VALUTAZIONE IMDb
6,0/10
693
LA TUA VALUTAZIONE
Dopo la morte di un allevatore, i suoi tre figli gestiscono il ranch, ma uno di loro è visto come un codardo a causa della sua riluttanza a sparare.Dopo la morte di un allevatore, i suoi tre figli gestiscono il ranch, ma uno di loro è visto come un codardo a causa della sua riluttanza a sparare.Dopo la morte di un allevatore, i suoi tre figli gestiscono il ranch, ma uno di loro è visto come un codardo a causa della sua riluttanza a sparare.
Leon Alton
- Townsman
- (non citato nei titoli originali)
Stanley Andrews
- Old Nester
- (non citato nei titoli originali)
Emile Avery
- Cowhand
- (non citato nei titoli originali)
Recensioni in evidenza
I read most of the reviews here, but saw the movie anyway because I like Westerns and Janice Rule, and I especially enjoyed two other Fred MacMurray Westerns, "Good Day For a Hanging" and "Face of a Fugitive." The latter is a classic in my opinion.
Most of the movie was worthy -- the stars, production values, general story outline, dialog. It held my attention. But, I have to agree with most of the reviews here: there were long, boring, repetitious stretches. There were too many indoor talky scenes. The cattle drive scenes seemed small, cramped and cheap. There were hardly any scenes involving action, excitement or suspense.
My biggest complaint is that the movie consisted mainly of repeated boring scenes where Jeffrey Hunter's character declined to fight (with fists or guns) his adversaries. Some branded him a coward for this, but the way the scenes were structured, it seemed to me like a smart move to avoid meaningless, risky fights.
Most of the movie was worthy -- the stars, production values, general story outline, dialog. It held my attention. But, I have to agree with most of the reviews here: there were long, boring, repetitious stretches. There were too many indoor talky scenes. The cattle drive scenes seemed small, cramped and cheap. There were hardly any scenes involving action, excitement or suspense.
My biggest complaint is that the movie consisted mainly of repeated boring scenes where Jeffrey Hunter's character declined to fight (with fists or guns) his adversaries. Some branded him a coward for this, but the way the scenes were structured, it seemed to me like a smart move to avoid meaningless, risky fights.
Fred MacMurray, Jeffrey Hunter, and Dean Stockwell (in his first adult role) are three brothers, working their own ranch. While MacMurray is stoic and competent, and Stockwell anxious to be grown up, Hunter is different. He's gentler, and is quickly branded a coward.
It's an interesting and well told story, but there are some problems. First is the casting of MacMurray, he's considerably older than the other two. In fact, he's only four years younger than Jisephine Hutchinson, who plays their mother. The other is the way that Hunter is photographed. Half the time, his eyes look like he's blinded by cataracts, and it sometimes seemed he moved as though he could not see.
Still and all, it's a nicely written and (largely) shot Universal western 'Shaky A' production, a good paycheck movie for its actors, who include the always welcome Chill Wills, Janice Rule, and in a small role, Bob Steele.
It's an interesting and well told story, but there are some problems. First is the casting of MacMurray, he's considerably older than the other two. In fact, he's only four years younger than Jisephine Hutchinson, who plays their mother. The other is the way that Hunter is photographed. Half the time, his eyes look like he's blinded by cataracts, and it sometimes seemed he moved as though he could not see.
Still and all, it's a nicely written and (largely) shot Universal western 'Shaky A' production, a good paycheck movie for its actors, who include the always welcome Chill Wills, Janice Rule, and in a small role, Bob Steele.
This is one rather unusual western with themes explored that are not normally reserved for western films. Gun For A Coward did come out in the Fifties the decade when the western finally did become adult.
Fred MacMurray, Jeffrey Hunter, and Dean Stockwell are the Kehoe Brothers who have the local Ponderosa spread courtesy of their father. Unlike the Cartwrights the Kehoes still have their mother Josephine Hutchinson still living with them.
MacMurray is the older and most sensible brother and he's in charge of the place. The youngest is Dean Stockwell who's a hotheaded kid. It's the middle brother Jeffrey Hunter. He's the one that mom kind of reserved for her own. The frontier life isn't for him, she wants him to go east possibly take up the law as a profession.
Hunter as per mom's raising always tries to talk his way out of all situations. That doesn't always work and older brother MacMurray is forever trying to both explain him and figure him out and younger brother Stockwell is impatient with his pacifism. Is Hunter really the coward of the family?
Some of the situations that normally come up with Ponderosa owners who are the good guys come up in this film. It's how they're dealt with and the attitudes expressed that are what makes Gun For A Coward a different kind of western.
One I think you'll enjoy.
Fred MacMurray, Jeffrey Hunter, and Dean Stockwell are the Kehoe Brothers who have the local Ponderosa spread courtesy of their father. Unlike the Cartwrights the Kehoes still have their mother Josephine Hutchinson still living with them.
MacMurray is the older and most sensible brother and he's in charge of the place. The youngest is Dean Stockwell who's a hotheaded kid. It's the middle brother Jeffrey Hunter. He's the one that mom kind of reserved for her own. The frontier life isn't for him, she wants him to go east possibly take up the law as a profession.
Hunter as per mom's raising always tries to talk his way out of all situations. That doesn't always work and older brother MacMurray is forever trying to both explain him and figure him out and younger brother Stockwell is impatient with his pacifism. Is Hunter really the coward of the family?
Some of the situations that normally come up with Ponderosa owners who are the good guys come up in this film. It's how they're dealt with and the attitudes expressed that are what makes Gun For A Coward a different kind of western.
One I think you'll enjoy.
Gun for a Coward is directed by Abner Biberman and written by R. Wright Campbell. It stars Fred MacMurray, Jeffrey Hunter, Janice Rule, Chill Wills, Dean Stockwell and Josephine Hutchinson. Out of Universal International Pictures, film is a CinemaScope production in Eastman Color, with photography by George Robinson and music by Joseph Gershenson.
Three brothers must contend with big personal differences whilst also trying to see off a band of cattle rustlers who are pillaging from their herd.
But you don't cover me with your shadow.
So many good things involved with this production it feels unfair to label it as dull, but dull is ultimately how it ends up being after film has run its course. The cast assembled is a strong one, the dialogue is sharp and well written, and the location photography out of Vasquez Rocks Natural Area Park is most pleasing. Prolific Western scorer Gershenson also produces a highly effective score, very reflective of the characters' stuttering emotions. But with a running time of almost 90 minutes the makers have over stretched the family feud premise by having too many periods of story inactivity. Biggest problem of all is that the coward of the title, Bless' (Hunter) back story is never fully formed, adding little snippets here and there doesn't do it justice. For instance: it's only late in the day that we find his reputation is tarnished outside of his family, the whole damn town are down on him. A better director than jobber for hire Biberman would surely have got more from this tortured character axis.
Stockwell and Hunter are not the best of actors all told, but they fit right into the roles of two brothers made of different stuff. Stockwell does a good turn as the young and fearless one, and Hunter as the middle brother of the three effectively conveys the psychological pangs that sting him during the plot. The elder brother is played by MacMurray, who offers up a weary surrogate father performance for this fatherless family. It's the death of the father that is the catalyst for Hunter's problems. While Hutchinson adds a bit of class as the fretful mother and Wills is always good value for money. Rule gets the short straw from the screenplay, in what is a critical (two fold) role, she isn't asked to do anything other than look pretty and say soothing words to tortured Bless. The action is competently constructed, though the art of throwing a convincing punch is sadly missing here. And the ending, whilst being predictable (no shades of the far superior Saddle the Wind here), has enough warmth about it for those not in need of blackness in their Western viewings.
By definition it is very much a B movie in the truest sense of the term, but there is good in the production, even if it is undone by slackness elsewhere. 5.5/10
Three brothers must contend with big personal differences whilst also trying to see off a band of cattle rustlers who are pillaging from their herd.
But you don't cover me with your shadow.
So many good things involved with this production it feels unfair to label it as dull, but dull is ultimately how it ends up being after film has run its course. The cast assembled is a strong one, the dialogue is sharp and well written, and the location photography out of Vasquez Rocks Natural Area Park is most pleasing. Prolific Western scorer Gershenson also produces a highly effective score, very reflective of the characters' stuttering emotions. But with a running time of almost 90 minutes the makers have over stretched the family feud premise by having too many periods of story inactivity. Biggest problem of all is that the coward of the title, Bless' (Hunter) back story is never fully formed, adding little snippets here and there doesn't do it justice. For instance: it's only late in the day that we find his reputation is tarnished outside of his family, the whole damn town are down on him. A better director than jobber for hire Biberman would surely have got more from this tortured character axis.
Stockwell and Hunter are not the best of actors all told, but they fit right into the roles of two brothers made of different stuff. Stockwell does a good turn as the young and fearless one, and Hunter as the middle brother of the three effectively conveys the psychological pangs that sting him during the plot. The elder brother is played by MacMurray, who offers up a weary surrogate father performance for this fatherless family. It's the death of the father that is the catalyst for Hunter's problems. While Hutchinson adds a bit of class as the fretful mother and Wills is always good value for money. Rule gets the short straw from the screenplay, in what is a critical (two fold) role, she isn't asked to do anything other than look pretty and say soothing words to tortured Bless. The action is competently constructed, though the art of throwing a convincing punch is sadly missing here. And the ending, whilst being predictable (no shades of the far superior Saddle the Wind here), has enough warmth about it for those not in need of blackness in their Western viewings.
By definition it is very much a B movie in the truest sense of the term, but there is good in the production, even if it is undone by slackness elsewhere. 5.5/10
It is a small budget and very intelligent psychological western, speaking of cowardice and the elements in relation of this. But I guess it could have been a bit better though, more gritty, poignant, with a different ending. The director Abner Biberman offered us good stuff, but not too many films, unfortunately. This one is also a family - brothers - story, with the good tension that supposes. I did not expect to see Jeffrey Hunter in this movie, besides Fred McMurray. His character is riveting, and only for this, this western is worth the watch. Universal Studios really made interesting westerns.
Lo sapevi?
- QuizDean Stockwell's first film as an adult after a six-year hiatus.
- Citazioni
The Preacher: The Good Book speaks a lot of words at a time like this. But I don't think Harry Keough knew too many of them. He wasn't old enough...or calmed enough.
- ConnessioniReferenced in Un cappello pieno di pioggia (1957)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Gun for a Coward?Powered by Alexa
Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 1.000.000 USD
- Tempo di esecuzione1 ora 28 minuti
- Proporzioni
- 2.35 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was Una pistola per un vile (1956) officially released in India in English?
Rispondi