Uomini violenti

A western through and through. As the title character portrayed by Glenn Ford says, "No, I don't want to fight, but I will if it's forced on me." This movie is about being intelligent, strong, and fighting for one's beliefs. With courage, never stop striving for what you feel is right. Great action and mostly quick paced. Good to see Brian Keith in this role and Edward G. Robinson as an older western man. Glenn Ford lives up to his western image. Thoroughly enjoyable film includes strategic non-military warfare. Of course it's violent, like the title states, but not too graphic like in the computer-generated era films. It's mostly about strong personality clashes.

This is yet another western about a greedy cattle baron looking to push out small ranchers and farmers. It's certainly all been done before and since. But The Violent Men is something special.

What makes it special is Barbara Stanwyck playing the role of vixen as she often did in her later films. She's married to the crippled Edward G. Robinson who's the cattle baron here, but Robinson is crippled and there is some hint that his injuries may have left him impotent. No matter to Barbara, whose needs are being met by her brother-in-law Brian Keith. That doesn't sit well with either Dianne Foster who is Robinson and Stanwyck's daughter, nor with Lita Milan who is Keith's Mexican girl friend.

The infidelity subplot almost takes over the film, but Glenn Ford as the stalwart small rancher who is a Civil War veteran come west for his health manages to hold his own here. He's every inch the quiet western hero who people make the mistake of pushing once too often. I almost expect those famous words from Wild Bill Elliott to come out of Ford's mouth, "I'm a peaceable man." Would have been very applicable in The Vioilent Men.

The Fifties was the age of the adult western, themes were entering into horse operas that hadn't been explored before. The following year Glenn Ford would do another western, Jubal, one of his best which also explores infidelity as a plot component.

There's enough traditional western stuff in The Violent Men and plenty for those who are addicted to soap operas as well.

Lee Wilkison runs Anchor Ranch and has coerced, bullied and killed his way through other farmers to become the biggest land owner in the area. When former Civil War Captain turned farmer John Parrish decides to sell up and head back east to marry fiancé Caroline, he decides to sell to Wilkison despite the objections of the only other remaining landowner Purdue. However Wilkison only offers $15k for the whole shooting match and advises Parrish accepts because either way he intends to own the land. Parrish still plans to sell anyway but when one of his men (Bud) is murdered by Cole Wilkison, he changes his mind and decides to stay and fight.

On paper the plot summary for this western makes it sound like a very straightforward affair, which in a way it is, but it does also have other stuff going on as well. On the basic level it is a solid story of right versus wrong but it is enjoyable as it uses Parrish's military background to make the conflict interesting and different from the usual shoot out scenes. I don't agree with another reviewer that the barroom shooting was as wonderful as all that but it was nice to see the psyching instead of the usual bravado. On top of this it was good to have Parrish be too tired for fighting – not idealistic or naturally peaceful but just uncaring about the wider issues, a nice change for the lead in this genre. This character is well backed up by old Wilkison, who is driven by forces he doesn't totally control to own the whole valley; meanwhile he is dominated by his unfaithful and unscrupulous wife – they are strong characters and it is a shame that the script just sets them up rather than exploring them, but this is a genre western after all I suppose. This lack of depth is shown in the weakness of the ending. Although the change makes sense, the speed it happens at doesn't and a bit of character development would have helped make it much more convincing.

Despite this the characters are helped by the strong cast. Stanwyck may not have the depth but she has the presence to make her character enjoyably evil. Robinson allows her to dominate to create a character that is both "bad" and weak at the same time; sure, he could have been better but he is good with what he has. Ford stands up well alongside this showy support and the script helps him stand out from the genre staple of wide chest and big chin – he isn't amazing by any means but he does embrace the chance to work with a character a bit different from the norm. The rest of the cast are solid enough with turns from Keith, Anderson and Foster as well as a few others.

Overall then a solid genre western with enough about it to make it slightly better than average. Not all the characters and themes are as well developed as I would have liked but they still add value to the film and make it a better prospect than it seems. The cast helps and it is just a shame that the material is not as strong as it could have been (best seen in the slightly unconvincing ending due to a step change in a major character rather than a gradual change).

Caught this on TCM late last night. Could not resist watching a film with Glenn Ford, Edward G. Robinson, Barbara Stanwyyck Barbara is the attractive woman you love to hate and plays it to the hilt. Edward G. Robinson is convincing as always as the villain-in-chief. Glenn Ford always a pleasure to watch. The scene in the saloon where Glenn Ford faces down the murdering henchman, surrounded by his cronies, is just what you want to see a reluctant hero do.

But what caught my attention most was the scenery. I am sure this is one of the 100 or more movies filmed in Lone Pine, California amidst the Alabama Hills* lying just north of town. Rock formations provide the rugged scenery where over 100 cowboy movies have been filmed with every major cowboy movie star. It was the setting for "Bad Day at Black Rock" with Spencer Tracy, Ernest Borgnine and Jack Palance. Films were made here with John Wayne, Gene Autry, Roy Rogers, Hopalong Cassidy, and it was also the setting for, surprisingly, "Gunga Din". With snow-capped Sierra Nevada peaks in the background, I tried but could not possibly identify Mount Whitney, at just under 15,000 feet, the highest point in the lower 48 USA states.

One reviewer above complains about the use of stock footage for the cattle stampede as well as for stampeding the (enemies') horses. I just marvel at the motion picture arts that they could even create such scenes at all. Did they pay some huge rancher to allow a cattle stampede??? That must have run off many pounds of expensive beef. The horse stampede must likewise have been expensive. If these were wild horses filmed at large, they sure did a skillful job intercutting the clips with the ranchers' corrals in the film.

All in all, a standard oater but with great movie stars, scenery and action, I enjoyed watching. I think you will too.

(* Oh, yes. The Alabama Hills. In California? They were named during the Civil War by miners sympathetic to the Confederate cause. If you should drive North on California State 395 en route perhaps to ski at Mammoth Mountain, spend a few minutes to detour through the Alabama Hills. And take your camera! You'll be glad you did. Well worth the time.)

Highly watchable Western from a Donald Hamilton novel about confrontation between cattlemen and homesteaders . The picture gets action Western , shootouts , wonderful outdoors and is quite entertaining . It deals with a Union ex-soldier named John Parrish (Glenn Ford) schemes to sell up to Anchor Ranch and move east with his fiancée , but the low price offered by a wealthy rancher makes him think again . Glenn Ford/Parrish is the brave ex-officer , he is fighting to stifle the conflicts between homesteaders and cattleman who hire gunfighters (Richard Jaeckel). When one of his hands is killed he decides to stay and fight, utilising his war experience. The unscrupulous owner named Lew Wilkison (Edward G Robinson in conflict with good folk of the valley and plans rules over the lands . Not all is well at Anchor with the owner's wife carrying on with his brother (Brian Keith) who anyway has a Mexican moll (Lita Milan) in town . Meanwhile Parrish develops a loving triangle between his fiancée (May Wynn) and a good girl (Dianne Foster)

Enjoyable Western packs drama , thrills , go riding and some moving action sequences . It's a medium budget film with good actors , technicians, production values and pleasing results . Good performances from Glenn Ford as obstinate war veteran , Edward Robinson as a crippled owner and Barbara Stanwick as his wife . 'Edward G. Robinson' may seem oddly cast in a western, but he was a rush replacement for 'Broderick Crawford' who early on in shooting fell off his horse and was injured ; Robinson would later appear in the western Cheyenne Autumn , this time replacing the ill Spencer Tracy who had to bail out. Large plethora of secondaries , many of them uncredited as Jack Kelly , Willis Bouchey , Peter Hansen and Richard Farnsworth . Colorful and glimmer cinematography by two great directors of photography W. Howard Greene and Burnett Guffey , filmed on spectacular Alabama Hills, Lone Pine, California, and Tucson, Arizona . Sensitive as well as evocative musical score by classical Max Steiner.

The motion picture was directed in sure visual eye by Rudolph Mate . Polish-born Mate was an assistant cameraman for Alexander Korda and later worked throughout Europe with noted cameraman Karl Freund , director Carl Theodor Dreyer and Erich Pommer . Dreyer was so impressed with his work that they hired him as cinematographer on The Passion of Joan of Arc . Mate was soon working on some of Europe's most prestigious films, cementing his reputation as one of the continent's premier cinematographers. Hollywood came calling in 1935, and Mate shot films there for the next 12 years before turning to directing in 1947. Unfortunately, while many of his directorial efforts were visually impressive ,especially his sci-fi When the worlds collide (1951) , his labour as cameraman was excellent . He realized a variety films of all kind of genres as Adventures : The Black Shield of Falworth , Seven Seas to Calais , Western : Three Violent People , The far horizons , Noir films : Union Station , Second chance .He also directed Epic films as The Barbarians and The 300 Espartans . The films themselves were for the most part undistinguished, with his best work probably being the film-noir classic DOA (1950). ¨Violent men¨ rating , : Better than average , 7. Well worth watching .