Pioggia

This is the 1950's "Disney-ized" version of W. Somerset Maugham's wonderful story "Rain," which was filmed much more successfully and faithfully with Joan Crawford as Sadie back in 1932.

Rita Hayworth is always a pleasure to watch--a true beauty with significant talent, though her performance here isn't much to shout about. Probably due to the wretched script and mediocre direction.

This Technicolor, 3-D (in the original theatrical release), musical version demonstrates clearly that technology does not equal quality.

The worst element of this version is perhaps Jose Ferrer as the unbending moralizer who tries to convert Sadie. Certainly he's supposed to be stiff, but not to the point where his face shows absolutely no nuance of emotion ever.

Look for a studly young Charles Bronson in a minor role, listed in the credits as Charles Buchinsky (this must have been before he discovered that Hollywood didn't like ethnic--especially in the 50's).

No, your best bet is just to read the story. Maugham deserves the attention; he's a much under-rated writer.

At a postwar isolated Pacific military outpost, the men are all taken with Sadie Thompson (Rita Hayworth) who is stopping for a couple of hours in between ships. They try to hide her from the rest of the base. She becomes the toast of the club and finds that she has to stay for a week due to quarantine. The religious Mr. Davidson is the head of the Mission Board who tries to run her off the island before she catches her boat to Sydney. She doesn't want to go back San Francisco and he suspects she's on the run from the law after being in the notorious Emerald Club of Honolulu. Marine Sgt. Phil O'Hara falls for the brash show girl.

Rita Hayworth rides that boat onto the island and shows her star power. She puts on a big show in this movie. José Ferrer is a good cold foil for her. Aldo Ray is a meathead. I can only imagine if the O'Hara role is played by somebody great like Marlon Brando. The story seems to be stuck between something really juicy and a bad morality play. It's a hard-boiled romance exploitation movie. I don't know what it looks like in 3D. It's not obviously shot that way. At its core, Hayworth shows that she still has it.

Having read some of the comments about this film I must disagree with much of the criticism made against this film. I have seen the 1932 Joan Crawford film "Rain", and while I agree that it is more successful in creating the mood and tone which is required for the story I consider this film version to have its own virtues. Rita Hayworth is good as Sadie (although unlike Joan Crawford she presents herself most of the time a a happy go lucky sort whereas with Crawford it is always apparent that she has a "bad" past)and Jose Ferrer is solid as Mr. Davidson. The location and Photography also add a great deal to the telling of this simple yet powerful story.

Imagine Pat Robertson pointing his boney crazy fingers out of the screen at you and you've got the picture.

Just saw this at the World 3-D Film Expo and it was quite enjoyable. The movie has great depth and wasn't filmed in a really gimmicky 3-D style. The transitions between location and sound stage work was fairly seamless and there were scenes I really wasn't certain if they were shot in Hollywood or the South Pacific.

It's always interesting to stumble on old movies like these that resonate more than 50 years later. How much and how little has changed when it comes to religious zealots...hhmmm?

On an isolated South Pacific island, the unexpected arrival of Sadie Thompson (Rita Hayworth) causes an uproar among the local men at the US Marine Corps base, as well as with visiting philanthropist and religious zealot Alfred Davidson (Jose Ferrer). Sadie quickly strikes up a relationship with Marine Sgt. O'Hara (Aldo Ray), but the increasingly-offended Davidson will stop at nothing to see Miss Thompson and her wicked ways escorted off of the island.

Previously filmed in 1928 with Gloria Swanson and in 1932 with Joan Crawford, this version is heavily censored due to the production code, although it still manages to be mildly racy for the time. I really wasn't liking Rita Hayworth in this, but gradually I began to accept her take on the Thompson character. She's played as not exactly the sharpest tool in the shed, a good-time girl in over her head and barely able to take care of herself. She gets to sing several songs, only she's dubbed, and the syncing is terrible.

Aldo Ray is his usual big lug/gorilla, while Ferrer gets to be self-righteous and bombastic. Charles Bronson gets a little more to do than usual at this stage of his career, playing one of the other Marines, but it's still not much, and he's still billed as Buchinsky (but at least he even got a credit this time). This was shot in 3-D, and played very briefly that way, but it flopped, so a flat version was widely released. The movie received an Oscar nomination for Best Song ("Blue Pacific Blues")