L'avventuriero di Burma

The BBC aired this recently and as it was directed by super veteran Allan Dwan I happened to tape it.

Ryan plays the typical US macho hero of the fifties, a fightin',shootin'(a Luger no less!) and kissin'guy. Mrs. Stanwyck is the owner of a plantation near Rangoon and she is not to be messed with. Third character is your run-of-the mill British, slightly repressed policeman, on the hunt for Ryan who supposedly has murdered the son of the local potentate.

If you are a fan of Dwan's work better skip this one. The only good thing about it is the crisp clear color photography, the rest is pretty embarrassing. Clichéd would be putting it mildly. The script seems to be written in an afternoon and the same can be said of the movie itself.

It is a bit unfair to Allan Dwan, as he made countless movies and still turned out some excellent stuff near the end of his very long career, as the classic marine epic "The Sands of Iwo Jima" and the sexy "Slightly Scarlet". So do not judge him on this silly jungle epic.

Direction, acting and virtually everything else about this mid-fifties pulp action flick are too flat to make it more than mildly enjoyable in a camp way. Ryan and Farrar fare better than Stanwyck, whose performance here unintentionally verges on self-parody. Stanwyck is very watchable here, but the script is so lazy and routine that her typical (and admirable) energy in tackling the role works against her. Ryan more appropriately gives the script its due,expressing obvious contempt for some of his lines. For a fifties flick, the quick sexual hookup of Ryan and Stanwyck is surprising (though a 10-year-old kid could see the film and not know what was happening between them).

I think this and "Cattle Queen of Montana" are Stanwyck's only color films. Black and white works better for her; the heavy makeup here makes her look inappropriately feverish, even for a jungle flick.

"Escape to Burma" is enjoyably bad in a mild way. I loved the back-lot jungle sets and obvious tropical foliage decoration. Nice house Stanwyck has there in the jungle too. Super art direction (always an RKO forte).

"Slightly Scarlet," "Silver Lode" and "The River's Edge" are far more enjoyable and interesting Allan Dwan efforts from the fifties.

Escape to Burma is just one of a series of adventure features starring the estimable Barbara Stanwyck. However, where this film stands out above many of her other pictures from this period is that the supporting cast can actually act.

In fact, the male actors Robert Ryan and David Farrar, are so good in their roles as outlaw and law enforcer that they almost overshadow the matriarch Stanwyck herself. Almost.

Escape to Burma is standard Hollywood fare, but entertaining nevertheless; ideal for a rainy day. There are much worse ways to spend 85 minutes.

This is a movie full of charm that I talk about helped by a splendid cast, magical score and atmosphere, despite the studio lot obvious settings. The pure example of what the fifties could bring us in terms of adventure flicks. Benedict Bogeaus provided most of last films from prolific director Allan Dwann. Robert Ryan and Barbara Stanwyck shine at their best here and the animal presence gives a delightful touch to the whole. No matter the intrigue, story, only enjoy the atmosphere. John Alton proves one more time his magical talent as director of photography. This movie is a jewel by itself, and not only those what it is question in the story.

From an objective film perspective, this is a good piece of moviemaking from several different angles.

Directed by the legendary Allan Dwan who was a master of silent film and continued directing through the 50s.

Firstly, it is a visually striking work of technicolor, the cinematographer John Alton (An American in Paris) does some really great work here. The Burmese castle scenes, wildlife and outdoor scenes, costumes, sets and art direction are all top-notch.

As a big fan of Stanwyck, this movie is monumental as it is not only one of her last film roles, but one of the few movies she ever appeared in color, showing her red hair. She gives one of her most sensitive portrayals here while also displaying her usual tough girl image.

A lot to like here, the action is good and steady, the only two problems are the hard-to-follow storyline and the ending.

All in all, I think this is a near-great film.