Stanotte ed ogni notte

I'm floored, I 'm devastated, I could never imagine I would enjoy this film as immensely as I just did.

Yesterday I saw "The Lady is Willing" -1942- with Marlene Dietrich, and although both films belong to the same era and in both there is froth and the morality of the time, they are worlds apart; Marlene looks like an embalmed corpse while Rita Hayworth is Mother Earth personified, all beauty, glamour and warmth, plus an excellent actress and a superb dancer, maybe the best dancer of all times for this kind of vehicle.

"Tonight and Every Night" is so very well put together that it's almost a miracle, incredible how professional those people were!! Top drawer each one in whatever they were doing: The scriptwriters, the technical film crew, the dancers, the choreographers, wow, everybody and everything!! Let aside the war propaganda very understandable for those years, I was so impressed by the camaraderie, the human bondage between the company members, the warmth the whole movie is wrapped in...

Rita Hayworth is so lovely that seems to be unreal, but not unreal the way Marlene was unreal, Marlene could freeze you on the spot with just a look, Rita doesn't look fake, she is just adorable and human. Maybe the rouge on her cheeks and the eye shadow are a bit too much, but the whole movie being a fantasy, who cares!

The costumes are gorgeous, the color combinations are superb, all the dancers, male and female, have the most slender figures anyone can imagine, they look like Barbie dolls, but human --I don't know how to put it-- we talk so much nowadays about that controversial subject, anorexia, well, already in those years they have these slim figures we have nowadays, but inexplicably, they don't look emaciated, they look incredibly healthy!!

An interesting detail was that all these chorus girls were...virgins... well, according to their behavior in this movie they were. Enough, I think I made it clear that I liked this movie, didn't I?

I just saw "Tonight and Every Night" , last night and I was impressed, not just by the lovely Rita Hayworth but also by Marc Platt, the dancer who plays the role of Tommy. What a wonderful dancer he was and it's a shame that he had only one big dancing scene showcasing his talent and I was wondering if he did any other films and if not many then why? Any way, the film was a lovely story loosely based on the "Windmill Theater" that continued having shows during the Nazi bombing of London. One critic's review from the 70's said that this movie wasn't good enough because Fred Astaire nor Gene Kelly were not dancing with her. I beg to differ this movie showcases Rita Hayworth's talent and she really didn't need the other two great dancers to show how talented she was. It was a very good movie with great numbers and a good romantic story.

This film is based on a real theater and theater troop during WWII. The theater never closed its doors despite the Blitz with bombs falling all around and over it. (It was an underground theater.) It's a part of England's history.

This isn't the best film ever made, but certainly not the worst as some have made it out to be. It's simply a light musical mixed with drama.

To see another take on this story be sure to see "Mrs. Henderson Presents" with Dame Judy Dench and Bob Hoskins. It's a fantastic film that really presents the way it was "back then." I know, because I was around then and this film brought back some good and some bad memories.

DLMc

The movie's number one sex symbol carried a lot of films to box office success on the strength of her looks and personality. But Rita Hayworth was definitely asked to tote a lot in Tonight And Every Night, a film set during the air attacks on London about a theater that never missed a performance. There was actually such a theater as the Windmill.

A whole lot of extravagant musical numbers photographed in gorgeous technicolor are held together by a plot involving Rita being the object of a campaign by Eagle Squadron RAF member Lee Bowman. Though she's warned by fellow performer and best friend Janet Blair that Bowman's a wolf in Eagle Squadron uniform, Rita plunges headlong into things. She's also got dancer Marc Platt interested in her as well.

For a British set film, this cast sure had an awful lot of Americans. This film would have been so much better done across the pond with someone like Jessie Matthews or Anna Neagle starring. The numbers are nice enough though, the musical score by Jule Styne and Sammy Cahn contained one song, Anywhere which got an Oscar nomination. A much better song of their's that Frank Sinatra sung in Anchors Aweigh, I Fall In Love Too Easily, was also nominated that year, but Rodgers and Hammerstein got the statue that year for It Might As Well Be Spring. Tonight And Every Night also got an Oscar nomination for Best Musical Scoring.

The musical numbers are great, but the plot is pretty thin.

This is one Rita Hayworth movie that can be considered an underrated gem.

Though the musical score is serviceable and the dancing at times inspired, it is the relationships between the principle characters of a small London Musical Theatre Revue led by star performer Rosalind Bruce (Rita Hayworth), set against the raging London blitz of WWII, that propels this film. The WWII/London/Theatre setting really shapes the mood and atmosphere of the story, giving a 'real world' urgency and poignancy to the film that most "behind the scenes/let's put on a show" musicals of the period lack. The characters each experience the triumph and tragedy and sacrifice of the blitz, all the while trying to stay together and put on their show night after night.

Rita looks ravishing in Technicolor, and gives a performance that is confident and skilled. And, of course, her dancing is in top form. Her wild samba number "You Excite Me" cements her position as one of the Silver Screen's finest dancers. She receives fine support from Marc Platt (who's dance solo at the beginning of the film set to flipping radio stations is stellar) and Janet Blair (watch her and Rita chew up the scenery with their musical number "The Boy I Left Behind") as her best friends and fellow performers. Lee Bowman as her Air Squadron Leader love interest, Florence Bates as the grand dame of the Music Box Theatre where the story unfolds (the small theatre almost another character unto itself), and Leslie Brooks in her small role as a man hungry performer with a heart of gold, round out this excellent cast.

A treat for Rita Hayworth fans and new fans alike.