They Might Be Giants

Being American and inadvertently an avid viewer (consumer) of cinema of all genres and qualities, I have to say that this is one of my all-time, forgotten favorites.

Not being a film student or critic, I fall into that overlooked and easily dismissed category called "the audience" which is humorously described as having no knowledge of art, but knowing with certainty what one likes. As such, I can say, unequivocally, that I like this film.

Most important to me as a viewer, above all other aspects of a film, is the story that is being told. If the story is winning, endearing and meaningful, then all else can be forgiven, production quality, even poor acting. Sans the poor acting, "They Might Be Giants" is just such a film.

I won't bore you with the wealth of meaning and depth of insight that I have gleaned from this wonderful story. Suffice it to say that despite what some have chosen to call its' "saccharine" quality (and what I call its' endearing quality), this story has the metaphysical import that elevates it to the level of a modern-day fable for the Western World.

Because I am unstudied and basically an "illiterate" in terms of Western Literature, the references to Don Quiote were completely invisible to me until now. For this enlightenment, I give thanks to the other reviewers. This comparison rings true throughout the story, and has enriched its' overall meaning for me. However, because I was initially unaware of this now obvious reference, for me the "They" in the title of "They Might Be Giants" referred to the very characters, themselves, all of whom are socially flawed, socially marginalized individuals, all of whom are void of "desirability".

As such, these characters, very aptly portrayed by the cast, although quirky, stand-alone individuals respectively, collectively come to represent the "everyman". The impersonal facelessness and the spirit-killing angst of personal worthlessness in midst of the post-industrial age of "modernity" are the windmills at which our Don Quiote, Justin Playfair, tilts. More importantly, we come to understand that this mask of facelessness may well be hiding individuals of truly gigantic spiritual dimensions and human worth. Our fellow human beings, who we pass, nameless, in the streets, "They Might Be Giants"!

James Goldman's most beautiful and literary script, a fragile and delicate fantasy/comedy that delivers on its initial promise. Beautifully acted by Scott, Woodward and Gilford, and with a dozen or more cameos that are truly memorable, this is truly a feel-good movie for the literate and the intelligencia. I would rank it among my top half-dozen.

This is one of those films that is so quirky that you love watching it. Certainly not a big budget film despite having two great actors in George C. Scott and Joanne Woodward but it is a fun film. Director Anthony Harvey had an odd career. He only directed nine theatrical feature films and in only his second film he hit a home run with 1968's The Lion in Winter getting seven Academy Award nominations including Best Picture and Best Director for himself. He didn't win in those two categories but that film did win three Oscars. He didn't direct another film for three years until he came out with They Might be Giants which was such a small film and such a departure from his previous big historical epic. George C. Scott turns in an excellent performance here as does Woodward. This isn't a great film but it's fun and interesting and the supermarket scene is a riot. I've seen this a couple of times and would definitely like to see it again sometime. I would give this a 7.5 on a scale of 10.

They Might Be Giants is now better known for giving the name to a quirky pop group rather a quirky cult film in its own right. Although the title is derived from Cervantes novel Don Quixote.

The films is an adaptation of the stage play where George C Scott plays a brilliant jurists who after the death of his wife thinks he is Sherlock Holmes.

His brother tries to have him committed so he can receive his money. The psychiatrist who is to evaluate him is called Dr Mildred Watson (Joanne Woodward) in order to understand his condition more ends up enlisting in his adventures to venture down the streets of New York to find Moriarty.

Dr Watson is sceptical at first and knows the condition he is suffering from, standard textbook stuff really. However Dr Watson a middle aged spinster has issues of her own and is drawn to the former judge and the director pulls off a remarkable trick where at a point in the film the sceptic becomes a convert. Both fall for each other and pursue Moriarty with zeal.

The film deals with mental illness and some themes in this film were pursued two decades later by Terry Gilliam in the movie The Fisher King, a director who has long pursued to make his own version of Don Quixote.

This is a small scale actors film. Both Scott and Woodward give terrific performances with a strong support cast. It does have it flaws, maybe the brother needed to be drawn stronger as a villain and it might just get a bit to silly at the end. The climax is rather frustrating as they think Moriarty is approaching.

If you look for flaws in this film you will find plenty. Still, I gave this film a 10 vote because it has overriding qualities which are extremely rare. It is a magical film, full of poetry, it touches you where other films cannot reach. It creates a fantasy world of its own in the midst of modern society, a fantasy world which is utterly implausible and yet so compellingly persuasive.

The cast of this gem is mesmerisingly excellent, all parts I can think of are cast with character actors who on their own have stolen entire films from the stars. The central performance by George C. Scott is majestic, and so is John Barry's wonderful score. The film contains many memorable scenes, but outstanding amongst the lot is the supermarket scene. If I had to compile a list of the ten best scenes ever put to celluloid, this would be included.

Unique.