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IMDbPro

I gioielli di Madame de ...

Titolo originale: Madame de...
  • 1953
  • T
  • 1h 45min
VALUTAZIONE IMDb
7,9/10
11.720
LA TUA VALUTAZIONE
Charles Boyer, Vittorio De Sica, and Danielle Darrieux in I gioielli di Madame de ... (1953)
Period DramaDramaRomance

Aggiungi una trama nella tua linguaWhen an aristocratic woman known only as "Madame de . . ." sells a pair of earrings given to her by her husband in order to pay some debts, she sets off a chain reaction of financial and car... Leggi tuttoWhen an aristocratic woman known only as "Madame de . . ." sells a pair of earrings given to her by her husband in order to pay some debts, she sets off a chain reaction of financial and carnal consequences that can end only in despair.When an aristocratic woman known only as "Madame de . . ." sells a pair of earrings given to her by her husband in order to pay some debts, she sets off a chain reaction of financial and carnal consequences that can end only in despair.

  • Regia
    • Max Ophüls
  • Sceneggiatura
    • Louise de Vilmorin
    • Marcel Achard
    • Max Ophüls
  • Star
    • Charles Boyer
    • Danielle Darrieux
    • Vittorio De Sica
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,9/10
    11.720
    LA TUA VALUTAZIONE
    • Regia
      • Max Ophüls
    • Sceneggiatura
      • Louise de Vilmorin
      • Marcel Achard
      • Max Ophüls
    • Star
      • Charles Boyer
      • Danielle Darrieux
      • Vittorio De Sica
    • 69Recensioni degli utenti
    • 78Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 1 candidatura in totale

    Foto82

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    Interpreti principali35

    Modifica
    Charles Boyer
    Charles Boyer
    • Général André de...
    Danielle Darrieux
    Danielle Darrieux
    • Comtesse Louise de...
    Vittorio De Sica
    Vittorio De Sica
    • Baron Fabrizio Donati
    Jean Debucourt
    Jean Debucourt
    • Monsieur Rémy
    Jean Galland
    Jean Galland
    • Monsieur de Bernac
    Mireille Perrey
    Mireille Perrey
    • La nourrice
    Paul Azaïs
    Paul Azaïs
    • Le premier cocher du baron
    Josselin
    Hubert Noël
    Hubert Noël
    • Henri de Maleville
    Lia Di Leo
    Lia Di Leo
    • Lola
    Madeleine Barbulée
    • Une amie de Madame de...
    • (non citato nei titoli originali)
    Charles Bayard
    • Un convive
    • (non citato nei titoli originali)
    Jacques Beauvais
    • Un majordome
    • (non citato nei titoli originali)
    Gérard Buhr
    Gérard Buhr
    • Le douanier
    • (non citato nei titoli originali)
    Jean Degrave
    • Le clubman
    • (non citato nei titoli originali)
    Claire Duhamel
    • La demoiselle de compagnie
    • (non citato nei titoli originali)
    Guy Favières
    Guy Favières
    • Julien
    • (non citato nei titoli originali)
    Émile Genevois
    • Un soldat
    • (non citato nei titoli originali)
    • Regia
      • Max Ophüls
    • Sceneggiatura
      • Louise de Vilmorin
      • Marcel Achard
      • Max Ophüls
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti69

    7,911.7K
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    Recensioni in evidenza

    8blanche-2

    If it weren't for Turner Classic Movies....

    I keep wondering where these amazing treasures, such as "The Earrings of Madame De..." have been all my life. This 1953 Max Ophuls film is magnificent in every respect - direction, acting, script, photography, with just the right touch of humor for what is, in essence, a tragic love story.

    It is 19th Century France. Danielle Darrieux is "Comtesse Louise De..." who in the beginning of the film sells a pair of heart-shaped earrings given to her by her husband, General Andre De... (Charles Boyer), as she has some expenses that she must meet. She trusts the jeweler's confidentiality. During a production of "Orfeo e Euridice," she announces to Andre that she's left her earrings somewhere. However, the jeweler tells Andre about the sale; Andre buys back the earrings and gives them to his girlfriend, whom he's dumping. When she needs gambling money, she sells them, and they are purchased by Baron Donati (Vittorio di Sica) as a gift for his new girlfriend - the Comtesse Louise! The earrings are a symbol of fate, the volatility of love, and the meaning of possession. The General is a possessive man, but he wants to have his cake and eat it, too, presenting these beautiful earrings to two women. The Comtesse doesn't want the earrings when they're from her husband; when they're from her lover, she's desperate to find a way that she can wear them and resorts to manipulation in order to do so. For Donati, they're a symbol of romantic love, but when he realizes that his beloved is flesh and blood and not totally truthful, he becomes disillusioned.

    All of this is done with looks, a word, a suggestion, a dance, the placement of furniture (the General and Comtesse sleep in the same room, miles apart) - nothing too overt. The delicacy and subtlety of the film is magical.

    The beautiful Danielle Darrieux, now 92 and with a film coming out next year, does a beautiful job as the flirtatious Louise, who becomes more involved than she planned - she goes from flirty to passionate and finally to desperate. DeSica is a handsome and charming suitor; and Boyer has just the right amount of edge on his performance. He's not the monster of "Gaslight," but an authoritative Frenchman who doesn't want a scandal and becomes annoyed when he sees that his wife's romance has gone a little too far.

    With its fluid photography, pace, and romance, "The Earrings of Madame de..." is a true gem. No other way to describe it.
    flasuss

    The images, the images, the images...

    Unlike Letter From an Unknown Woman, the only other film by Ophuls that i have seen, this one doesn't have much emotion, and it's harder to like the characters (for me, at least). Probably because of that, the title character is not as interesting as she could be; the men, whoever, are, probably more due to the great performances by Charles Boyer and the maverick director Vittorio de Sica. But any problems are forgivable due to the irreproachable costumes and art direction, the marvelous cinematography, and the very elaborate and rich camera work. It's the most beautiful film to look at that i have seen in a long time. Stanley Kubrick (like he said himself) owns much of his visual style to the German filmmaker. It's one of those unforgettable films, not because of the performers, or the plot, or the message, but the images; Vittorio de Sica and Danielle Darrieux dancing elegantly through the nights of Paris is one of the most remarkable moments in the history of cinema.
    withnail-4

    Sublime, Graceful, Charming, Ruthless

    It strains the imagination and saddens the heart to wonder at the existence of those people, long past, who would strive for such a sublime accomplishment.

    "It's when we've the most to say that we're silent"

    The dramatic situations develop so that we feel every word the characters leave unsaid. The situation speaks, and then the characters comment cleverly, explain themselves to their best advantage in that momentary sparkle that is "life"

    The relationship of the director to his characters: they are allowed to be witty, to be beautiful, profound, and deeply human, yet in this humanity is their futility, a charming futility. As in the classics, The passions rule all humans. The characters are as puppets, not to the director, but to the passions.

    The camera moves, yes, and you may have heard of Ophuls' flowing camera. It is not empty style, but dynamism, concision, and, more importantly, the flow of life that is his moving camera. It is the flowing movement of Ovid's Metamorphoses, the inexorable flow of life. The camera doesn't so much follow the actors, but that the flow of life is happening, and the characters are swimming in that stream of happening.

    Why does he persistenly show the characters through a pain of glass? These are the boundaries of social propriety, the confines of their situation. Ophuls knew it best: life is a movie

    Vladimir Nabokov wrote a short story entitled "La Veneziana"... Have I strayed from the subject? But, aren't all things sublime closely related?

    I have learned, through persistent trial, that '98 is a fine year for Rhone. I suggest that you open a bottle, pour a glass, and push "Play" on "The Earrings Of Madame De..."

    "unhappiness is an invented thing"

    grace
    bell-jar

    The fluidity of the camera movement.

    The most striking element of this film is the way in which the camera maintains such a fluid and sensitive movement, creating a sense of frustrated distance between the action within the film and those viewing it. The opening sequence introduces us to this technique, as we follow the search of the Countess through her dressing table, and gradually are shown the reflection of her face in the mirror. Throughout the film there are numerous long, fluid shots, often following a character physically through a series of situations and sets. The camera acts as a totally impartial observer, moving amongst the set and often being placed so as to appear to hinder a clear view of the action. However, the complicated and intricate relationship between the position of the camera and that of the character it follows is a vital stylistic element. We are distanced from the action, and yet also have an intimate relationship with it; the fact that the camera often has to retrace its steps in order to follow the character presents a spontaneous, realistic image.

    More importantly perhaps is the continuity that this camera technique gives the film. The film charts the flow of a series of events that are all caused ultimately by one single event. Visually, the flow of images is indicative of the inevitability of the series of events, and aurally the fact that much of the music that we hear in the film is in fact from within the action, such as the dance and the theater, suggest again continuity and unity, as well as immediacy.
    8FelixtheCat

    An exquisite film from abroad...

    Max Ophuls directs this tale of romance and jealousy set near turn-of-the century France. Danielle Darrieux plays the unsatisfied wife of an adulterous French General, Charles Boyer. In order to pay off other frivolous expenses she has incurred, she sells off the earrings that her husband had presented to her on the day after their wedding, and then claims that she lost them. She meets a princely Baron, Vittorio de Sica, and romance slowly blooms. Meanwhile, the earrings she has sold keep turning up in her life only to haunt her. The three leads are wonderful, as is the atmosphere in this luxuriously elegant French film. The change in Darrieux's feelings for the earrings keeps the film fascinating throughout. The emotions of all the characters are presented in a romantic, yet somehow realistic nature.

    Altri elementi simili

    Il piacere
    7,5
    Il piacere
    La ronde: La giostra dell'amore
    7,5
    La ronde: La giostra dell'amore
    Lola Montès
    7,2
    Lola Montès
    Lettera da una sconosciuta
    7,8
    Lettera da una sconosciuta
    Viaggio in Italia
    7,3
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    I racconti della luna pallida di agosto
    8,1
    I racconti della luna pallida di agosto
    L'Atalante
    7,7
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    8,3
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    Sgomento
    7,1
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    La regola del gioco
    7,9
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    La nostra compagna
    6,5
    La nostra compagna
    La vendicatrice
    5,4
    La vendicatrice

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Charles Boyer often fought with Max Ophüls about his character's motives. Ophüls one day during rehearsal broke down and said "Enough! His motives are he is written that way!" Boyer never asked him again and decided to play his character as being omnipotent in all his scenes.
    • Blooper
      When the general gives the earrings to Lola on the train, she is crying and has her little bag on her lap. In the next cut, the bag is on the table.
    • Citazioni

      Général André de...: Unhappiness is our own invention. At times I'm sad that I lack the imagination for it.

    • Curiosità sui crediti
      Prologue:  " Madame de...was a very elegant, distinguished and celebrated woman, seemingly destined to a delightful, uncomplicated existence.   Probably nothing would have happened had it not been for those jewels..."
    • Connessioni
      Edited into Histoire(s) du cinéma: Une histoire seule (1989)
    • Colonne sonore
      L'Amour m'emporte
      Music by Oscar Straus

      Lyrics by Louis Ducreux

      Performed by Danielle Darrieux

    I più visti

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    Domande frequenti17

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    Dettagli

    Modifica
    • Data di uscita
      • 12 novembre 1953 (Italia)
    • Paesi di origine
      • Francia
      • Italia
    • Sito ufficiale
      • Official site
    • Lingue
      • Francese
      • Turco
    • Celebre anche come
      • The Earrings of Madame De...
    • Luoghi delle riprese
      • Saint-Étienne-du-Mont, Place Sainte-Geneviève, Paris 5, Parigi, Francia(Mme de at the church)
    • Aziende produttrici
      • Franco London Films
      • Indusfilms
      • Rizzoli Film
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 130.561 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 15.409 USD
      • 18 mar 2007
    • Lordo in tutto il mondo
      • 135.636 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 45 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.33 : 1

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