La ribelle del West

Just your standard western fare. Well acted. All the key elements are here, right down to the silly cover that isn't really in the movie. Oh and well the Redhead gets to show off that hair :O I was in a rash of buy Maureen movies most of the year in 2015 then bang. She was gone. Not cool. Then I didn't watch them for awhile. Got tons of On Demand dvd (r's) Not all of them westerns but why not have fun. Totally for kids too....

Quality: 6/10 Entertainment: 9/10 Re-playable: 6/10

A nice Western stars a valiant female who uses the power and raw courage to vanquish difficulties , she's , of course, Maureen O'Hara. Cattle baron Reece Duncan (Alexander Scourby) is opposed by ambitious gambler Jim Averell (William Bishop) , both of whom compete for public lands and unbranded stray cattle. That's why Averell imports his old flame , shapely saloon queen Kate Maxwell (Maureen O'Hara) , and sets her up as an alternate cattle buyer against cattle king Reece Duncan. As matters build toward violence, igniting a range war , while Kate finds she's being taken advantage of . But her only potential ally in staving off carnage is seemingly mild-mannered sheriff Stan Blaine (Alex Nicol) who distrusts her. As she , subsequently , changes sides and will fight against her promoter , as he helps mistreated settlers . Queen of An Outlaw's Lair!

This is a moving western dealing with the ordinary conflict between freedom and the need for order and cattle settlements . An Universal International Picture set in Wyoming Territory , where a range war is brewing between entrenched cattle barons and new settlers. The picture regards interesting issues such as the economical abuses by powerful owners including violence , and the sexual resources that the beautiful lady , gorgeous Maureen O'Hara , using to get her purports . Nice and feisty acting by the great Maureen O'Hara as the sympathetic as well as brave Kate Maxwell who finds himself in the middle of a range war between greedy cattle barons and newcomer settlers . Acceptable picture , the film has agreeable messages dealing with an obstinate woman who fights for the rights of the cattlemen and based on mutual respect for independence of the Woman rather than submission to Man , as well as demonstrations of bravura and decision . Main and support cast are frankly good . Along with the always stunning Maureen O'Hara , there are several known actors and Western ordinary , such as : Alex Nicol , William Bishop , Robert Strauss who won Oscar award in Stalag 17, Alexander Scourby , Gregg Palmer , Jack Kelly , Dennis Weaver of McCloud , Stacy Harris , Fred Aldrich ,among others .

It contains a colorful and brilliant cinematography in CinemaScope and Technicolor by Winton C. Hoch , John Ford's regular cameraman . The motion picture was professionally directed by Lee Sholem. In a 40-year career, he directed upwards of 1300 shows, both features and TV episodes, without once going over schedule--a feat probably unparalleled in Hollywood history. Sholem started out in the cutting room some time in the 1930s. A lengthy association with "Tarzan" producer Sol Lesser brought him in contact with the celebrated William Cameron Menzies, from whom Sholem learned the key to expedient production, and later led to his first directorial assignment (Lesser's Tarzan and the magic fountain 1949). This filmmaker was a good artisan who made a large number of films about various genres such as Adventures : Tarzan and Magic Fountain, Tarzan and the slave, Hell Ship Mutiny, Ma Pa Kettle Waikiki , Jungle Man-eaters , The Louisiana Hussy , Western : Redhead of Wyoming , Río Apache, Terror : Pharaoh's Curse , SciFi : Superman and the Mole Men , Doonsday Machine , Tobor the great . In addition , he made several episodes of known TV series in the 50s and 60s such as : Adventures of Long John Silver, The Sheriff of Cochise, 77 Sunset Strip, Men into Space, Sugarfoot, Bronco, Cheyenne , Miami Undercover, Death Valley Days, Maverick, among others . The film will appeal to vintage western movies enthusiasts .

In a routine western about simmering conflict between settlers and landed cattlemen in Wyoming Territory, dazzling red-headed Maureen O'Hara gives "The Redhead from Wyoming" a feminist slant. Amidst a cast of rather colorless cowboys, O'Hara cuts a striking figure; her flaming hair captured by Winton C. Hoch's Technicolor camera, blazes over her striking costumes, designed by Edward Stevenson. O'Hara catches every eye with bare shoulders exposed by flamboyant garments in lavenders and yellows that are in sharp contrast to the earth tones favored by her male co-stars.

Unfortunately, the leading men are as lacking in color as their costumes. Tall blonde Alex Nicol as Sheriff Stan Blaine displays little emotion, except when his eyes cast an appreciative glance at O'Hara's barely concealed decolletage. William Bishop is passable as the duplicitous Jim Averell, who has history with O'Hara's character, the tough Kate Maxwell. Most of the cast is comprised of relative unknowns with the exceptions of Robert Strauss and Dennis Weaver in small roles.

The undistinguished screenplay, which deals with cattle rustling and a potential range war, is unworthy of O'Hara's talent and screen presence; the fiery Irish actress plays a smart business woman, who can ride and shoot with the boys, yet maintain her femininity. Kate Maxwell may be ruthless, but she is no tomboy, and her wardrobe bears no resemblance to those worn by Joan Crawford or Barbara Stanwyck in their western roles. Kate is impeccably coiffed, made-up, and garbed, even when wielding a shotgun or riding a stallion. Other than an early portrayal of a strong woman in the Old West, "The Redhead from Wyoming" fails to rise above a fairly entertaining, if unmemorable, oater with an unforgettable star.

A great movie. It has it all: wonderful acting, an excellent script, great cinematography, and impeccable continuity. But most of all, it has, in great abundance, Maureen O'Hara. This is her movie, and carries the movie well. She is in almost every scene and dominates the movie. She is absolutely beautiful. But her looks are not the whole story. Her acting is superb. She projects both vulnerability and strength. Her character, Kate, is assertive, intelligent, honest and courageous. Kate takes charge in the story. When she has to ride a horse, she rides; when she has to defend herself, she defends herself; and when she is interested in a man, she is forthright yet modest. She is trusting but you can't double cross her and when she is wronged, she lets you know. The other cast are excellent too, especially William Bishop as the bad guy, Averell. Also, the movie effectively dramatizes the economic and social conditions that triggered the range wars in the West in the mid-nineteenth century. If one likes Maureen O'Hara and westerns with strong stories, then this movie is worth watching.

Let me admit off the bat that I know nothing about Director Lee Sholem and, on the strength of THE REDHEAD FROM WYOMING, I doubt I will get to know more. For a less than famous director, he wastes a good cast: O'Hara gets the star treatment, the two Alexes - Scourby and Nicol - go invisible for long stretches, and poor William Bishop is checkmated by a much two-faced character, a would-be gubernatorial candidate involved in cattle rustling, but using as a front O'Hara and the saloon he gives her.

For a wild west plot, there is very little shooting, contradictory behavior, a whole load of supporting faces whom you cannot tell whether they support Scourby or Bishop, with drifter sheriff Nicol taking beatings from both sides but somehow capturing O'Hara's heart (lucky lad!)

The film seems much longer than its 81 minutes, which ain't a good sign. 6/10.