La ninfa degli antipodi

as has been stated, this movie definitely is not a good biography, but this is Hollywood. in truth Annette really was put on trial for her scandalous suit, though i wouldn't say she did it to be sexy. she did to be practical. and can you blame her? still, the water ballets are lovely, and they are especially special since the actress was a real synchronized swimmer who did it all herself, like how johnny Weissmuller does all of Tarzan's's water stuff(and everything else). parts are humorous, others not, but if you are looking for a classic this is a classic that most people don't know about. it is worth it to see a new classic, with that old charm. and, as has been said, the swimming scenes were fabulous. and the beginning, when Annette is a little girl, can just make you practically cry. when you come across stories such as these, it can be rather hard to pass them by.

I've heard that this movie was not a completely accurate story of the life of Annette Kellerman. Since I don't really know her story, I cannot say, but I did enjoy this film, as I've enjoyed all of Esther Williams' films. Esther Williams is the most wonderful, beautiful, sweetheart of a girl to watch. Even when she gets upset (which is never that often cause she always has such good spirits), she still seems so nice and innocent. And her swimming is always a joy to watch. In "Million dollar mermaid", Esther starts off as a little girl who is overcoming polio. She still can't walk straight, but she tries to swim. And she does it pretty well for the first time. Her father is concerned at first, but then really admires her determination and decides he will be right there with her.

As she's grown up, we see Esther as a terrific swimmer and diver. One scene in particular, Esther gets in trouble on a NY beach for indecent exposure. She is wearing a one piece bathing suit that shows all of her arms and about 75% of her legs, but nothing else. I know that this film takes place at the turn of the 1900s, but it's still jarring to see a woman making such a scene and getting arrested for that when today you've got topless women all over the beaches of Europe (and the Caribbean and Miami) wearing absolutely nothing but the tiniest g string bikini bottoms.

As the film continues, we see her achievements, first as Esther swims all the way down the Thames in London to Greenwich, and then her performing at the Hippodrome in New York. She does some dazzling numbers there such as flipping around underwater, sitting in a giant clamshell with a pearl, jumping off a 50 foot high platform ( the platform itself is so beautiful, it's like a tall thin vertical waterfall). I heard somewhere that she badly injured herself one time rehearsing that scene when she jumped from that platform. And they had to stall film production while she recovered. Esther's father was the maestro of the orchestra playing during her water shows. One night, there's a tragedy with her father during one of her shows just while she was getting in the clam. Another time, a tragedy happened with Esther while in a water tank and the glass of the tank cracked and broke. Thank God, she recovered. There's also a subplot in this film of a friend of Esther's who's trying to fly his plane around the world, and there's also a part with a kangaroo. And the very best of all of Esther's water ballets is here. Starting with a lot of her crew and herself jumping from these high flying trapeze bars just swinging out of these pretty colorful clouds, some brilliant overhead patterns of Esther and the girls in the water, along with other terrific plays such as Esther and the girls wearing dazzling, sparkling crowns as they're slowly coming out of the water. This was a great film. There has never been anyone else quite like Esther Williams. She was amazing and wonderful. And like Mickey Rooney, she only left us a few years ago (both in 2013), both living into their 90s. There were sadly, the last of the wonderful surviving Golden age celebrities. Esther Williams and Judy Garland were both the most wonderful women ever to grace this earth. They were both angels. Judy, sadly hasn't been with us since 1969, and Esther, now sadly has left us too. Dear God, please take the best care of these two wonderful angels in heaven. Someday when it is my time for God to take me, perhaps I will see both Judy and Esther up there.

Wonderful film exhibiting the talents of Esther Williams portraying swimming Annette Kellerman at the turn of the 20th century.

The water sequences were never lovelier and the story of Kellerman, who overcame adversity as a young child, was remarkable.

Victor Mature is in fine form as her promoter and eventual lover, Frank Sullivan. Jesse White brings his comic relief as Sullivan's side-kick and Walter Pidgeon is endearing as her father.

Coming from Australia to star in the Hippidrome and other features, Kellerman exhibited outstanding talent in her swimming career while at the same time trying to maintain her dream of being a ballerina. Ballet star Maria Tallchief brief appears as the legendary Pavlova in the film.

When professional differences end her romance with Sullivan, Kellerman really makes it on her own thanks to the help of David Brian, as the head of the Hippidrome.

While the tragic accident she had while making "Neptune's Daughter" in Hollywood almost cost her her life, it brings on a wonderful moving ending.

This is a highly entertaining film.

In Australia, little Donna Corcoran (as little Annette Kellerman) swims to overcome polio. Supported by father Walter Pidgeon (as Frederick), she becomes a little swimming champion. The cute girl quickly grows up to be attractive trophy-collecting Esther Williams (as the adult Annette Kellerman). She meets manly Victor Mature (as James "Jimmy" Sullivan) and goes to America. Mr. Mature puts her in a shocking one-piece bathing suit and Ms. Williams is accused of "indecent exposure." They are mutually attracted, but Williams must listen to Mature tell her:

"Wet you're terrific, dry you're just a nice girl who ought to settle down and get married."

Understandably, this nervy line puts a cramp in their romance. Williams also attracts "Hippodrome" owner David Brian (as Alfred Harper). While not classically handsome, kangaroo-trainer Jesse White (as Doc Cronnol) gets no action; he's faithful, supportive and funny, but apparently not Williams' type. All this silliness is based on a few facts from the real turn-of-the century celebrity Annette Kellerman's life. The original "Million Dollar Mermaid" was also famous for appearing for the public in only her "birthday suit" - but this biography keeps Williams' Kellerman modestly covered.

Stick around for the sensational aquatic scenes. This is where Williams, choreographer Busby Berkeley, and cinematographer George J. Folsey really shine. They didn't do it alone, of course, as the MGM production team employed hundreds of hard-working helpers. Ballet dancer Maria Tallchief (as Anna Pavlova) and one of the seemingly endless cute Corcoran kids are additionally noteworthy. Young Donna won a "Film Daily" acting nomination in their juvenile category, Mr. Folsey's color photography received "Academy Award" consideration, and Williams drew in the crowds.

****** Million Dollar Mermaid (12/4/52) Mervyn LeRoy ~ Esther Williams, Victor Mature, Walter Pidgeon, David Brian

Annette Kellerman was an Australian swimming star who created a scandal in 1902 by introducing the one-piece bathing suit at a public beach. Her rise from obscurity is chronicled here, after a bout with a childhood illness that left her crippled for awhile. America's swimming sweetheart Esther Williams was the obvious choice to play the champion swimmer and she does a fine job. She gets solid support from Victor Mature as a cocky promoter with Walter Pidgeon and David Brian in good supporting roles.

The main ingredients are the swimming numbers--and the highlight is the acquacade spectacular choreographed by none other than Busby Berkeley. With exceptional color photography, good script and more than competent performances, this one is a winner.

Victor Mature has a colorful performance as the cocky promoter.

As for Esther Williams, it's easy to see why she was a top box-office draw at MGM during the '40s and '50s.