VALUTAZIONE IMDb
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn 1648 France, it's the sons (and daughter) of the Three Musketeers to the rescue!In 1648 France, it's the sons (and daughter) of the Three Musketeers to the rescue!In 1648 France, it's the sons (and daughter) of the Three Musketeers to the rescue!
- Regia
- Sceneggiatura
- Star
Edmund Breon
- Queen's Chamberlain
- (as Edmond Breon)
Eric Alden
- Guardsman
- (non citato nei titoli originali)
Fred Aldrich
- Executioner
- (non citato nei titoli originali)
Gregg Barton
- Regent's Guardman at Fallen Tree
- (non citato nei titoli originali)
Barry Brooks
- Captain of the Guards
- (non citato nei titoli originali)
Albert Cavens
- Claire's Fencing Instructor
- (non citato nei titoli originali)
Recensioni in evidenza
This movie was (very) vaguely inspired by the fourth part of Dumas ' novel " Le Vicomte De Bragelonne", which mostly dealt with the young Sun King.
For a French ,it's absolutely impossible to take the historical context seriously : it's true that there was trouble all over the land ,caused by the nobles who challenged the king's absolute power : it was called "La Fronde" :it's true that the young King had to escape from Paris and to take refuge in Fontainebleau .In 1648,however,the queen mother ,Anne D'autriche , was not dying : she did not have a heart condition and she died in 1666 of breast cancer.During her regence,she had strong support from her minister Mazarin (not mentioned here,as an user has already pointed out),who,in the wake of Richelieu, ruled the country and paved a reliable way for the absolute monarchy (which began when he died in 1661).And Anne D'Autriche had no daughter but two sons ,Louis and Philippe : the latter was gay.
Let's forget history .Lewis Allen's swashbuckler has plenty of go ,and Cornell Wilde and majestic Maureen O'Hara make an attractive pairing ; the villain ,the ambitious Duc De La Valle ,a fictious character ,could be one of those rebellious aristocrats (the own king's uncle ,Gaston D'Orléans, was part of the Fronde); As the three/four musketeers were getting old, it was only natural to replace them by their sons ;but the best idea is to introduce a girl (Athos' s daughter) Not only Miss O'Hara wields the sword with gusto (she was carefully taught;see her first appearance) but she proved herself more than useful than a man: a beautiful woman can replace a princess, turn into a servant and seduce a roughneck soldier (the scene when she is told off by her would be husband and lovers is much fun to watch).The screenplay is action-packed , the colors are superb , the film is rather short so there's never a dull moment.
A voice over warns us when the movie begins : this is what could have happened in France............ if fate had not decided otherwise.Well ,decidedly implausible ,but a good entertainment is guaranteed for all.
For a French ,it's absolutely impossible to take the historical context seriously : it's true that there was trouble all over the land ,caused by the nobles who challenged the king's absolute power : it was called "La Fronde" :it's true that the young King had to escape from Paris and to take refuge in Fontainebleau .In 1648,however,the queen mother ,Anne D'autriche , was not dying : she did not have a heart condition and she died in 1666 of breast cancer.During her regence,she had strong support from her minister Mazarin (not mentioned here,as an user has already pointed out),who,in the wake of Richelieu, ruled the country and paved a reliable way for the absolute monarchy (which began when he died in 1661).And Anne D'Autriche had no daughter but two sons ,Louis and Philippe : the latter was gay.
Let's forget history .Lewis Allen's swashbuckler has plenty of go ,and Cornell Wilde and majestic Maureen O'Hara make an attractive pairing ; the villain ,the ambitious Duc De La Valle ,a fictious character ,could be one of those rebellious aristocrats (the own king's uncle ,Gaston D'Orléans, was part of the Fronde); As the three/four musketeers were getting old, it was only natural to replace them by their sons ;but the best idea is to introduce a girl (Athos' s daughter) Not only Miss O'Hara wields the sword with gusto (she was carefully taught;see her first appearance) but she proved herself more than useful than a man: a beautiful woman can replace a princess, turn into a servant and seduce a roughneck soldier (the scene when she is told off by her would be husband and lovers is much fun to watch).The screenplay is action-packed , the colors are superb , the film is rather short so there's never a dull moment.
A voice over warns us when the movie begins : this is what could have happened in France............ if fate had not decided otherwise.Well ,decidedly implausible ,but a good entertainment is guaranteed for all.
It's set in seventeenth-century France, when the sons of those bold musketeers Porthos, Aramis, and D'Artagnan, and the daughter of Athos, prove that their loyalty is as firmly rooted as that of their fathers in Dumas's immortal story by attempting to save the imperilled throne of France by thwarting the evil schemes of the ruthless Duc de Lavalle.
At Sword's point - or the son of the Musketeers- is a fast-paced, colourful adventure full of swordplay,humour - there's a keen sense of breeziness displayed throughout with nary a dull moment. There's an infectious sense of a feel-good factor. The swordplay is well-staged, and Cornel Wilde comes out best with his fencing display. He was a champion fencer with the U. S. Olympic fencing team and it's certainly evident here. Robert Douglas provides the villainy and he performs effortlessly. Maureen O' Hara is beautiful and strong-minded as ever. The climax fight between Wilde and Douglas is a showstopper.
At Sword's point - or the son of the Musketeers- is a fast-paced, colourful adventure full of swordplay,humour - there's a keen sense of breeziness displayed throughout with nary a dull moment. There's an infectious sense of a feel-good factor. The swordplay is well-staged, and Cornel Wilde comes out best with his fencing display. He was a champion fencer with the U. S. Olympic fencing team and it's certainly evident here. Robert Douglas provides the villainy and he performs effortlessly. Maureen O' Hara is beautiful and strong-minded as ever. The climax fight between Wilde and Douglas is a showstopper.
i have this movie in my home library, both as a purchased film and having taped from amc. the fencing sequences are some of the best on film. i do not think enough has been said of robert douglass. his fencing skills must have been superb since he fought with all of the best duelists in hollywood, errol flynn, cornel wilde,burt lancaster to name a few. all good leading men need a bad guy, and r.d. was very good at being bad.
Plugging into a familiar franchise, SONS OF THE MUSKETEERS is perhaps most noticeable for Maureen O'Hara's performance as Claire, daughter of Athos, who adopts masculine attire and joins her fellow junior musketeers (Cornel Wilde, Dan O'Herlihy and Alan Hale Jr.) in writing wrongs. All of them know her true identity, but they are happy to play along in sustaining the illusion that she is actually a man, so that they can enjoy the fun of pranks such as the need for all the musketeers to share a bed together, or to take a shower together.
In truth O'Hara does not really make a convincing man, but this doesn't really seem to matter in a Technicolor adventure full of action, sword-fights and stirring music (by Roy Webb). As with many costume pictures made in the early Fifties (notably MGM's IVANHOE), the action unfolds at a brisk pace, leaving viewers little time to notice obvious implausibilities such as the musketeers speaking in a variety of accents ranging from Hollywood English to broad Nebraska. The supporting cast contains a smattering of Brits - to lend classical "authenticity" including Gladys Cooper (delivering her lines in stentorian tones reminiscent of Queen Victoria), and (in an uncredited role) Holmes Herbert, who for decades made a habit of playing butlers, lords, and miscellaneous nobles, his cut-glass British accent (honed in the theater of the early Twenties) contrasting with the panoply of other speaking voices on offer.
SONS OF THE MUSKETEERS tells a familiar tale, but it does so in a highly breezy and entertaining manner.
In truth O'Hara does not really make a convincing man, but this doesn't really seem to matter in a Technicolor adventure full of action, sword-fights and stirring music (by Roy Webb). As with many costume pictures made in the early Fifties (notably MGM's IVANHOE), the action unfolds at a brisk pace, leaving viewers little time to notice obvious implausibilities such as the musketeers speaking in a variety of accents ranging from Hollywood English to broad Nebraska. The supporting cast contains a smattering of Brits - to lend classical "authenticity" including Gladys Cooper (delivering her lines in stentorian tones reminiscent of Queen Victoria), and (in an uncredited role) Holmes Herbert, who for decades made a habit of playing butlers, lords, and miscellaneous nobles, his cut-glass British accent (honed in the theater of the early Twenties) contrasting with the panoply of other speaking voices on offer.
SONS OF THE MUSKETEERS tells a familiar tale, but it does so in a highly breezy and entertaining manner.
This is truly an excellent swashbuckling adventure starring Muareen O'Hara and Cornel Wilde. There are lots of impressive sword fights. Maureen o'Hara is gorgeous funny and fights excellently with a sword. As well as sword fights there is lots of humour and wit in the film. The film centres around the sons and daughter of the musketeers. They must assist queen Anne in her fight against Lavalle.
I recommend this to anyone who is a fan of the three musketeers from 1948 film starring Gene Kelly and Lana Turner. Heaps of fun 10/10 glad they are releasing this on warner archives DVD.
Chris
I recommend this to anyone who is a fan of the three musketeers from 1948 film starring Gene Kelly and Lana Turner. Heaps of fun 10/10 glad they are releasing this on warner archives DVD.
Chris
Lo sapevi?
- QuizAlan Hale Jr. plays the son of Porthos here. His father, Alan Hale, appeared in La maschera di ferro (1939) as an aging Porthos. When that film was remade as The Fifth Musketeer (1979), that role was taken by Hale Jr. In that same movie the role of an aging D'Artagnan was played by Cornel Wilde, this picture's son of D'Artagnan. Also here, the elderly Porthos is played by Moroni Olsen, who played that character in his younger days in the film of the original Dumas novel, I tre moschettieri (1935).
- BlooperThe opening narration mentions the year 1648, implying that Cardinal Richelieu died then, and the loss of his "strong hand holding the country together" was the beginning a period of great instability in France that led to the events depicted in this film. However, he passed away in 1642, leaving 1648 to be interpreted as the year this story takes place. The problem with that is the fact that Queen Anne, whose own death is indicated here, died in 1666 when son Louis XIV was 27 years old and long since reigning on his own, not the prepubescent boy for whom she acted as regent seen here. Said regency ended in 1651, not 1648.
- ConnessioniVersion of La maschera di ferro (1909)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Sons of the Musketeers
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 21 minuti
- Proporzioni
- 1.37 : 1
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By what name was I figli dei moschettieri (1952) officially released in India in English?
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