L'assalto al Kansas Pacific

This is a curious unpretentious little western from the former Monogram Studios about the building of the Kansas Pacific Railroad. The action takes place before and during the Civil War with Sterling Hayden as the Army Captain sent west to supervise. He supersedes Barton MacLane who is the foreman and has some time to romance MacLane's daughter played by Eve Miller.

Film has some nice action sequences, but the script has a lot of holes in it. Reed Hadley plays William Quantrill who's doing a lot of

sabotage and pretty successfully. Then for no real reason he stops and lets construction proceed. He says he's waiting for some artillery from the Confederate States of America. That's the only indication we get that the Civil War has officially begun. Then when the railroad is finished, Quantrill decides to use the artillery to attack moving trains. I suppose while he's waiting, Quantrill is out doing the stuff he's more infamous for.

Quantrill is a stock villain in a whole lot of westerns, yet no one has ever done a reasonably accurate film with him in it. Reed Hadley, who had one of the best speaking voices in Hollywood, does his best with what he's given here. All you folks who watched Racket Squad back in the 50s remember Hadley narrating and portraying Captain Braddock. His voice is unmistakeable.

Another unmistakeable voice belongs to Clayton Moore who has a bit part as one of Quantrill's henchman while on hiatus from The Long Ranger.

Don't expect too much from this. DeMille did it better in Union Pacific, but he had a lot more resources to work with.

I was going to write a scathing report of all the anachronisms in this movie, from the dynamite to the completed U.S. Capitol Dome to the knuckle couplers and air brakes on the railroad equipment (if they look familiar, it's because the engine and the baggage/coach combination were the stars of "Petticoat Junction") to Eve Miller's Capri slacks and Maidenform bra.

But if I did I'd miss the point.

This movie isn't about what happened in Kansas in the late 1850's, it's another trip into the Hollywood Old West. It's the kind of movie you'd watch on a Saturday afternoon to forget that C- Miss Kursinsky gave you in Algebra.

Don't worry about the details. Just sit and relax, grab some popcorn and Juju Fruits and enjoy the ride. Which, at the end of the day, isn't all that bad.

This very appealing and simple railroad western is a Monogram Picture made in color and labeled 'An Allied Artists Film" to up-size its image. Other comments on this site will tell you the story and the history of the time and setting; I shall stick to my reaction. Basically filmed on a short distance of track at the back of some western lot, AA have succeeded in creating a suspenseful B grade chase western that allows for some very well staged train stunts and explosive set pieces. With a excellent music score matching the rousing action and photographed superbly in Cinecolor (I did not know this 'cheap' process was so beautiful) all clearly adds to the welcome comic book look and feel of this handsome railroad drama. Other excellent train chase films include NORTHWEST FRONTIER (1959) and THE GREAT LOCOMOTIVE CHASE (1956) and recently: TV movie Young Indiana Jones And The Phantom Train Of Doom which in itself is almost an elaborate remake of Kansas Pacific but set in WW1..... and If you love Republic action pix in glorious Trucolor like I do, then find a tape of TIMBERJACK (1954) which has a fantastic contraption style logging train in peril, more Sterling Hayden and even a few songs by Hoagy Carmichael and (gulp) Vera Ralston - with tambourine! The Americana of Kansas Pacific and Timberjack make a excellent western train double feature if you are keen for some track work and explosions in your own lounge room. Fun to watch with Nephews and pre-teens whilst babysitting....like I did. So easy to enjoy. Wait 'till you see the cannon battle with the carriages blasted off the tracks! Well done!

Kansas Pacific is directed by Ray Nazarro and written by Daniel B. Ullman. It stars Sterling Hayden, Eve Miller, Barton MacLane, Harry Shannon, Tom Fadden and Reed Hadley. A Cinecolor production with music by Albert Sendrey and cinematography by Harry Neumann.

"In the years preceding the War between the States, 'Bleeding Kansas' was split down the middle. Being a border state-and not legally committed to either side-Kansas was almost torn apart by its two equally violent factions.

A railroad to the West was being built. To the rapidly forming Confederacy, this line, if completed, could mean the difference between defeat and victory, because it could well become the lifeline for the Union's western military installations.

Some Southern groups therefore, took strong steps to see that the Kansas Pacific did not reach completion. Northern interests, on the other hand, took equally strong steps to see that it did. All of this happened before any formal declaration of war, so neither side was really justified in the acts of total violence which resulted."

It's a fictionalised account that would surely have the historians frothing at the mouth, but on its own modest terms Kansas Pacific is solid entertainment. It's 1860 and Hayden is an undercover Army engineer who is sent in to ensure that the railroad is built. Not easy because the construction is plagued by sabotage attacks by Southern Rebels led by William Quantrill (Hadley).

Thus the story follows a familiar path that sees Hayden viewed with suspicion by some, admired by others, and as the sabotage attempts increase in ferocity, so does Hayden's will to succeed. Some love action comes his way (Miller on dressage duties only), as does the chance for some stoic engine driving. The action is well staged by Nazarro, who oversees dynamite attacks and cannon warfare, and the location photography coupled with the train sequences are most pleasing.

Modest for sure, but performed well in the right areas and at 73 minutes in length it barely has time to annoy anyone but the history buffs. 6/10

On Civil War's eve, the Union pushes for completion of a railroad to the West, while the Confederacy works to prevent it.

Decent western that makes good us of its limited budget. The cannon duel is imaginative as heck and a good effect that avoids western cliché. Lots of familiar faces in supporting roles, especially MacLane, Hadley and Fowley. Since the plot concerns Civil War rivalries, the bad guys can't be too bad since they're fighting for the Southern cause. I like the way attention is paid to technicalities of railway building, which lends realistic atmosphere. Too bad they have to work in a romance that dangles like a needless appendage, but I guess that's commercial filmmaking

Something should be said for Sterling Hayden, always an interesting actor even if he hated the profession. Too gangly and taciturn to be a leading man, he's perfect for an action role like this. And who can forget his grim- faced attachment to his horses in The Asphalt Jungle (1950). It's an outward stoicism that still conveys unexpected feeling. Or his philosophical resignation upon leaving the airport in Kubrick's masterpiece The Killing (1956). By all accounts he was a fascinating man as well as an underrated actor.

Anyway, this is a nicely done outdoor western with a good cast.