Rappresaglia

The original novel was written by Arthur Gordon, a Southerner who was educated at Yale and Oxford. During WWII, he read about a lynching in his home state of Georgia, and was so incensed by it, he came home and wrote Reprisal. The novel is a black/white story, not Indian/white, but otherwise pretty similar. Gordon's anger was based in the fact he was in Europe fighting Facists and Nazis, and back home there were people killing citizens--just like the Nazis. Plus there were thousands of black troops fighting in Europe against the Nazis as well. The injustice was too much, and so the author fought back using his novel to illuminate the issues of race and hate.

New ranch owner Frank Madden, half Indian but posing as white, arrives just as an all white jury finds the three white Shipley brothers who lynched three Indians innocent. There is soon trouble between Frank and the Shipleys who are using Frank's land to graze their cattle. When the brother of one of the Indian victims kills a Shipley, Frank is accused and put in jail. The Shipleys then organize a lynch mob and head for the jail.

Guy Madison delivers a great performance as a mixed race man caught in the middle, trying to act white though the only people showing him much kindness are from the race he wants to abandon. Pate and Platt are very good as two of the Indian-hating Shipley brothers. Pate's character is nearly as conflicted as Madison's, because he can't stay away from a pretty Indian girl (Kathryn Grant). Felicia Farr is excellent as a person who sympathetic to natives and falls in love with Madison.

This is tautly plotted, effective western that highlights prejudice. Don't expect wall to wall gunfights but a solidly told story that collates all the elements in a 70 minute running time. Good characterisation, cinematography and superb camera work is in display here.

Pretty good western if you can get past Guy Madison as part Indian. Hiding his Indian blood so he can own land, Frank Madden (Madison) gets in trouble when one of the vicious Shipley brothers is killed for which he's blamed, and a lynch mob forms.

Actually, there's more plot here than the 70-minute run time can accommodate. Add the two leading lady sub-plots to the Indian sub-plot to the Shipley brothers main plot, and you've got a lot of story complications. The screenplay does a fair job of integrating them, but there's still an overflow.

The real oddity is Michael Pate playing a white guy (Bert Shipley) instead of an Indian in a western where Indians are featured. In fact, he darn near made a career out of playing Native Americans, so I'm wondering if a cast member dropped out at the last minute such that he had to switch roles. Anyway, he nearly steals the film with a lively, colorful performance.

Also, veteran director Sherman manages to inject genuine energy into the several crowd scenes, especially the lynch mob march down the street that had me really worried for the hapless Madden. Then too, the Arizona locations add a scenic touch to a B-western that could have easily cut corners and stayed in LA. All in all, it's a decent, if crowded, little western with some interesting features.

Incredibly good story, denouncing racism against Native Americans - Indians - one of the earliest western to talk about this scheme, besides the great classics such as BROKEN ARROW of course. This story is excellent in terms of writing, story telling, avoiding clichés, but onlt spoiled by a foreseeable ending. What a surprise to have this George Sherman's film for Columbia instead of Universal, his usual home studio. Guy Madison plays right, good job, but not that terrific. I think this western is a bit underrated for its quality, it should be watched again. I love those Indians characters here, they attract so much empathy.

A delightful surprise...this small, rich wonder of a film surely offers up Guy Madison's best performance...as the compromised cowboy....trying to deal with the racism of his villainous neighbours and their hangers-on. So refreshing to find a 1950s western which goes full-bore at the question of US xenophobia re their dealings with their first nations people. Not a political diatribe.....good simple narrative with well-played, not overplayed, characters, good dramatic ducking and diving.