed into this short B picture. It's a shame it had such an amateurish production.

Wallace Ford fakes his own death and heads off to Washington until his wife, June Vincent, can can collect his insurance. Then they'll be off to Mexico to enjoy the money. Ford doesn't know that Vincent has a chiseling boyfriend. While the police agree it looks like an accident, the insurance company wants to investigate. Ford's son, Dick Hogan, thinks it looks suspicious and hires P. I. Johnstone White. White proceeds to play every side for profit.

Director Jean Yarborough has gotten his hands on a nice script by Brown Holmes, Virginia M. Cooke and Don Martin, Unfortunately, what could have been a noir with a mordant comedy turn in the Johnstone role (think of Laughton in THE BRIBE) turns out to be a competent turn by some decent performers; it demonstrates why none of them got out of the B movies. The question is never a matter of what the player will do next, nor how skilled cameraman Frank Redman will shoot this particular shot. Instead, it becomes a matter of wondering where this fascinating script will lead these characters.

A shrewd woman helps her husband fake his death to collect life insurance. He plans on them running away together to live the high life. What he doesn't know is that she has a life of her own.

Wallace Ford fakes his death in a hotel room fire. He hooks up with his much younger wife (who came up with the idea of the deception), June Vincent, and together they plan on bilking the insurance company for the payoff of 50 grand which will reunite them once she collects. She watches as he gets on the bus, then meets her boyfriend in the parking lot and they talk of how they're going to spend the money.

All this happens in the first ten minutes or so - there's no fat on this baby.

But meanwhile, Ford's son thinks that something is amiss, he thinks that Vincent killed Ford herself and he hires an investigator to prove it. This is where things really start perking as the Clifton Webb-like sleuth, played wonderfully by Johnstone White, soon figures out what's going on and he starts playing the supposed widow and the son against each other as well as Ford himself who comes back to town and discovers his wife in a clinch with her boyfriend.

But wait - there's still more but you're going to have to find out for yourself. Jean Yarbrough, veteran of just about every kind of movie and TV genre, manages to keep one's interest despite a lack of noirish touches. It's likely that he had to get this done in a week or so, so there wasn't any time for complicated camera set-ups. The story here is the main thing, you probably will not be disappointed.