La vita di una famiglia californiana viene stravolta dall'arrivo di una misteriosa forma di vita aliena decisa a conquistare il pianeta Terra.La vita di una famiglia californiana viene stravolta dall'arrivo di una misteriosa forma di vita aliena decisa a conquistare il pianeta Terra.La vita di una famiglia californiana viene stravolta dall'arrivo di una misteriosa forma di vita aliena decisa a conquistare il pianeta Terra.
- Deputy Larry Brewster
- (as Richard Sargeant)
- The Beast
- (voce)
- Duke, the Dog
- (non citato nei titoli originali)
Recensioni in evidenza
Roger Corman produced this small but decent enough piece of '50s silliness about an alien ship and a little puppet inside which is able to control minds - first animals, and then progressing to humans. This seems like a precursor to films like THE BIRDS and DAY OF THE ANIMALS, as a modest rancher and his family living in the desert wilderness are attacked by birds, chickens, cows, and even their own dog. These attacks are not well staged and this is ultra-cheap, but it was still interesting enough.
** out of ****
One of the first things you'll notice about this film is that it was shot on a shoestring budget--much like an Ed Wood film. The actors were obviously not professionals and the setting was amazingly minimalistic. Yet despite this, the film had some very interesting story elements and I found myself actually enjoying this film--that is until the movie degenerated into a cheesy and stupid mess towards the end. And, when it's all said and done, that's what you are left with as the final credits roll--a terrible mess that just didn't pay off and could have with a re-write to the last 10 minutes.
Lo sapevi?
- QuizJames H. Nicholson had come up with a tremendous ad and title and pre-sold the movie to exhibitors. Then they made the movie. When the distributors viewed the finished film, they were disappointed because the ads were so much more interesting.
- BlooperWhen Sandy is leaving the kitchen to go swimming, as in some other similar shots, the door which supposedly leads outside obviously opens to a studio interior. This is also the reason why the kitchen windows are always curtained, and the outside view is never visible through them.
- Citazioni
Carol Kelley: I don't suppose it really matters, but...
Allan Kelley: Does anything really matter to you anymore?
Carol Kelley: Oh, I'm sorry she heard, I'm... I didn't mean to...
Allan Kelley: You say a lot of things you don't mean, Carol. But you still say them, don't ya?
Carol Kelley: Yes. I'm not easy to get along with am I? Oh, I don't know. I think I could stand it, except for
[looking at the horizon]
Carol Kelley: out there... all that wasteland and mountains. We might as well be on another planet. Oh, Alan without Sandy I don't know what would happen to me. It'd be just you and me and... Him
[she sees Him looking at them]
Carol Kelley: . Always watching. Why doesn't he ever go away on his day off? Always watching us. Heaven knows thinking what thoughts.
Allan Kelley: We've been over this before. You must know by now, he's harmless.
Carol Kelley: I've never been sure.
- ConnessioniFeatured in Aweful Movies with Deadly Earnest: The Beast with a Million Eyes (1966)
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Dettagli
Botteghino
- Budget
- 23.000 USD (previsto)
- Tempo di esecuzione
- 1h 15min(75 min)
- Colore
- Mix di suoni