Holiday Camp

... and that is a big part of its charm. The Huggett family goes off on vacation - or holiday as they say in Britain - to a camp that somewhat took me aback. Being paired up with a total stranger as a roommate in cramped quarters, communal eating, everything so organized and regimented with that constant voice yammering over the loudspeaker reminds me more of going to work in swimwear than of anything I would call a vacation.

Rationing of certain candies that went on in Britain until ten years after the war, a young couple in love with a baby on the way with no practical way to get married, an eternally hopeful and tragically trusting woman looking for a man, and even a murderer on the run get thrown into this intriguing little film. And when Mr. And Mrs. Huggett manage a moment alone far from the madding crowd and she says that with all of these women so done up maybe she is getting a bit dowdy for him, what does Mr. Huggett say to boost her spirits? Something like "Always give me the plain ones inside the home"! And she finds that sweet and romantic??? My, the Brits did have low expectations after the war!

Still, very charming and well done and a great time capsule.

This film introduced me to a British institution I was not familiar with, as the title says Holiday Camp. It's kind of like a cruise ship on land with organized activities like one where guests stay in various cabins. This film also introduced the Huggett family to the British movie-going public. The Huggetts are parents Jack Warner and Kathleen Harrison, son Peter Hammond and daughter Hazel Court. Like Ma and Pa Kettle who were introduced in The Egg And I, the Huggetts would go on to a few feature films and were a great favorite in the United Kingdom.

But they were second billed here to Flora Robson a kindly spinster woman who lost her true love during the first World War and who is rooming with a young woman Jeanette Tregarthen. Tregarthen is also pregnant but only her boyfriend Emrys Jones knows. Tregarthen's aunt Beatrice Varley a hatchet faced old harridan is there as well. Robson's performance as a woman who does a great kindness to Jones and Tregarthen is the highlight of the film. She was quite touching.

Also billed above the Huggetts is Dennis Price whose character is something along the lines of David Niven's Major in Separate Tables. But Price is a lot more sinister.

Young Peter Hammond gets good and taken by a pair of card sharps who work these camps, but those two get a nice comeuppance and Hammond learns a life lesson. Hammond is also bunking with Jimmy Hanley who played a lot of young juvenile leads in the 40s and 50s in British films. He takes an interest in Hazel Court and Hanley would also appear in future Huggett films.

This was a nice family comedy with a touch of drama and pathos and I can see why the Huggetts were so popular in the United Kingdom.

Holiday Camp shows a fascinating look a life in the late 40's. After the depravation of the war years, the first holiday camp to open was guaranteed to be a success. The story starts with Joe Huggett (Jack Warner ) and his family arriving at the camp ,and in next to no time he is involved with card sharps, a murderer on the run and a young couple who have left home, when the girl discovered she is pregnant. This particular story line was very daring considering when the film was made. All in all a very interesting look at life after the war, and well worth seeing.

I can safely say that I have never been to an holiday camp - the BBC series "Hi-Di-HI" that ran in the UK in the 1980s always made sure that never happened. By then, though, we had international travel at our fingertips. In the late 1940s, people were still having their food rationed let alone being able to hop on a flight to Florida or Fuerteventura. The "Huggetts" - led by Jack Warner and the indomitable Kathleen Harrison take their family to one such camp for, ostensibly, a nice rest. Ha, well good luck with that - before long they are involved in dodgy card games, and absconded pair of expectant teenagers and a fleeing murderer. (You wonder why i never fancied such places?) The Huggetts were a famous cinema family in the 1940s, their decency and family values imbued well by the strong, likeable cast. Usually their efforts were all augmented by some guest stars - and here, with the rather lonely figure of Flora Robson and the distinctly caddish Dennis Price, is no different. It resonates now, as ever, because it is about ordinary people - not wealthy or profligate, just folks trying to keep their lives afloat after the war and there is plenty of pithy, quick witted comedy that, though dated and a little too stereotyped for 60 years on, is still enjoyable to watch.

The Rank organisation enjoyed an enormous hit with this economy class 'Grand Hotel' depicting the lives of ordinary people newly freed of the constraints of the Second World War (although they still had to endure rationing) and like 'The Blue Lamp' (which also starred Jack Warner and Jimmy Handley) spawned a long-running series.

It reveals the darker aspects of austerity Britain: two men fight over a woman, another one gets pregnant, a pair of spivs prey on the eldest son losing him the then boggling sum of £19 and "that big nasty Denis Price" - as a friend once called him - preys on lonely women as a thinly disguised Neville Heath.