La città del vizio

Whether your a fan of Noir or not, The Phenix City Story remains superior filmaking on all levels regardless of it's budget and lack of special effects. While some may laugh at substituting a doll briefly for a dead child; it's follow up scene continues to have as much shocking impact today as it did upon it's release. To say this is textbook noir filmaking is too small as by all standards The Phenix City Story is the barometer by which crime, realism, fistfights and expose cinema is measured up to.

Sometimes rush jobs really work out, like Phenix City Story. Consider that the movie was scripted, shot, and processed in less than a year after the triggering event of Patterson's murder. Credit the producers or someone for coming up with a first-rate cast, a marvelous director, and a big enough budget for location filming in the actual Phenix City. The result is the best of the "city expose" movies so popular at the time.

There's a rawness to the violence here that's more convincing than usual, in part because of director Karlson's "feel" for the material and also because it appears to grow organically out of the seedy surroundings of honky-tonks and carousing soldiers on leave from Fort Benning. Credit too the fine, underrated Edward Andrews for blending oily charm with ruthless violence, just the qualities needed to run an operation of that sort. Kiley too delivers in spades, his rage unusually intense and realistic. The only questionable note is Katherine Grant's Ellie, seemingly too sweet and naïve for a dealer in a crooked set-up.

Getting Karlson was a real coup. He was just hitting his stride as a top crime drama director during this period. His staging of the little girl's murder is a real grabber, along with the parking lot beating. In fact, the movie has an unusually pervasive atmosphere of unrestrained evil. Credit should also go to screenwriter Dan Mainwaring for a good tight script and some timely notes on the downside of vigilantism. Apparently, the lengthy prologue was added to ease censorship concerns, and, aside from historical value, can easily be skipped.

Anyway, the film's a must-see for B-movie fans, a happy coming together of a number of underrated Hollywood talents.

Before the actual film begins, there is a 13-minute newsreel-style preface hosted by Clete Roberts in which he interviews the actual participants. Interestingly, this was done while the criminal cases discussed in the film were actually still being prosecuted.

This film is a film noir-like film that dramatizes the actual story about the town of Phenix, Alabama--a city run by gamblers and organized crime. It seems that in the 1940s and 50s, all kinds of vice was ignored by cops and city officials who were paid to look the other way. As a result, the soldiers in nearby Fort Benning were routinely cheated and had little, if any recourse. Eventually when local citizens tried to stand up for law and order, the mob resorted to threats and even murder to hold on to their power.

Unlike the typical film of the day, the scenes are quite brutal and violent. The only sour note is the scene of the child being tossed onto the lawn--it's obviously a dummy. There is also a lot of brutal and frank language--some of which might offend you, though it does lend the film an authentic sound. And, despite having mostly smaller caliber actors, they generally did very well. An odd note was having Richard Kiley of all people playing a tough action hero--he just wasn't the sort of guy you'd expect to see acting with his fists. Overall, this is an excellent low-budget film--well worth seeing.

The only question I have about all this is how much is true and how much was changed for the film? According to IMDb the Attorney General was not quite the saint you see in the film, but what about the other facts? I'd sure like to know more.

Thought-provoking story of corruption in 1950s Alabama. Realistic characters and an air of menace make this a compulsory watch. The longer version - with the 12 min introduction - is the one to see.

Good performances and some harrowing scenes make this the best film of 1955. 7/10

After World War II the ungoing crime in Phenix City, Alabama, encouraged by the money from an Army base just across the river in Georgia, got even worse. Gambling, prostitution, loan sharking, and the like helped an organized crime apparatus in the city. Soon it was too bad and violent to even tolerate anymore. This movie is based on the real story of that fight.

By the standards of the 1950's it was shockingly explicit. Although low-budget, that same small budget helped with the realism requiring location shooting. A very gritty film. Richard Kiley was marvelous as always, and John McIntire stolid.

Why this good movie isn't on video is a real puzzle!