Viaggio in Italia

This movie is being an example of some simplistic but beautiful and effective film-making. It doesn't follow a big story in which a big conflict suddenly arises or something needs to get solved or found but it's simply a movie about a, somewhat elderly British(?) couple, on holiday in Italy, who suddenly start to realize that they have never really loved each other.

It's a movie that works because of how well done and beautifully it all got done. It obviously helps that the movie is being set in Italy and features some of the famous landmarks, in and around Napels. The movie focus a lot on the culture and history, since the movie is seen through the eyes of our two main characters, that are tourists and new to the country. There is always something happening in the movie, even though it really doesn't follow a that complicated or thick storyline. It's a movie that prefers realism and is basically a random slice of life and about marriage, that of course is not always anything romantic or love filled. Suddenly they start to learn more about each other and about themselves, which makes them realize that they are perhaps not meant to be together. Doesn't sound that interesting perhaps but the way the story gets told simply makes this a great one to watch, that also never bores. Granted that it's also a quite short movie.

The movie also works well because the characters in it are being realistic and they interacting convincingly with each other. Both George Sanders and Ingrid Bergman gave some fine performances in this movie and were a convincing screen couple, who's marriage has worn out.

It's also a movie that benefits from the fact that it got done in black & white. For some reason I think this movie would had been way more cheesy had it been shot in full color. Instead now the movie has some real class and beauty to it as well.

Despite that it's a movie set in Italy and also an Italian produced movie, with an Italian title, it's still an mostly English spoken film. At least the two main characters speak Italian throughout. So those who normally won't come near a 'foreign' film can also easily watch this one, if you pick up the right, original, version of it of course.

Simply one fine little, well done, effective movie, by Italian director Roberto Rossellini.

8/10

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A masterwork. Heeding Martin Scorsese's advice during his documentary MY VOYAGE TO ITALY, I was finally able to see an English language version of this film on a Brazilian DVD release and the experience was an exhilarating one. The story of a couple on the verge of destruction, surrounded by the vestiges of Pompeii and a view of Vesuvius, is at once real and mesmerizing, and the captivating moment of truth presented in the finale is a stirring revelation. It's easy to see how this film pointed the way for the studied new wave romances to come, like Michelangelo Antonioni's L'AVVENTURA, Godard's CONTEMPT and even Stanley Donen's TWO FOR THE ROAD.

Few films have inspired as much critical folderol as "Journey to Italy". Godard considered it a masterpiece, which is always a cause for worry; he had a sharp eye for directing technique, but not so much for storytelling. "Journey to Italy" reflects this defect, and cannot be called a masterpiece without caveat.

The title is certainly accurate. We follow Alex (George Sanders) and Katherine Joyce (Ingrid Bergman) on a journey through Italy, on their way to sell a mansion Alex' uncle left him, and enjoy some time together.

Their marriage is unhappy. We gather as much from the opening scene, when Alex requests that he drives instead of Katherine. Why so? To keep him awake, he says. Clearly, that's not the whole truth. He may think lowly of her driving skills. Or maybe he can't abide her being in control. Or is he really just bored? It's hard to tell with a sarcast like Sanders.

Katherine feels uncomfortable too, but doesn't call her husband out directly. 'It didn't occur to me that it'd be so boring for you to be alone with me,' she says instead. 'What's that got to do with it? I'm just bored because I've got nothing to do,' Alex replies. Neither is saying what they wanted to say.

That is "Journey to Italy" in a nutshell. Alex and Katherine's marriage could be saved if ever the two were honest with each other, but their emotional defences block every attempt. The tragedy is not that the two don't see what is happening. The tragedy is that they do, and fail to change their ways. Once living with a person for a certain period to time, one cannot suddenly play straight. Alex and Katherine are stuck in vicious circle they have created for themselves.

Rosselini is partially successful in portraying this tragedy. The parts that play out like the above scene have been rightly praised for their bold, elusive storytelling. The best scenes are those in which nothing of apparent notice happens: Katherine takes three tourist tours (set to foreboding music); Alex goes to a party and fails to enjoy himself. What goes on in their heads is left to guess. Antonioni was undoubtedly inspired by "Journey to Italy" when he employed the same technique in his Trilogy ("L'avventura", "La notte", "L'eclisse") -- to greater effect.

Comparison between the directors shows where Rosselini falls short. Note how Antonioni always stays on the surface. He complements the superficial quibbles of his characters with crystal-clear images, and leaves digging to his viewers. Rossellini, meanwhile, wavers. One scene, his characters speak in those natural and shrouded sentences. The next, they indulge in syrupy Hollywood platitudes, or worse: voice-over narration, to directly tell the audience how they feel. The script feels schizophrenic, possibly reflecting its two screenwriters. It is bold and elusive as often as safe and uninvolving.

As such, "Journey to Italy" can only be recommended with reservations. That certain critics fail to provide these is a serious fault. Imagine the Michelin Guide awarding a restaurant three stars despite part of their dishes being undercooked. To appreciate "Journey to Italy", one must seek out the well-done bits.

Katherine (Ingrid Bergman) and Alex Joyce (George Sanders) are on vacation in Italy. It's been eight years of marriage and they feel like strangers to each other.

This is scenes from a marriage and a road trip to personal discovery. It's meandering but that's perfectly fine. It's meant to be. Director Roberto Rossellini inadvertently starts a new movement in looser story telling in films. It's jazz when music has been all classical. The only ill-fitting aspect is the glamor of Ingrid Bergman. It's not a big thing or even a bad thing. She cannot be less than the movie superstar beauty that she is. It takes me out of the movie sometimes although there is an autobiographical suggestion within these characters. It takes away from their everyday struggles within their relationship. I do wonder if an average looking couple would make this an even more compelling examination into a marriage. I also wonder if the couple should stay together throughout the movie so that they can fill out their relationship more. I want them to talk this out together from start to finish.

Viaggio in Italia (1954) was shown in the United States with the translated title Voyage to Italy. The movie was co-written and directed by Roberto Rossellini.

The film stars Ingrid Bergman as Katherine Joyce and George Sanders as Alex Joyce, her husband. They are both very British. (Sanders was British. Bergman couldn't handle the English accent.) They no longer love each other. They decide to go to Naples to try to salvage what's left of their marriage.

A marriage that's falling apart is a classic narrative. A trip to try to repair the damage is also classic. What's not classic is why anyone could believe that this marriage could be saved. Sanders tells Bergman that when he's alone with her he's bored. (Right.) He leaves Naples for a few days, and when he returns he picks up a prostitute rather than return to Bergman. He drives the prostitute to a park, and then takes home without touching her. (Right.) OK--it's 1954, but even so that's a weird scene.

The ending of the film is so bizarre that it defies description, so I won't describe it. Voyage to Italy is considered a Very Important Movie, and has a solid IMDB rating of 7.4. Maybe fellow raters saw something in the movie that I didn't see, or maybe they saw a different movie. I rated it 6, and that was a gift to honor Bergman's acting skills.