Suprema decisione

"Command Decision" is based on a stage play, so scenes of aerial combat are not to be found in the movie. This is a major difference between it and "Twelve O'clock High," released a year later in 1949, and which presented a more engaging, gritty, realistic motion picture of aerial combat and the toll it takes on the airmen and their support teams and commanders on the ground.

"Command Decision" tells a story of WWII air warfare from the point of view generals, politicians and the press, and the process of making a military decision in light of political consequences and public opinion. Clark Gable gives a great performance as General Casey, the officer who acts out of military necessity in choosing his targets, and in doing so, knows he puts the lives of his men and his friends on the line. Walter Pidgeon is General Kane, Gable's superior, who has lost some of his ability to look at his duty in purely military terms. Instead he perceives his mission is to fight the politicos and the press and to get the best spin on the actions of his command and commanders. Brian Donleavy is General Garnet, a relative newcomer to all of this. He is eager for his first command, but once on the scene at a combat headquarters, he begins to have doubts of his own about the mission, the politics and his own ability to send young men to their deaths.

The command decision in this fine, taut film is not one climatic decision, but is the story of a number of command decisions made by the three general officers, and how each effects and feeds off of the other men's command decisions throughout the film.

Good performances by all, a little melodramatic at times, but overall, one of the best war movies (especially about air warfare) you'll come across.

There must be at least one whole generation of viewers who don't even know this film exists! Yet it remains one of the very best WWII films ever made. I first saw as a child, when it was quite new, and have seen it several times since. It has never lost its hold and that, I suppose, principally because of Clark Gable's superb performance (although the other parts are all very strongly done). It really must be one of his finest screen roles and that alone, one might think, would ensure that it is never long absent from television screens. Sadly it has been shown in Britain but once that I know of, and is not available here on a PAL-system video, although "Twelve O'Clock High" is available and often screened. In many ways the two films complement each other, each not wholly to be appreciated without seeing the other. "Twelve O'Clock High" has an almost exclusively military focus while "Command Decision" brings in the effect of political factors on military decisions. The latter film, however, has an edge: Gable on top form and that was always something very special.

"Command Decision" is a wonderful film filled with several great performances. It's Gable's movie, but he's very capably supported by Walter Pigeon, Brian Donlevy and John Hodiak, who nearly equals his "Lifeboat" performance.

Pigeon is especially good in the roll of a senior commander who is more concerned with the political considerations of the war effort than the tactical and strategic goals. (Not without reason - The film correctly details the perilous and tenuous position that the 8th Air Force found itself in during the worst combat period of 1943.)

One of the best scenes in the film is a very long speech given by Pigeon, wherein he explains his reasons for fighting the good fight to keep American air power strong. The scene is a good 6 or 7 minutes long, one camera shot, entirely done without cuts. It must have been rehearsed extensively as it requires about 10 actors to interact with Pigeon at several times, all the while he is moving about the room. Seamless, and very well done! This remarkable scene is followed up with one almost as long, given by Gable.

The drama is occasionally broken up with comic moments provided by Van Johnson, as a savvy sergeant, and Clinton Sunberg as a fastidious aide to Pigeon's General Kane.

If you like to watch actors banging away with words instead of guns, this is the war movie for you.

This is an under-appreciated gem of a move.

To start with, the core story sounds utterly fantastic, but it is partly true. There was never a "Lance-Wulf 190", but there really was a Messerschmidt Me-262 in World War 2. The Me-262 wasn't quite the wonder-plane which the mythical Lance-Wulf was, but it was a swept-wing jet with a top speed of 540 mph, a blinding speed for the time. And, as fighter pilots say, "speed is life".

American bombing in August, 1943 did delay the introduction of the real Me-262. (The pre-production aircraft were wrecked on an assembly line, forcing a delay of several months.) The irony is that the German jet fighter program was really stymied by Hitler's aversion to defensive weapons and the German feeling that the war could be won with existing fighter types.

There is, however, a "message" in this film which fully applies to civilian life. You know that everything is okay just now, but this will soon come to an end. Given those facts, are you willing to take some massive losses now and solve the problem? Or do you just wait for the situation to become visible to everyone before you act?

I don't know how many times I've seen people--even bright ones--opt for the "wait and see" course of action. It never works.

Just as Betty Davis's 1938 film "Jezebel" was overshadowed by "Gone With The Wind", this film was overshadowed by "Twelve O'Clock High".

This is one of the best WW2 movies. The acting and writing are superb and rather subdued at that. With Clark Gable you expect BIG ACTING AND BIG ACTION but in this one he does a very credible job portraying a very troubled man who is put in charge of the bombing campaign against the Germans. So, this movie is a bit of a stretch for the usually glib Gable, as it focuses on the emotional toll of war.

The movie is VERY similar to the great 12 O'Clock High (starring Gregory Peck). 12 O'Clock is a slightly better movie (and it gives Peck more room to hash out his character as the man in charge of sending airmen to their deaths), though they are so good I recommend seeing both.