VALUTAZIONE IMDb
6,1/10
3527
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA radioactive, mud-like creature terrorizes a Scottish village.A radioactive, mud-like creature terrorizes a Scottish village.A radioactive, mud-like creature terrorizes a Scottish village.
Ian MacNaughton
- Haggis
- (as Ian McNaughton)
Norman MacOwan
- Old Tom
- (as Norman Macowan)
Neil Hallett
- Unwin
- (as Neil Hallet)
Michael Brooke
- Willie Harding
- (as Michael Brook)
Frazer Hines
- Ian Osborn
- (as Fraser Hines)
Recensioni in evidenza
A really neat Sci-Fi/Horror item about a superheated blob creature that haunts the Scottish moors. Believably acted by a cast of veterans, and loaded with terrific suspense. Hammer Films once again demonstrates what can be done with a small budget and lots of imagination. Watch for this one!
X: The Unknown from Hammer Films was intended to be a sequel to the film, The Quatermass Xperiment. Objections from the writer Nigel Kneale meant that the plot of the film was reworked.
The original director was slated to be the noted American blacklisted Joseph Losey who started shooting the film but due to illness had to be replaced by Leslie Norman (Father of film critic Barry Norman.)
This is an unpretentious film dealing with issues with nuclear radiation very much in vogue in the 1950s in horror and sci-fi films. The films also predates The Blob by a few years which was more campy.
Soldiers in Scotland discover a bottomless crack in the ground with a mysterious source of radiation activity. An explosion kills a few of the soldiers from radiation burns. Soon several more people die of radiation burns.
American actor Dean Jagger plays Dr Royston from an Atomic Laboratory who hypothesized that a form of life from prehistory trapped in the crust of the Earth, tries to reach the surface every 50 years depending on the alignment of the sun and tidal waves in order to find food from radioactive sources.
As the entity, a glowing blob feeds on radiation its mass increases as it tries to make its way to nuclear plants to find more radiation.
The film has a mix of good special effects especially with people melting and some ropey ones as the blob moves taking over the town or with fire explosions that look like a match going off. A lot of the horror is off camera but the film maintain its thrills.
The acting from Dean Jagger and Leo McKern is straightforward. It has a fair amount of thrills such as a little girl being left behind in a church as the blob approaches or at the climax when a jeep gets stuck in the mud.
The original director was slated to be the noted American blacklisted Joseph Losey who started shooting the film but due to illness had to be replaced by Leslie Norman (Father of film critic Barry Norman.)
This is an unpretentious film dealing with issues with nuclear radiation very much in vogue in the 1950s in horror and sci-fi films. The films also predates The Blob by a few years which was more campy.
Soldiers in Scotland discover a bottomless crack in the ground with a mysterious source of radiation activity. An explosion kills a few of the soldiers from radiation burns. Soon several more people die of radiation burns.
American actor Dean Jagger plays Dr Royston from an Atomic Laboratory who hypothesized that a form of life from prehistory trapped in the crust of the Earth, tries to reach the surface every 50 years depending on the alignment of the sun and tidal waves in order to find food from radioactive sources.
As the entity, a glowing blob feeds on radiation its mass increases as it tries to make its way to nuclear plants to find more radiation.
The film has a mix of good special effects especially with people melting and some ropey ones as the blob moves taking over the town or with fire explosions that look like a match going off. A lot of the horror is off camera but the film maintain its thrills.
The acting from Dean Jagger and Leo McKern is straightforward. It has a fair amount of thrills such as a little girl being left behind in a church as the blob approaches or at the climax when a jeep gets stuck in the mud.
Back in the days when "Prince Valiant" still covered most of a page in the Sunday funnies, I first saw this wonderfully creepy SF sleeper. From the opening scenes of a stretch of the Scottish moors opening up under a British soldier's feet, I was hooked. I was very lucky that my parents didn't send me to bed then(although they did right in the middle of "From Hell It Came", but that's another story); I was resolved to catch it again just to get that creepy feeling! The ominous P.O.V. shots of the "X" monster shambling through the barren woods at night, the outrageous "melting" death by hard radiation of the medical tech in the X-ray room, Dean Jagger as Dr. Royston, describing his new invention that can (theoretically) speed up decay of radioactive materials without causing flare-ups(!) simply by leeching away its' energy, and the film's creepy, near-ambiguous ending ("We did destroy it...didn't we?") showed just what you could--and can!--still do with a small budget and respect for the material.
Dean Jagger battles radioactive goo from the center of the earth in this 1956 Hammer outing. Unlike "The Blob", released 2 years later, this creepy little horror story is played straight; no attempt at camp here! Dean Jagger, Leo McKern, and Anthony Newley play their parts with a subtlety and professionalism that's rarely matched in similar period pieces. While this film was overshadowed by it's American counterpart (see above), it remains one of Hammer's better efforts and should be judged on it's own. Yes, the premise is a bit hard to believe, but, once you get past that, everything else in this film works, from the direction to the score to the dialog, and of course the acting. In short, this is an underexposed, tight little chiller that has just the right amount of genuine suspense and believable characters. Don't miss it.
Sometimes these low-budget science fiction features are amusing for unintended reasons, but this one is enjoyable because it has an interesting story and because it is well-crafted for such a low-budget movie. Since its effectiveness comes mostly from the story and from the solid acting, even with a bigger budget it might not have been significantly better.
The menace of "X the Unknown" is based on a far-fetched but interesting concept, and the story gets good mileage out of the premise, without pushing it too far. There are a couple of plot holes, but not so bad that they pull it down, and in general the story has the kind of internal logic that holds it together as long as you grant the premise for the sake of a good story.
The cast does surprisingly well. The characters are not the kind of roles that are particularly difficult to play, but they are the kind of roles that are easy to overplay, and that often are overplayed. Here the actors make their characters lifelike without trying to grab the attention, and it works pretty well.
Dean Jagger has good presence as Professor Royston, yet he avoids the kinds of stereotypes that sometimes make such characters annoying. Some of his little habits and mannerisms help to make the professor more human. Leo McKern also turns in a good performance. Edward Chapman's character is quite one-dimensional, yet he does a creditable job with it. It's also rather fun to see a very young-looking Anthony Newley in a small but entertaining role.
All of the cast members do a good job with a script that is plain but workmanlike. The special effects are rudimentary in technique, but they are good enough, and it's certainly preferable to have plain-looking special effects and a good story than to have flashy visuals and a dreary, pointless story. As a whole, "X the Unknown" delivers good science fiction without frills or padding, and it's easily among the better of the 1950s low-budget sci-fi movies.
The menace of "X the Unknown" is based on a far-fetched but interesting concept, and the story gets good mileage out of the premise, without pushing it too far. There are a couple of plot holes, but not so bad that they pull it down, and in general the story has the kind of internal logic that holds it together as long as you grant the premise for the sake of a good story.
The cast does surprisingly well. The characters are not the kind of roles that are particularly difficult to play, but they are the kind of roles that are easy to overplay, and that often are overplayed. Here the actors make their characters lifelike without trying to grab the attention, and it works pretty well.
Dean Jagger has good presence as Professor Royston, yet he avoids the kinds of stereotypes that sometimes make such characters annoying. Some of his little habits and mannerisms help to make the professor more human. Leo McKern also turns in a good performance. Edward Chapman's character is quite one-dimensional, yet he does a creditable job with it. It's also rather fun to see a very young-looking Anthony Newley in a small but entertaining role.
All of the cast members do a good job with a script that is plain but workmanlike. The special effects are rudimentary in technique, but they are good enough, and it's certainly preferable to have plain-looking special effects and a good story than to have flashy visuals and a dreary, pointless story. As a whole, "X the Unknown" delivers good science fiction without frills or padding, and it's easily among the better of the 1950s low-budget sci-fi movies.
Lo sapevi?
- QuizThe film was originally intended to have been a sequel to another Hammer success, L'astronave atomica del dott. Quatermass (1955), but creator Nigel Kneale vetoed the use of his character(s) by another writer - hence Prof. Bernard Quatermass swiftly became Dr. Adam Royston.
- BlooperLansing watches the stick sinking in a pool of liquid, but in a later long shot the stick in seen firmly standing in dry ground.
- Citazioni
Major Cartwright: You know this Royston chap - brilliant, of course, I'm sure - but the trouble with some of these scientific types is they can't see the easy way out of anything. It's got to be complicated if it's going to work.
- ConnessioniFeatured in TJ and the All Night Theatre: X the Unknown (1979)
- Colonne sonoreSerenade for Strings in E Major, Op. 22: V. Finale: Allegro vivace
(uncredited)
Written by Antonín Dvorák
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Dettagli
Botteghino
- Budget
- 60.000 USD (previsto)
- Tempo di esecuzione
- 1h 21min(81 min)
- Colore
- Proporzioni
- 1.85 : 1
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