Missione segreta

I think this film is one of the best WWII films (if not the best) made during the war. The principal reason is that it's true and based on the famous Doolittle Raid on Japan on April 18, 1942. The movie follows the lives of a few of the members of that raid and focuses specifically on the experiences of Lt. Ted Lawson, who wrote the book. While a few of the stateside scenes are a bit corny and mushy, it nicely weaves in the story of one flyer and his wife and the way they handle their impending separation due to the upcoming mission. One needs to remember the need to portray and establish patriotism and an "apple pie and mom" sense during a difficult wartime environment when the film was released in 1944. In fact, just as the Doolittle Raid was carried out to bolster flagging US morale after Pearl Harbor (Dec 7, 1941)and a series of US and allied losses in the Pacific war in early 1942, this movie of the raid again plays the role of morale booster for the home front in 1944. The flying scenes, as well as the special effects, are pretty good for the 1940's movie making era and perfect for most WWII aviation buffs. This Hollywood movie version of the book of the same name written by Lt. Ted Lawson and edited by Robert Considine is fairly true to the book, with very minor changes for story continuity and some levity. Spencer Tracy does a good job as Lt. Col. Jimmie Doolittle and adds the needed seriousness to the early part of the film. Van Johnson's role of Lt. Ted Lawson was perfectly played and Phyllis Thaxter as his wife is charming. The story of the early part of their marriage adds the right tone to this movie and sort of personifies all of these types of marriages and relationships that were "put on hold" because of a war. The movie turns quite serious, of course, once the raid begins. The underlying story is quite serious and relates the story of a group of flyers who volunteered for an extremely dangerous mission without even knowing what the mission is. I think this is one of the main attractions of this movie for me...that someone is willing to sacrifice their life for their country when asked to possibly do just that. It is selfish acts like this that we in the US should continue to recognize and to be eternally grateful to those of the WWII generation such as those who took part in this famous and unique event in US aviation history.

Forget the schlocky fictions of Bruckheimer and Bay's PEARL HARBOR with its footnoted version of the Doolittle raid. If you want to see a more detailed, realistic, historical as well as romanticized version of the Pearl Harbor "pay back," see this one. It is the classic MGM treatment with a skilled cast including Spencer Tracy and Van Johnson.

If you do see PEARL HARBOR, rent this one too so you can see how to tell a real romance set against a historical event. And if you want the full picture of how the Doolittle raid was made possible, see DESTINATION TOKYO, the film telling the story of the submarine that snuck into Tokyo bay to help guide the bombers over the city.

I know it's a World War Two propaganda movie. And I know that Hollywood treatments of historical subjects must be taken with a huge boulder-size grain of salt. That being said, this is a credible movie that is worth watching. The fact is that the Doolittle Raid DID happen, that in early 1942 the outcome of the war against Japan was at best uncertain, and that Japanese aggression post Pearl Harbor posed a clear and imminent threat to the United States. It's hard to believe that Japan was THAT powerful, but it was. Japan occupied or controlled about one-quarter of the surface of the world, including most of eastern China, all of Manchuria, the ENTIRE Korean peninsula, ALL of southeast Asia, including ALL of Indonesia and Singapore, the Philippines, and the entire western Pacific Ocean. And Japan accomplished this ALL BY ITSELF. So the Doolittle Raid was a truly momentous event, as the movie aptly shows. The Doolittle Raid marked the beginning of the end for Japan, because it blew away the myth of Japanese invincibility and proved to the world that it was just a matter of time before a fleet of sixteen B-25 Mitchell bombers would be followed by huge air armadas of B-29s that would crush Japanese militarism for all time and eventually convert Japan from an implacable enemy to an allie and a friend.

One of those made-during-the-war war movies that comes with the customary Frank Capra-like homeland security flag-waving and all of that but this is a good flick that stands the test of time.

Oh, it's cornball and the soldiers make like scouts at jamboree but there's an edge here--perhaps because the outcome of the WWII encounter was still in doubt at the time.

As a movie, though, "30 Seconds" has a lot going for it: romance (Van Johnson-Phyllis Thaxter), buddies (Johnson and a young Robert Mitchum), strong Army-Navy relations, strong American-Chinese relations--and plenty of great character parts played by people like Robert Walker, Spencer Tracy and Don DeFore, later to become George Baxter in TV's "Hazel."

There's nothing dated about the cinematography employed here. When the Ruptured Duck flies over Tokyo, you feel like you're right there in the cockpit and the crew's low-altitude escape to China is nothing less than harrowing.

It may not be a 20-20 account of the Doolittle mission to ramp up U.S. spirits after Pearl Harbor but it's a entertaining film with a lot of heavy hitters along for the ride, people like Dalton Trumbo (screenplay)and director Mervyn LeRoy.

Yes, it's one-part propaganda, one part-chin uplifter but there's a lot more to it and it makes my all-time top 10 war movie list.

THIRTY SECONDS OVER TOKYO has men training for a dangerous mission, led by Col. Doolittle (Spencer Tracy) who leads them into an adventure that begins with fully loaded bombers making their ascent into the wild blue yonder aboard Naval aircraft carriers. The cooperative team efforts between the Navy and the Air Force is demonstrated throughout and the result is a film that looks almost documentary in its approach to the subject matter.

But you have to get beyond some sentimental interludes for romance and that's where the story weakens somewhat, despite the sincerity of the moments depicted between VAN JOHNSON (as Lt. Dawson) and his loving wife (PHYLLIS THAXTER). Nevertheless, by the time the story reaches its powerful conclusion, you'll be rooting for the reunion of the husband (a wounded war hero who has lost one leg) and his wife who is expecting a baby.

Sterling performances help put the movie over. Never for a moment is the acting less than exceptional--and that includes VAN JOHNSON in the leading role, ably supported by SPENCER TRACY, ROBERT WALKER, ROBERT MITCHUM, DON DeFORE, SCOTT McKAY, STEPHEN McNALLY (billed as Horace McNally) and, in an unbilled small role, BILL WILLIAMS. All give natural portrayals that are as compelling as the events of the bombing over Tokyo, the crash landing in China and the many events that follow. Relationships between Americans and the Chinese make for the most touching elements in the crash scene and the hospitalization.

A fine tribute to the war effort, it's among the best of the service films produced by any of the major studios during WWII.