Brass Monkey

The two previous excellent reviews present a fair, balanced, and accurate view of this movie. It is of interest now primarily as a period piece---actually an English period piece: believe me when I tell you that in 1948 there wasn't one American in 500,000 who had ever heard of Carroll Levis, "England's favorite Canadian." There is, however, a second and far more important reason for this movie's value. It captures the luminous Carole Landis at the height of her beauty (and very shortly before her tragic suicide at 29). If ever there was a movie actress who was not only breathtakingly beautiful and amazingly talented, but also underused, unappreciated, and relegated (for the most part, as here) to roles far beneath her, it was Carole Landis. She lost what could have been her best Hollywood years by her unselfish, indefatigable, tireless entertainment of American troops throughout the world in World War II, surpassing even Bob Hope and Martha Raye in miles traveled and military outposts visited. As above noted, she was in a class by herself for beauty, absolutely nonpareil in face and figure---Betty Grable and Alice Faye were just pretty made-up dolls in comparison. What a shame that, in the end, she ended up in fare such as this.

Minor mystery notable mostly as the final film of Carole Landis before her suicide. The mystery is average but what makes this stand out is that approximately the final third of the picture shoves the main plot aside to present a variety show since the main male lead Carroll Levis, a well known radio personality of the time, could not act and to spare him and the audience they had him emcee this concoction containing some good musical performances and some weak comedy bits. Avril Angers, a noted comedienne, is saddled with a character that is supposed to be charmingly daffy but comes across as idiotic. As for Carole Landis the Ping Girl performs her part professionally although its obvious that the quality of her films was declining if this cheapie was the best that was being offered. If you aren't familiar with her she looks well, slim and well put together but once you realize that she was only 29 years old when this was made her appearance becomes shocking. She is dangerously thin and looks at least five to ten years older at times, plagued by the aftereffects of malaria and other diseases she had incurred while entertaining the troops during WWII plus a very messy private life the strain was obviously beginning to take its toll.

THE BRASS MONKEY is a bizarre cross-genre mix of thriller and variety show, of real-life and make-believe. In fact it's one of the oddest films I've seen of the 1940s, as it comes across as an attempt to tack a half-hearted murder mystery/thriller style plot onto some very dated 'talent show' stagings which certainly haven't stood the test of time.

The film features real-life Canadian radio star Carroll Levis, who visits England and becomes embroiled in the hunt for a stolen brass ornament that's being pursued by a wealthy collector (THE BRIDE OF FRANKENSTEIN's Ernest Thesiger). A shady Herbert Lom hangs around and looks, well, shady, while the lovely and tragic Carole Landis (who would take her own life shortly after this film was made) brings plenty of glamour to her central part.

There are a couple of murders to enliven things and some plodding police procedural stuff to drag them down again. The last third of the film is given over to a variety show where real-life entertainers play themselves; a pianist called Hutch, a comedienne by the name of Avril Angers, and finally Terry-Thomas himself, constantly mugging. There's a surprising plot twist at the end, but I have to admit this dated talent show stuff left me cold and reminded me of the glut of reality TV plaguing our screens in the modern age. Thus THE BRASS MONKEY is a film I can hardly say I enjoyed, although fans of any of the main participants (are there still any?) will no doubt want to see it.

Ernest Thesiger wants an antique brass monkey from Japan, but it's stolen by a ring of do-badders which include Herbert Lom. To smuggle it through customs, it's given as a gift to Carole Landis, who gives it to radio personality Carroll Levis, who's playing radio personality Carroll Levis; he had a popular amateur hour show on the BBC in this period. The monkey becomes misplaced, and we get to witness a lot of amateur hour acts, including Terry-Thomas doing two of his routines.

It looks like it's going to turn into film noir -- how could it not, with Lom and Thesiger involved? -- but it never quite gets there. Instead the plot is dropped, and we get a show business story, with a girl contortionist, scatter-brained secretaries, and so forth, in Thornton Freeland's next-to-last time in the director's chair. Miss Landis committed suicide soon after appearing here. It was her last movie released in the United States, not making it into the theaters until 1951.

Over the years I have always admired everything that Carole Landis performed in on the Silver Screen. This was her last film before her untimely death and a friend loaned me the tape which I have always wanted to see. I was not disappointed in the story or the acting, however, Carole Landis was simply beautiful and very sexy in her final role and was able to keep this film from completely falling a part. I simply cannot understand why this film is not shown on our regular TV stations in America, it is truly a great Landis Film. However, a real great film that Carole Landis performed in was, "I Wake Up Screaming", along with many other great veteran actors. If you love her films, try and view this last Swan Song for Carole.