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The Beast with a Million Eyes

  • 1955
  • Approved
  • 1h 15min
VALUTAZIONE IMDb
3,7/10
1899
LA TUA VALUTAZIONE
The Beast with a Million Eyes (1955)
FantascienzaOrrore

La vita di una famiglia californiana viene stravolta dall'arrivo di una misteriosa forma di vita aliena decisa a conquistare il pianeta Terra.La vita di una famiglia californiana viene stravolta dall'arrivo di una misteriosa forma di vita aliena decisa a conquistare il pianeta Terra.La vita di una famiglia californiana viene stravolta dall'arrivo di una misteriosa forma di vita aliena decisa a conquistare il pianeta Terra.

  • Regia
    • David Kramarsky
    • Roger Corman
    • Lou Place
  • Sceneggiatura
    • Tom Filer
  • Star
    • Paul Birch
    • Lorna Thayer
    • Dona Cole
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    3,7/10
    1899
    LA TUA VALUTAZIONE
    • Regia
      • David Kramarsky
      • Roger Corman
      • Lou Place
    • Sceneggiatura
      • Tom Filer
    • Star
      • Paul Birch
      • Lorna Thayer
      • Dona Cole
    • 55Recensioni degli utenti
    • 39Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto74

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    Interpreti principali8

    Modifica
    Paul Birch
    Paul Birch
    • Allan Kelley
    Lorna Thayer
    Lorna Thayer
    • Carol Kelley
    Dona Cole
    Dona Cole
    • Sandra Kelley
    Dick Sargent
    Dick Sargent
    • Deputy Larry Brewster
    • (as Richard Sargeant)
    Leonard Tarver
    Leonard Tarver
    • Him - aka Carl
    Bruce Whitmore
    • The Beast
    • (voce)
    Chester Conklin
    Chester Conklin
    • Ben Webber
    London
    London
    • Duke, the Dog
    • (non citato nei titoli originali)
    • Regia
      • David Kramarsky
      • Roger Corman
      • Lou Place
    • Sceneggiatura
      • Tom Filer
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti55

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    Recensioni in evidenza

    5JohnSeal

    Underappreciated

    To call this film "cheesy" or imply that it is "worse than Ed Wood" is absurd. The Beast With A Million Eyes may indeed have a pathetic space ship that looks like a coffee percolator, but the film itself is an understated and serious attempt to deal with issues as diverse as individualism, loneliness, guilt, and spirituality. The film doesn't rely on stock footage, giant bugs, prescient scientists, granite jawed generals, or any of the other cliches of 50s sci fi. Shot in the deserts of California on a meagre budget, it manages to convey the depression and decay that have overcome the small, but nuclear, farm family headed by the excellent Paul Birch. Birch went on to play a similar role in the 1956 ARC production, The Day the World Ended--another film that is remembered primarily for its goofy monsters instead of its interesting story. This film scared me to death when I was 10 years old, and seeing it now reminded me of the primal fears of betrayal and disloyalty that were the obvious triggers of my pre-pubescent psyche. By no means a 'classic': simply an outstanding example of low low budget independent filmmaking and intelligent screenwriting.
    4BaronBl00d

    Can't Help But See Because the Night Has a Million Eyes

    Now it is very easy to lambaste this film for so many things. The cheesy special effects(where reviewers have compared the alien spacecraft to a percolator or tea kettle)or how about the cloth birds thrown at Paul Birch's car. That is the extent of the special effect except of course for the "horrifying" finale where the mastermind is revealed. Somebody pinch me so I do not relive that horror another moment. Okay, let's get real. What about the animals - real, live animals - which are supposedly mad and dangerous. A dog wagging it tail in attack mode? The dog looked liked it was being trained in real time and was about as dangerous as the chances of any actors in this film winning an Oscar. A mad bull suppose to be a milking cow moving on in an attack like molasses. Paper and cloth birds and an innocuous crow sitting in a date palm. Scary stuff. The story basically has some alien mastermind introduced at the film's beginning saying he will take over earth for his dying alien race by first mastering the simple minds of the animals and plants and then moving on to the human beings. Whilst its execution is anything but pretty, The Beast with a Million Eyes is really one of the first nature goes awry films - films like The Day of the Animals, Prophecy, Grizzly, and so on owe the film a little bit - okay, a micro-little bit, but it is one of the first of its kind. What does it have going for it? Honestly not much. Paul Birch is mediocre but at least can act. I wish I could say that about the other thespians but would choke if I tried. Lorna Thayer plays his wife with reckless over-acting. She was an actress of some note and today is best known as the waitress from Five Easy Pieces with the notorious chicken salad sandwich scene. Dona Cole plays the daughter Sandy and she is just awful - no wonder her film career was quite limited. Dick Sargent(the second Darren from Bewitched) and Leonard Traver as the hulking, mute, ax-wielding "Him" are barely serviceable. One minor surprise was seeing great silent film comedian Chester Conklin in a brief but satisfying role. He even gets to do a little shtick for us before his udderly ridiculous departure. I have one big question. Why would an alien mastermind trying to take over the world start on a barely populated date farm in the middle of nowhere. Nothing much here in terms of animal/plant/or human life? You can tell the movie was made on a shoe-string budget and has obvious, for many, irrevocable flaws. But despite all of these imperfections, I found the movie to have some heart and think we should all get together and give it some love. Paul Birch's character would be so happy with that.
    5Cinemayo

    Beast With A Million Eyes (1955) **

    THE BEAST WITH A MILLION EYES

    Roger Corman produced this small but decent enough piece of '50s silliness about an alien ship and a little puppet inside which is able to control minds - first animals, and then progressing to humans. This seems like a precursor to films like THE BIRDS and DAY OF THE ANIMALS, as a modest rancher and his family living in the desert wilderness are attacked by birds, chickens, cows, and even their own dog. These attacks are not well staged and this is ultra-cheap, but it was still interesting enough.

    ** out of ****
    nicholas-14

    a true classic for the "cheesy horror" buffs

    This film is truly enjoyable as one of the classic cheesy horror flicks of the 20th century. As plain country folk become terrorized by the animals on their farm who's minds are under the control of..."THE BEAST!"...who to my dismay only has two eyes...............Watch for Dick Sargeant as the tough, yet understanding officer.......Good, Clean , Horror!!!
    3planktonrules

    The first 75% of the film was very good, the last 25% undid the entire film

    The movie is set in an oasis in the desert--somewhere in the California/Nevada area. The story involves a family plus their hired hand--a mute who seems to be a bit touched. Into their boring little world, what seems to be a plane nearly hits their house and soon all the animals on the farm start behaving in a hostile fashion towards the people. Most of the violence comes from the birds and the film is highly reminiscent of the Hitchcock film, THE BIRDS--though this film at least tries to explain why the animals are going berserk. It seems that the plane was actually a UFO and it deposited some weird machine that can make animals and weak-minded people do its evil bidding!!! Despite this great threat, everything just kind of fizzled and everyone was miraculously fine when the film ended--and I felt pretty confused and irritated by the slap-dash ending.

    One of the first things you'll notice about this film is that it was shot on a shoestring budget--much like an Ed Wood film. The actors were obviously not professionals and the setting was amazingly minimalistic. Yet despite this, the film had some very interesting story elements and I found myself actually enjoying this film--that is until the movie degenerated into a cheesy and stupid mess towards the end. And, when it's all said and done, that's what you are left with as the final credits roll--a terrible mess that just didn't pay off and could have with a re-write to the last 10 minutes.

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    Interessi correlati

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      James H. Nicholson had come up with a tremendous ad and title and pre-sold the movie to exhibitors. Then they made the movie. When the distributors viewed the finished film, they were disappointed because the ads were so much more interesting.
    • Blooper
      When Sandy is leaving the kitchen to go swimming, as in some other similar shots, the door which supposedly leads outside obviously opens to a studio interior. This is also the reason why the kitchen windows are always curtained, and the outside view is never visible through them.
    • Citazioni

      Carol Kelley: I don't suppose it really matters, but...

      Allan Kelley: Does anything really matter to you anymore?

      Carol Kelley: Oh, I'm sorry she heard, I'm... I didn't mean to...

      Allan Kelley: You say a lot of things you don't mean, Carol. But you still say them, don't ya?

      Carol Kelley: Yes. I'm not easy to get along with am I? Oh, I don't know. I think I could stand it, except for

      [looking at the horizon]

      Carol Kelley: out there... all that wasteland and mountains. We might as well be on another planet. Oh, Alan without Sandy I don't know what would happen to me. It'd be just you and me and... Him

      [she sees Him looking at them]

      Carol Kelley: . Always watching. Why doesn't he ever go away on his day off? Always watching us. Heaven knows thinking what thoughts.

      Allan Kelley: We've been over this before. You must know by now, he's harmless.

      Carol Kelley: I've never been sure.

    • Connessioni
      Featured in Aweful Movies with Deadly Earnest: The Beast with a Million Eyes (1966)
    • Colonne sonore
      Symphony no. 10 in E minor: II. Allegro
      (uncredited)

      Written by Dmitri Shostakovich

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    Dettagli

    Modifica
    • Data di uscita
      • 15 giugno 1955 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • The Beast with 1,000,000 Eyes!
    • Luoghi delle riprese
      • Indio, California, Stati Uniti
    • Aziende produttrici
      • San Mateo Productions
      • Palo Alto Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 23.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 15min(75 min)
    • Colore
      • Black and White
    • Mix di suoni
      • Mono

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