La spada di Damasco

The Golden Blade is directed by Nathan Juran and written by John Rich. It stars Rock Hudson, Piper Laurie, Gene Evans & George Macready. Music is by Joseph Gershenson and Technicolor photography by Maury Gertsman.

By Allah! It would be magic, indeed, that this sword were mine at such a time as this.

Colourful, energetic and costumed with skill, The Golden Blade doesn't lack for effort in the low expectation realm of Arabian Nights adventures. Sadly it's actually TOO daft and goofy when it's not meant to be. True enough that it isn't a film to be taken seriously in the first place, and judging by the performances of Laurie and Hudson, the cast are playing it purely for the undemanding popcorn munching crowd. But once over you just get reminded that there are far better films of this type out there and that the interesting premise, a sort of Arabian/Arthurian blend, isn't fully realised. Not enough swishing and swashing of the titular title weapon also annoys greatly. 5/10

This is a tale that comes straight from the "Arabian Nights" compendium. The son "Harum" (Rock Hudson) out to avenge his father murdered at the hands of the evil "Jafar" (George Macready). He must travel to Baghdad where he encounters a feisty young woman "Khairuzan" (Piper Laurie) who is secretly the daughter of the city's caliph - a man also in danger from the menacing ambitions of "Jafar". Luckily, she has a magical golden sword that she gives him to wield. He is invincible! Well he is until someone hits on the idea of swapping his sword for a less effective fake - and soon "Harum" is in a dungeon! Can he escape and save the Caliph and get the girl? Rock Hudson never really cut it for me. Easy enough on the eye, but his characterisations rarely differed from role to role and here he just doesn't really gel with the more charismatic Laurie at all. Plaudits do go to Macready, though - he hams up perfectly as the silken-clad, megalomanic, tyrant. There's plenty of lavish costumes, colour, sword-fighting and at times it's actually quite an entertaining adventure that I did quite enjoy.

A bizarre cross between the Thousand and One Nights and the legend of KIng Arthur and the sword in the stone ,this is routine exotic story,saved by the two leads ,Rock Hudson and Piper Laurie.The latter portrays an outspoken princess who often leaves her palace to see what's going on in the town of Baghdad ,while a vicious VIP is doing very bad things against her noble father .Meanwhile,Hudson is searching the man who killed his also noble father .Both will discover they have things in common.Action-packed movie,nice colors,heroes , villains and a Greek merchant whose shop is full of bargains and of course a golden blade .

Rock Hudson in his pre-Douglas Sirk days (the director who provided him with his best works, along with Frankenheimer's "seconds") and Iin a movie obviously aimed at the children's market .

The screenplay may look like a poor man's "one and thousand nights" leftover ,but the colors are glistening ,Hudson is handsome as Harun, an oriental destitute prince in search of his father's murderer (the whodunnit is predictable and is not pivotal in the plot ); Piper Laurie has plenty of go as a feminist Sheherazade who mingles with the people,dressed up as a commoner or as a young man ("your skin is as smooth as that of a girl", says Harun);he even goes as far as to suggest they pick up girls for dinner!

The ending borrows from king Arthur 's story,complete with sword in the stone,and the old scholar as Merlin. And the tournament looks like those of European Middle-Ages. The baddie uses a watermelon as the world, aping Chaplin in "the dictator ".

But it was pleasant entertaining stuff for the kids of yore ; today's brats might be more demanding ....

Young Piper Laurie and handsome newcomer Rock Hudson were both featured to great advantage in this clearly-plotted and lively adventure-comedy. Imaginative veteran Nathan Juran directs very accurately and imaginatively, and the acting by George Macready as the ambitious villain, aided by Gene Evans (not quite up to a classical accent) and Kathleen Hughes and that of their opponents played by Edgar Barrier, the crafty Stephen Geray and others is above average for any genre. Adding to the fun is lovely Laurie impersonating a boy, a mysterious magic sword (which in lesser hands would have been a detriment) and its magical unwillingness to obey other than a virtuous owner. There is a prolonged sequence when various magicians attempt to remove the sword--which Macready needs to claim the throne--that has become embedded in a wall, and more physically colorful and beautifully-realized scenes than in any ten mean-streets melodramas of the post 1970s. If you do not fall in love with the spirited Khairozan, as Hudson does in the film, then you are probably dead. If you cannot delight in this youthful and stirring adventure of a bygone era, you had best give Grecianized Near-Easterns, our richest adventure genre in so many ways, a consistent miss.