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Born in 1946 I was about eight years old when first viewing this movie and it left a deep impression.Not only scary ,for lack of a better word this movie haunted me for more than 50 years.The mob goon played by John Larch was terrifying.The only scene that stuck out in my mind during those 50 years was the killing of the little girl and the uncaring policeman referring to her as a "little n----- kid".Those words were replaced when the movie was shown recently on TV,maybe there are two versions of the movie or someone felt compelled to alter a little bit this heart breaking scene.Accurate or not the film went a long way in formulating my opinion of the South and still till today the closest I've come to visiting a southern city is El Paso.That stand may seem extreme but there is a little bit more to the story.When the movie was shown recently it became clearer why it haunted me for years.With the newsreel like beginning this movie gives the impression that what is being shown is fact.The film is made supposedly only one or two years after the depicted incidents adding to its realistic credibility.The terror in the movie isn't provided by creatures or space aliens but by persons living in our society at the time.Re killing of little girl:The recent viewing helped make clearer the impact it had on my 8 year old mind.When this movie came out the only school I had ever gone to was attended by mostly African-Americans.The victim looked like a girl in my class,it was like seeing an actual killing.It made a horrible scene that much worse.Maybe no one will find this review helpful but it helped me.

In the 1940s and 1950s in Alabama, the notorious Phenix City is a town ruled by the organized crime and prostitution and gambling are the main economical activities. The police department is corrupt and the criminal Rhett Tanner (Edward Andrews) is the big boss. When the famous lawyer Albert "Pat" L. Patterson (John McIntire) welcomes his son John Patterson (Richard Kiley) that has just returned from Germany with his wife and children, he intends to keep his calm life in a neutral position and work with his son. However, there are serious and violent incidents and Albert Patterson accepts to run the elections to become the Attorney General of Alabama to clean Phenix City. He wins the election but is shot when he is leaving his office and dies. Now John seeks revenge but using the law instead of violence.

"The Phenix City Story" is a different and violent film-noir based on the true story of the assassination of Albert "Pat" L. Patterson. The film has great performances and the violence is impressive for a 1955 Hollywood film. The beginning with the documentary style is boring, but after the initial credits, the film becomes great. In the end, this story proves that one person can make the difference in a story of a country. My vote is seven.

Title (Brazil): "Cidade do Vício" ("City of the Vicious")

I'm surprised that more people are not aware of this story which climaxed with no less than the murder of the Democratic nominee for Attorney General of Alabama at the time when said nomination was tantamount to election. That the election of Albert Patterson scared the local criminal syndicate into that kind of move is almost unprecedented. The only other example I can think of something like this occurring was in the early years of the last century when Special Prosecutor Francis J. Heney was shot and wounded while he was investigated the corrupt city machine in San Francisco.

After a brief documentary introduction by CBS news reporter Clete Roberts of actual Phenix City residents, the story begins with the Pattersons, father John McIntire and son Richard Kiley getting reluctantly involved in the fight to clean up their town which is notorious for being a wide open cesspool of vice and corruption. It's pointed out that Phenix City is across from Columbus, Georgia and thirty minutes from Fort Benning. A certain amount of vice and corruption will inevitably settle there in towns that cater to the military and the pleasures the service people will seek off duty.

But Phenix City has gotten way out of hand and it's become a state embarrassment to the people of Alabama. Which is why John McIntire wins that primary leading the way to the unheard of events that followed. Let's just say that what happens here was contemplated, but never done in Chicago during the days of Al Capone.

The cast also includes Kathryn Grant as a young woman working as an informer in one of the clubs, Lenka Patterson as Kiley's loyal, but concerned wife, Edward Andrews and John Larch as brains and muscle behind the syndicate. It also includes James Edwards and Helen Martin whose child is killed when Edwards helps Kiley. With I might add the appropriate feeling one might have for a small black girl in Alabama of the Fifties.

After the action of this film John Patterson took his dad's place as Attorney General and did put an end to the corruption of Phenix City. In 1958 he ran for Governor and won, but contrary to what you might think ran on a strict segregationist platform. His main primary opponent taking the more moderate racial position was George C. Wallace. That never happened again, Wallace saw to that.

And Patterson is still alive and in 2008 was a supporter of Barack Obama for president. Truth can really be stranger than fiction.

The Phenix City Story is a hard hitting, pulling no punches documentary style of a family's fight against corruption. Try to see it when next broadcast.

Whether your a fan of Noir or not, The Phenix City Story remains superior filmaking on all levels regardless of it's budget and lack of special effects. While some may laugh at substituting a doll briefly for a dead child; it's follow up scene continues to have as much shocking impact today as it did upon it's release. To say this is textbook noir filmaking is too small as by all standards The Phenix City Story is the barometer by which crime, realism, fistfights and expose cinema is measured up to.

Phenix City, Alabama is a corrupt city of sin bringing lowlifes and soldiers from the neighboring base. Journalist Clete Roberts presents the murder of Albert Patterson presumably by mobster Rhett Tanner who has control of the corrupted government and police. Patterson is the Democrat nominee for Alabama Attorney General tasked with cleaning up the city. The heart of the movie is the amiable respected lawyer Albert Patterson being recruited to run for the post as violence mounts against the good people of the city.

This is a ripped-from-the-headlines story. It starts with a documentary style prologue like a real news report. Although it has documentary style and real life story, many parts of this is fictional. Nevertheless, there is real tension. It starts a little muddled but the tension does rise as the unrelenting violence mount. It has brutality that is beyond cinematic. Even women and children are beaten. The callousness of the corrupt police is just as brutal. It probably needs to give the father son relationship more screen time. It needs to develop the story better. Overall, there are some memorable scenes and it is an unique film.

"The Phenix City Story" is a brutal, hard-hitting docudrama about what was once dubbed the "wickedest town in America." The film documents the events that led up to the murder by the Phenix City crime syndicate of Albert Patterson, an Alabama attorney who made a bid for the state attorney general's office as a way to clean up the vice and corruption plaguing his hometown. His son, John Patterson, picked up his father's mantle after his death and won the post, making clean up of Phenix City a primary item on his agenda.

Director Phil Karlson created a film that has the ability to shock even today. The grimness is so relentless that the film is actually difficult to watch. We see the crime syndicate beat and kill in order to get what they want -- the beatings and killings include women and children, and one scene in particular, revolving around the death of a little black girl, is especially disturbing. It's not exactly an enjoyable film, because there's very little payoff at the end to reward the viewer for sitting through the infuriating events leading up to it, but it's a well made film, full of an intense and angry energy.

A 15-minute prologue includes a series of interviews with the actual inhabitants of Phenix City, some of who are then portrayed by actors in the fictional portion of the film. It lends the film a quality of urgency that carries over into the narrative, so that we feel like we're watching a documentary the entire time, a feeling that's helped by Karlson's choice to film on actual locations.

I'm glad I saw this movie, but it's one of those films that fills you with a sense of righteous indignation and then makes you feel helpless because you can't do anything about it.

Grade: A

Skip the first 13 mins of newsreel interviews (you don't miss much - watching them later will work better) and we get to a story of entrenched vice and ruthless criminals who seem to squeeze their tentacles around every city institution to ensure their illicit profits keep rolling in! It feels much more realistic than films from the 1940s: the criminals have a more vicious edge, are willing to kill anyone in their way, and seem to run the town with impunity while the local populace is frozen in fear. An idealistic ex-WW II soldier moves back to his hometown with a family in tow and gets embroiled in some of the recent unsavoury goings-on via his old school pals and soon things turn very nasty indeed for everyone concerned. Crime expose docudrama with - some shocking violence and fervent speeches - heartily recommended. 7.5/10.

Before the actual film begins, there is a 13-minute newsreel-style preface hosted by Clete Roberts in which he interviews the actual participants. Interestingly, this was done while the criminal cases discussed in the film were actually still being prosecuted.

This film is a film noir-like film that dramatizes the actual story about the town of Phenix, Alabama--a city run by gamblers and organized crime. It seems that in the 1940s and 50s, all kinds of vice was ignored by cops and city officials who were paid to look the other way. As a result, the soldiers in nearby Fort Benning were routinely cheated and had little, if any recourse. Eventually when local citizens tried to stand up for law and order, the mob resorted to threats and even murder to hold on to their power.

Unlike the typical film of the day, the scenes are quite brutal and violent. The only sour note is the scene of the child being tossed onto the lawn--it's obviously a dummy. There is also a lot of brutal and frank language--some of which might offend you, though it does lend the film an authentic sound. And, despite having mostly smaller caliber actors, they generally did very well. An odd note was having Richard Kiley of all people playing a tough action hero--he just wasn't the sort of guy you'd expect to see acting with his fists. Overall, this is an excellent low-budget film--well worth seeing.

The only question I have about all this is how much is true and how much was changed for the film? According to IMDb the Attorney General was not quite the saint you see in the film, but what about the other facts? I'd sure like to know more.

(Flash Review)

This opens with an actual reporter's recount of an organized crime murder. The film then portrays this story and how 14 Street in Phenix, Alabama has been overrun by wretched people that put fear into the general public. When General Patterson returns home from service, he is angered by seeing the violence and his father is talked into running for office to clean up the crime. Will he be able to convince voters to vote him in while they are threatened and attacked while the police department does less than the bare minimum? Crazy that the actually happened. The film is well edited, paced and the story was engaging.

During the Clete Roberts preface, I was beginning to think this was an Ed Wood production, however, what rolls out here is some pretty hard hitting stuff. The story of crime and corruption in a Southern town is told using a cast culled from Hollywood's Poverty Row, and this makes the movie all the more realistic. There are no punches pulled here, and at times the film is reminiscent of "The Well"(1951). The Black and White texture gives a newsreel-like quality. For certain, younger viewers will be reminded of "The Blair Witch Project" but this one IS based on REAL events!

To view the fictionalized biography "The Phenix City Story", I claim, is to enter fields where U.S. filmmakers have seldom ventured, Director Phil Karlson got his directorial assignment on "The Untouchables" TV mega-hit series largely on the basis of "Kansas City Confidential" and this film; and it has become one of the most admired and most- imitated movies ever made. The rarest feat for US filmmakers seems to be the hero-centered purposeful anti-crime film or TV series; I remind the viewer how mightily "Cain's Hundred"'s and "Hardcastle and McCormick"'s and even "the Untouchables'"' producers had to work to produce anything but episodes devoted largely to the unfictional activities of criminals rather than those of their ethical opponents. This powerful, seminal and very-gritty movie has a style all its own; and its lesson seems to be attention to detail about the opponents and victims of criminal organizations as well as their gang members. There is a twelve-minute prelude to the film, in which reporter Clete Roberts interviews the real participants from the Alabama city's who had struggled against its corrupt vice gangs. The problem grew out of the presence of Fort Benning across the river, and the nearly century-long existence of vice dens in the area. The film details the return of John Patterson from Germany where he has been a prosecutor. His father, defeated for Attorney general of Alabama, refuses to join his pursuit of the 14th street vicelords despite several provocations including a beating of his son, avenged by Patterson on his tormentor. There are several well-developed characters, including Ellie, who works in one of the clubs and her honest boyfriend, the leader of the syndicate, the Pattersons and John's wife, Ed Gage, the vicelords' operatives and Zeke Ward, an honest black man victimized for his opposition to them. The cinematography by Harry Neumann and the art direction by Stanley Fleischer are in B/W and are very much like news-film, adding to the film's realistic power. Music by Harry Sukman contributes to the film effectively. Writer Daniel Mainwaring and Crane Wilbur produced a swift-paced and straightforward story that divides into parts. Part one illustrates the vicelords' empire from inside one of their clubs, showing the fate of a victim who is beaten and then picked up by police in the pay of the Mob. In part two, Albert Patterson refuses to oppose the leader of the Mob, the intelligent Rhett Tanner. In part three, young Patterson returns and after several incidents including his having to beat up the Mob's head goon to avenge his own beating decides to run his father for Attorney General of the state. His wife is horrified; and the Mob kills Zeke Ward's daughter and dumps the body at Patterson's house with a warning his children will be next. A few more such incidents, including the loss of a trial in which the Pattersons prove the goon killed a friend of theirs who had found the car implicated in the murder of the little girl, and watch the inquest declare the death accidental, convince Patterson to run, and he wins the Democratic statewide nomination despite the Mob's statist tactics--and is promptly assassinated. John Patterson stops a vigilante crowd from starting open warfare with the 14th Street mob and uses their voices to call the capital and demand martial law for Phenix City. The clubs are closed and equipment confiscated, but not before the girl inside is murdered by the Mob's goon, and Patterson has to be stopped by Zeke Ward from killing Tanner instead of delivering him to the law. The drama's ending is upbeat; but the prognosis for the town is less- sanguine than painted; the mob in fact tried to come back then moved to Tennessee. In this well-acted classic of anti-crime film-making, Richard Kiley is young but very strong as Patterson, playing it without an accent. John Mcintyre as his father is very good, while Edward Andrews as Boss Tanner is award caliber. Others in the cast include Kathryn Grant as the girl inside, Ellie, Jean Carson and Kathy Marlowe as the Mob's women, John Larch as their goon, Biff Mcguire as the young victim, James Edwards as Zeke Ward, Lenka Peterson as John's wife, and some good character actors as townsmen and Mob bosses. It is I suggest hard to say enough good things about the realism and lack of posturing in this film; it is certainly one of Phil Karlson's best directorial efforts. Karlson also did "The Scarface Mob" later did "Walking Tall" as well. A sobering and inspiring look at the ease with which complacent citizens of a public-interest democracy can acquiesce to tyranny, and how a few honest men can teach them the need to fight for their rights.

Sometimes rush jobs really work out, like Phenix City Story. Consider that the movie was scripted, shot, and processed in less than a year after the triggering event of Patterson's murder. Credit the producers or someone for coming up with a first-rate cast, a marvelous director, and a big enough budget for location filming in the actual Phenix City. The result is the best of the "city expose" movies so popular at the time.

There's a rawness to the violence here that's more convincing than usual, in part because of director Karlson's "feel" for the material and also because it appears to grow organically out of the seedy surroundings of honky-tonks and carousing soldiers on leave from Fort Benning. Credit too the fine, underrated Edward Andrews for blending oily charm with ruthless violence, just the qualities needed to run an operation of that sort. Kiley too delivers in spades, his rage unusually intense and realistic. The only questionable note is Katherine Grant's Ellie, seemingly too sweet and naïve for a dealer in a crooked set-up.

Getting Karlson was a real coup. He was just hitting his stride as a top crime drama director during this period. His staging of the little girl's murder is a real grabber, along with the parking lot beating. In fact, the movie has an unusually pervasive atmosphere of unrestrained evil. Credit should also go to screenwriter Dan Mainwaring for a good tight script and some timely notes on the downside of vigilantism. Apparently, the lengthy prologue was added to ease censorship concerns, and, aside from historical value, can easily be skipped.

Anyway, the film's a must-see for B-movie fans, a happy coming together of a number of underrated Hollywood talents.

In most ways unremarkable due to its "social issue" focus, predictable plotting and indifferent acting. But man does Karlson get a sense of atmosphere! The sense of moral decay in this town is made almost palpable by the grimy, run-down locations, harsh high-contrast black and white photography, and (uncomfortably) close-ups of sweaty (alternately leering or fearful) faces. Karlson's hyper-realistic, cynical style was an obvious influence on many crime films that came out 15-20 years later.

After World War II the ungoing crime in Phenix City, Alabama, encouraged by the money from an Army base just across the river in Georgia, got even worse. Gambling, prostitution, loan sharking, and the like helped an organized crime apparatus in the city. Soon it was too bad and violent to even tolerate anymore. This movie is based on the real story of that fight.

By the standards of the 1950's it was shockingly explicit. Although low-budget, that same small budget helped with the realism requiring location shooting. A very gritty film. Richard Kiley was marvelous as always, and John McIntire stolid.

Why this good movie isn't on video is a real puzzle!

The Phenix City Story is directed by Phil Karlson and written by Daniel Mainwaring and Crane Wilbur. It stars John McIntire, Richard Kiley, Kathryn Grant, Edward Andrews and John Larch. Music is by Harry Sukman and cinematography by Harry Neumann.

A crime-busting lawyer (Kiley) and his initially reluctant attorney father (McIntire) take on the forces that run gambling and prostitution in the "Sin City Of The South", Phenix City, Alabama.

Karlson's uncompromising film noir is based around the real life 1954 assassination of Albert Patterson (McIntire), who after being nominated for the role of Alabama Attorney General was on a mission to rid Phenix City of organized crime. It's important to note that this is not a historical fact film as such, it's more an interpretation of the Patterson murder and how Phenix City was a cess pool at the time in focus.

Print of the film I personally viewed had a 13-minute newsreel preface where newsman Clete Roberts interviews many of the actual participants of the events in the story. I wasn't prepared for it and thought I was about to watch a documentary, but then we shift to Karlson's film and it delivers quality noir film making.

Karlson ("Scandal Sheet" - "99 River Street") and his team don't hold back from violence and devastating scenes. Yet somehow in spite of the dark turns that occur, where the stink of racism and organized crime resides, there's an overriding message that even though we may want to fight fire with fire, sometimes the lawful ballot box is the best option.

Cast are well directed, so much so there's no weak links here, but one has to admire the class McIntire brings to the role of Patterson, while Larch gives us one of film noir's most repugnant villains. Neumann's photography is only ok, there's some flashes of expressionism here, but one can't help wishing for some chiaroscuro magic to befit the dark tones being played out.

This is still a film noir enthusiast essential, on proviso that it's understood there's some poetic licence undertaken. 8/10

Since the entire first act of the film noir docudrama THE PHENIX CITY STORY consists of interviews with actual citizens recalling when one shabby downtown street of vice and gambling ruled the otherwise peaceful and rural titular Alabama town, when the second act rolls in, we get right down to downright dirty business...

With actors now, beginning with good girl Kathyrn Grant dealing the central casino's cards to losing-streak boyfriend Biff McGuire... at which point everything's literally on the table since the joint's not only wholly dishonest, but bare-knuckle dangerous...

Mainly despised by the weepy, melodramatic wife of returning young lawyer Richard Kiley, whose veteran lawyer father John McIntire... a kind of unnamed town mayor type... is sought after by the one intrepid group trying to take down the string of mob-run casinos...

At one point, one of these honest fellas is carrying a pistol, which ignites a lot of discussion, unusual in a crime-centered noir where gunfights would have already come and gone... but the violence finally occurs in a viciously-sneaky fashion, mostly by thug John Larch working for casino-owning Edward Andrews (backed by fatale Jean Carson)...

Strange since Andrews, herein a slow-burn/cold-blooded, formidable crime boss, usually overplays offbeat passive dolts while hero Richard Kiley's more apt as sinister villains...

Herein he's the true main character trying to get his stubborn yet beloved father to join a cause that will eventually kill him... dad, that is... after what's basically a courtroom-drama sequence in-between murders: including local James Edwards's young black daughter...

Meanwhile Kathryn Grant, mostly known as Kathryn Crosby, married to Bing Crosby and who later appeared in classics ranging from ANATOMY OF A MURDER to THE 7TH VOYAGE OF SINBAD, remains the semi-undercover, idealistic card dealer as the 11th hour tension relies more on her character hopefully surviving than what's predictable from those opening (annoyingly overlong) townspeople interviews: discussing how things have changed for the better...

But PHENIX has enough raw savagery to where what's deliberately obvious is never entirely predictable since 99 RIVER STREET director Phil Karlsen makes this 1950's jazz-soaked expose feel more like an edgy 1930's gangster flick throwback: where any god-awful thing can happen, at any given time.

The Phenix City Story (1955)

Wow, this one came from nowhere and blew me away. It's a rough and tumble, unbelievably violent, true story of a block in a little town in Alabama where gambling and corruption ruled and where some local people were failing to fight back.

It begins with a very long (too long) series of interviews of real people involved in the very real story of Phenix City, on the border with Georgia. I would actually recommend skipping it--almost twenty minutes that was not in the original release of the movie--and start with the drama, which is dramatic above all. This is no film noir, but it's shot in that moody, graphic style, which is perfect. The bad guys--including both a ruthless mob leader with no class at all and a tough and reactionary henchman who gets away with murder--are a classic Southern good old boys network. The cops are in on the whole scheme, and this mini-Vegas runs with impunity, thriving mostly off the money of soldiers from a nearby army base. It's all extremely convincing, small time crookery.

The good guys--and women, one woman working at a gambling joint being a key insider witness--are equally convincing and small time. There is no Bogart or Mitchum or Lancaster in the leading role, though the father son lawyer pair who eventually lead the resistance are familiar faces: John McIntire and Richard Kiley (Kiley had been doing a lot of early t.v. but was also in "Pickup on South Street"). You might expect a familiar battle between the forces of good and evil, with tensions and violence and the eventual triumph of justice. And while the end of the gambling joints (after 80 years) is a matter of history, it takes so many really awful and gut wrenching turns it's riveting. I mean, this movie is like no other in terms of facing the facts--sometimes that person who would never get bumped off in a Hollywood script does actually die in real life.

And this is real life, scripted and filmed and acted and edited with the vigor of a great drama, but based on the ugly truth of it, and not looking the other way. Don't miss it.

This documentary style crime drama is based on the true events in Phenix City, Alabama in the early 1950s. In fact there is a talky prologue that consists of a series of interviews that goes on much too long and adds nothing to the film. The film itself is quite interesting, marked by gritty cinematography and a rapid pace. Given the vintage of the film, the violence is shockingly brutal, particularly when targeted at women and children. The main shortcoming is the uneven acting. McIntire is fine, but most of the cast is pretty bad. Kiley is the main culprit here, chewing the scenery as a gung-ho military vet intent on cleaning up his home town.

When I was 16, I received my driver's license. My younger sister and I had the freedom to go places on our own. There was a small town about 14 miles away that had a small movie theater. We went to see whatever was on the screen when we could. I knew nothing about this film, so went in thinking I would be seeing the usual adventure film or comedy. This was the early sixties, so this film had been around for a while, but that was normal for tiny theaters. I should also point out that where I came from, the chances of seeing a black person were almost nil. And I grew up around some serious racism. Anyway, when this film began I found it to be an ugly portrayal of a terrible place in Alabama. Probably for the first time in my life, I was exposed to the horrors the minority population had to deal with. It also focused in on corruption, vice, and organized crime. For a 16 year old with his 15 year old sister, it was almost too much. This film really made an indelible impression on me.

I did enjoy the movie, and found it especially interesting because it was based on a true story. My rating would be based mostly on the fact that it was not a fictional story. Many of the actors were old familiar faces that I've seen so many times over the years on television and the movies. The acting by the more established actors was reasonably good, while the performances by some of the lesser or unknown actors left something to be desired.

After watching it, I thought I would see if I could find out some more facts about the whole incident. I did some research on John Malcom Patterson (son of the murdered father) and found out that he eventually became the governor of Alabama. The article on Wikipedia about him, especially about his time as governor just prior to George Wallace, sheds a different light on the man who was the hero of the story. It was a bit disappointing to read these negative things about him.