L'uomo senza corpo

A black-clad, gaunt stranger (Michael Pate) arrives in town, becomes a farmhand for a pretty rancher (Kathleen Crowley), eventually turns out to be the vampire terrorizing the countryside. This really is a clever, moody piece, another well-done 1950s Universal-International terror film, featuring good performances, creepy music, and an astonishing climax.

I've always liked this movie: it takes a theme that could easily have been preposterous (a vampire Western?) and handles it with restraint, dignity, a nice feel for its two respective folklores, and deep, handsome B&W photography. It's an easy step from natural to supernatural for that classic Western icon, the mysterious, black-clad gunslinger who rides into town by night, and the rest of the movie is just as comfortable a blend. The laconic vampire, Drake Robey ("The dead don't bother me, ma'am, it's the living that give me trouble") is a noble monster who first preys on, then falls for the feisty rancher heroine, and there's a neat iconic scene involving a bullet mounted with Preacher Dan's precious fragment of the True Cross. Really a classy little movie and most unfairly overlooked - I can't believe this is the first comment on it!

This western is one of the strangest in movie history and its weirdness is only surpassed by the infamous "Terror of Tiny Town"-- the first (and only) all-midget western! After all, this is a western about...VAMPIRES!!!

When the film begins, there is the usual sort of plot--a local baddie is trying to take control of surrounding ranches. However, what you come to realize is that that potential range war is actually being orchestrated by a third party. Drake Robey is in actuality a vampire and is using his vampirey skills to create chaos. However, along the way he finds himself falling for a local hottie. The only thing standing between her is the local preacher...the only one who has learned Robey's dark secret.

This is just one strange mash-up--vampires AND cowboys! Strange...but also reasonably interesting and worth seeing despite a few actors who aren't exactly talented. See this one...just to see one of the most unique films to come out of Hollywood.

I was just a kid when I saw this so, my memory could be shading my judgment. However, after viewing some of the "Highlander" TV series, this western is along the lines of a tale told in flashback about an immortal who lived through the time of the old west. In the case of this film, the immortal happens to be a vampire. What a great gig for a vampire--be THE best gunslinger in the west. Even if you are a slow draw, you can never lose.

I also was impressed with the use of a preacher as the protagonist. I remember a very positive portrayal. I haven't too much a memory about the acting, though. A good gage would be to conjure up memories of the lead actor when he played Gil Favor the trail boss on TV's "Rawhide."

One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by Edward Dein; Produced by Joseph Gershenson for Universal-International Pictures release. Screenplay by Edward and Mildred Dein; Photography by Ellis Carter; Edited by George Gittens; Music by Irving Gertz. Starring: Eric Fleming, Michael Pate, Kathleen Crowley, Edward Binns, John Hoyt, Bruce Gordon and Jimmy Murphy.

The first combo Western-horror film, in which a vampire, dressed in black, terrorizes the West in the guise of a gunfighter and is faced-down by an iron-willed man of the cloth. Transference of the vampire legend is well-done and Pate is exceptionally good as the fast-draw Drac.