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5,7/10
655
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA romanticized history of the building of the Denver & Rio Grande Railroad in the Colorado mountains.A romanticized history of the building of the Denver & Rio Grande Railroad in the Colorado mountains.A romanticized history of the building of the Denver & Rio Grande Railroad in the Colorado mountains.
Kasey Rogers
- Linda Prescott
- (as Laura Elliott)
George Barrows
- Railroad Worker
- (non citato nei titoli originali)
Chet Brandenburg
- Saloon Worker
- (non citato nei titoli originali)
Russell Custer
- Railroad Worker
- (non citato nei titoli originali)
Jack Daly
- Tolliver - General's Secretary
- (non citato nei titoli originali)
Jimmy Dime
- Railroad Worker
- (non citato nei titoli originali)
Lester Dorr
- Dealer
- (non citato nei titoli originali)
Recensioni in evidenza
There were some weak points to this film that could have easily been fixed or edited and they probably should of. First of all the way Nelson is killed- how can you be convinced you shot someone when you were fist fighting them? Second of all the fact that Linda was the sister of Bob Nelson should have been saved to be revealed to the audience when it was revealed to Jim Vesser after the trains crashed. It would keep the audience in suspense and wondering where she's riding off to and why. And finally the head on collision between two old narrow gauge steam locomotives. Since they were capturing such an amazing scene the filming makers should have set up multiple cameras to capture that awesome crash. A couple close up shots would have been so much better than the single shot from far away. All in all I love this movie. Even though the script was empty at times the work put in to get those spectacular shots of the trains and the mountains made up for it.
"Denver & Rio Grande" is probably best remembered for its spectacular head on crash of two vintage trains. Reportedly, two actual trains were used in the sequence. I don't think there were any re-takes.
The plot is the old one about the two competing railroads trying to outdo the other by nook or by crook. Edmond O'Brien (it's about THAT hat) is the trouble shooter for the Denver & Rio Grande. Dean Jagger is the head man and J. Carroll Naish the designing engineer. Laura Elliott is the love interest who thinks that O'Brien shot her brother (Don Haggerty), but of course he didn't. Because of her belief she has been feeding critical information to baddies Sterling Hayden and Lyle Bettger. It all leads to the final showdown featuring the above-mentioned crash and Elliott finding out who the real killer was. Zasu Pitts and Paul Fix (as the stereo-typical Irish engineer) provide the comedy relief.
"Denver & Rio Grande" is full of spectacular scenery and railroad shots that will satisfy the most avid train lover. And there's the crash. A better than average 50's western.
The plot is the old one about the two competing railroads trying to outdo the other by nook or by crook. Edmond O'Brien (it's about THAT hat) is the trouble shooter for the Denver & Rio Grande. Dean Jagger is the head man and J. Carroll Naish the designing engineer. Laura Elliott is the love interest who thinks that O'Brien shot her brother (Don Haggerty), but of course he didn't. Because of her belief she has been feeding critical information to baddies Sterling Hayden and Lyle Bettger. It all leads to the final showdown featuring the above-mentioned crash and Elliott finding out who the real killer was. Zasu Pitts and Paul Fix (as the stereo-typical Irish engineer) provide the comedy relief.
"Denver & Rio Grande" is full of spectacular scenery and railroad shots that will satisfy the most avid train lover. And there's the crash. A better than average 50's western.
The Denver and the Rio Grande is purportedly the story of the construction of that line financed by Dean Jagger, designed by J. Carrol Naish and constructed by Edmond O'Brien. They meet some stiff opposition from the the bad railroad where Sterling Hayden and Lyle Bettger run things.
With some elements taken from films like Union Pacific and Saratoga Trunk, Denver and the Rio Grande is entertaining, but not consistently. Part of the plot is where the baddies convince Edmond O'Brien he killed Don Haggerty. They do a weak job of it in my opinion. Unfortunately that weakness leads to some rather silly motivation on the part of other characters.
What is nice is the good Rocky Mountain location photography and two very good performances by Zasu Pitts and Paul Fix in sidekick roles. They have a very cute romance going and at times they're better than the leads.
With some elements taken from films like Union Pacific and Saratoga Trunk, Denver and the Rio Grande is entertaining, but not consistently. Part of the plot is where the baddies convince Edmond O'Brien he killed Don Haggerty. They do a weak job of it in my opinion. Unfortunately that weakness leads to some rather silly motivation on the part of other characters.
What is nice is the good Rocky Mountain location photography and two very good performances by Zasu Pitts and Paul Fix in sidekick roles. They have a very cute romance going and at times they're better than the leads.
Rousing locomotor from Paramount (can't call it an oater since there are no horses). The action rarely lets up as two railroad companies compete for most scenic rail line in the mountain west. Jim (O'Brien) works for the D&RG, while McCabe heads up the CC&SJ (Canon City & San Juan). Trouble is McCabe's outfit doesn't care what they have to do to win. Plus, they've got a spy in Jim's camp, so they've got a big advantage. But don't count out the D&RG, since Jim's road gang knows how to fight back, and is headed up by a general, no less.
Pudgy O'Brien may look more like a San Francisco barfly (DOA {1950}) than a leader of men, but he's plenty spirited. And get a load of that great mountain scenery. I may be mistaken, but I think the whole time is spent along the rail line, so we get lots of alpine views. Clearly, the producers knew what the draw was. Sure, developments are sometimes either obscure or don't make much sense. But the action quickly moves on, so it's hard to get stuck. The centerpiece head-on between two speeding locomotives remains an eye-catcher, even though the enhancing explosives are pretty apparent.
All in all, the 80-some minutes add up to a visual treat, but don't expect much in the way of extended dialogue. The language here is action, not words.
(In passing-- There's a commemorative statue of General Palmer, founder of the D&RG, astride a steed in downtown Colorado Springs. Thus his name remains well known in the area.)
Pudgy O'Brien may look more like a San Francisco barfly (DOA {1950}) than a leader of men, but he's plenty spirited. And get a load of that great mountain scenery. I may be mistaken, but I think the whole time is spent along the rail line, so we get lots of alpine views. Clearly, the producers knew what the draw was. Sure, developments are sometimes either obscure or don't make much sense. But the action quickly moves on, so it's hard to get stuck. The centerpiece head-on between two speeding locomotives remains an eye-catcher, even though the enhancing explosives are pretty apparent.
All in all, the 80-some minutes add up to a visual treat, but don't expect much in the way of extended dialogue. The language here is action, not words.
(In passing-- There's a commemorative statue of General Palmer, founder of the D&RG, astride a steed in downtown Colorado Springs. Thus his name remains well known in the area.)
Two railroad construction crews go head to head in getting a new line through to the west. One crew is filled with dirty rotten scalawags who stop at nothing to fulfill their duty. The other group are square shooters who just want to do an honest days work for an honest days pay. They meet for the final showdown in an explosive ending. Good western filmed in beautiful mountain country.
Lo sapevi?
- QuizThe yellow "bumblebee" paint scheme seen on the locomotives in the film is not accurate for the era depicted. The yellow paint scheme was first created for the 1949 Chicago Railroad Fair, where D&RGW locomotive #268 was displayed as a symbol of the D&RGW (formerly D&RG) railroad's history. It was used again in the movie, along with several locomotives painted to match. After filming, it returned to normal service, becoming the only steam locomotive to do so in the yellow paint scheme. (The other two that were painted yellow for the film were destroyed in the crash scene.)
In real life, the D&RG's locomotives would have been painted black during this era. Some may have had dark green boilers, but records are conflicting on this, and no color photos exist to settle the debate. Coal-fired locomotives like these were generally not painted in bright colors because, thanks to the soot and smoke from the coal, it would take a lot of extra work to keep them looking clean, so they were painted black or dark grey to make the soot less visible. (There were exceptions to this, of course, such as the Southern Railway's bright green paint scheme.) Older steam locomotives with vivid paint schemes and shiny brass fittings used wood for fuel, which produced a lot less soot.
Locomotive #268 wore the yellow paint scheme from 1949 until its retirement in 1955. It was the last of the railroad's C-16 class 2-8-0 locomotives to be retired, and the only one to wear the yellow paint scheme while in service. It is now on display at the Gunnison Pioneer Museum, once again in its famous "bumblebee" paint (a new paint job - it was painted black for many years before it was cosmetically restored). Unfortunately, there are no immediate plans to restore it to working condition.
The "bumblebee" paint scheme has become an iconic part of the D&RGW's legacy. Although #268 is considered the original "Bumblebee", several other locomotives have worn the paint scheme over the years, and numerous models have been made with the yellow paint scheme (including models of locomotives that never carried it in real life, even for the movie). The Durango & Silverton, a tourist railroad that operates today on former D&RG trackage (including many of this movie's filming locations), uses a similar yellow paint scheme on its passenger cars as an homage to the "Bumblebee" scheme, although the locomotives are painted in their historically accurate black (Period-correct passenger cars would most likely have been painted dark green or maroon).
- BlooperAfter the landslide Vesser assumes the engineer is dead because he's sees his cap lying on a rock near the river. But the cap is yellow and in the scenes where the engineer is driving the train you can clearly see he's wearing a black cap, not a yellow one. The engineer is still dead though.
- Citazioni
Jim Vesser: Who put you up to this?
CC&SJ Man: Nobody put us up to anything.
Jim Vesser: Well, you're fired!
CC&SJ Man: Who are you to fire me? You didn't hire me!
Gil Harkness: No but I did... and you're fired.
- Curiosità sui creditiFOREWORD: "With grateful acknowledgement to the officials and personnel of the Denver and Rio Grande Western Railroad whose splendid cooperation made this picture possible."
- ConnessioniReferenced in A Fellow Journeyman: Byron Haskin at Paramount (2022)
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Dettagli
- Tempo di esecuzione
- 1h 29min(89 min)
- Proporzioni
- 1.37 : 1
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