Aggiungi una trama nella tua linguaAn honest bank employee gets hooked on horse racing, and starts to embezzle bank funds in an attempt to recoup his losses.An honest bank employee gets hooked on horse racing, and starts to embezzle bank funds in an attempt to recoup his losses.An honest bank employee gets hooked on horse racing, and starts to embezzle bank funds in an attempt to recoup his losses.
- Regia
- Sceneggiatura
- Star
Kay Lavelle
- Grandma Sarah Irwin
- (as Kay La Velle)
Carl 'Alfalfa' Switzer
- Chuck Nordlinger
- (as Carl Switzer)
Barbara Billingsley
- Miss Pierson
- (as Barbara Billinsley)
Madelon Baker
- Grace Shepard
- (as Madelon Mitchel)
Bobby Barber
- Racetrack Patron
- (non citato nei titoli originali)
Johnny Duncan
- Dancer
- (non citato nei titoli originali)
Dick Elliott
- Drunk Racetrack Bettor
- (non citato nei titoli originali)
Recensioni in evidenza
Or..."Post Time for Topper". You won't see Ward, Wally or The Beaver. But you DO get to see Barbara Billingsly (June) as the fall guy's secretary. AND Carl (Alfalfa) Switzer as his younger daughter's dizzy boyfriend. This is the story of an honest, widowed family man and bank officer who becomes addicted to off track horse betting, loses large sums of money, and is lured deeper into the abyss by his bookie's vampish courier, played by Marie Windsor-----Filmland's best, sexiest, and probably most prolific villainess.
The rare contrast of authentic noir and sappy "back at the homestead" scenes provides for some unintentional humor, giving the movie the flavor of a high school dope-scare film from the 60s. However, this film isn't in the "so bad it's good" category. The performances and scripting are top notch, even though some of the melodramatic plot elements are quite implausible and even a bit ridiculous. Nevertheless, the film is effectively paced and truly suspenseful. Plenty of thrills....and a few giggles.
Highly entertaining
The rare contrast of authentic noir and sappy "back at the homestead" scenes provides for some unintentional humor, giving the movie the flavor of a high school dope-scare film from the 60s. However, this film isn't in the "so bad it's good" category. The performances and scripting are top notch, even though some of the melodramatic plot elements are quite implausible and even a bit ridiculous. Nevertheless, the film is effectively paced and truly suspenseful. Plenty of thrills....and a few giggles.
Highly entertaining
The only gambling I've ever enjoyed in my life is the $2.00 window at the racetrack. I've always liked to see where my $2.00 is being spent. I remember one time going to Finger Lakes racetrack and coming home with four winners out of eight races. Wow, I'm some sort of genius. Needless to say like John Litel in Two Dollar Bettor I learned soon I wasn't.
But I never graduated beyond the $2.00 window and that certainly wasn't John Litel. A friend brings him to a racetrack where he's never been and he places a bet and wins. He has some more winners including a big longshot. After that he's placing bets with a bookie whose collector is the seductive Marie Windsor. Litel is good and hooked as only Marie can hook them.
But Windsor has her own agenda involving her recently released from prison husband Steve Brodie. Litel's already embezzling from his company and as comptroller he has the access to do it. Let's say it ends badly all around.
This independent production from an outfit called Realart Studios looks and feels like an expanded version of one of MGM's Crime Does Not Pay series. The performances are sincere and Marie Windsor is evil as Marie Windsor can only be. Still it's a shoddy production and can't get too high a rating from me.
But I never graduated beyond the $2.00 window and that certainly wasn't John Litel. A friend brings him to a racetrack where he's never been and he places a bet and wins. He has some more winners including a big longshot. After that he's placing bets with a bookie whose collector is the seductive Marie Windsor. Litel is good and hooked as only Marie can hook them.
But Windsor has her own agenda involving her recently released from prison husband Steve Brodie. Litel's already embezzling from his company and as comptroller he has the access to do it. Let's say it ends badly all around.
This independent production from an outfit called Realart Studios looks and feels like an expanded version of one of MGM's Crime Does Not Pay series. The performances are sincere and Marie Windsor is evil as Marie Windsor can only be. Still it's a shoddy production and can't get too high a rating from me.
Watching a mediocre print of this movie was like seeing "Detour" for the first time. The movie has a terrible, pedestrian title. The stars don't promise much. Well, of course Marie Windsor is always good and Steve Brodie is a noir staple. But John Litel, as the central figure -- which he is? It's the very suspenseful story of a decent guy getting dragged down into a whirlpool of crime and deceit.
Litel is what today would be called a middle-manager. He has an OK job and works hard. He has two daughters in their late teens, whom he adores. He lavishes everything he can afford on them. And, it turns out, more than he can afford.
Urged to bet a horse to show at the races, he slowly gets bitten by the gambling bug. From small bets he moves on to a bookie. And who does the bookie send to collect his money but -- Marie Windsor.
Far be it from me to say exactly what role her character plays in the story. She looks great, as always. This is all I'm saying. But the Litel character is very likable. The money he wants to win is truly only to continue pampering his daughters. And seeing his decline is painful. (And its shocking.)
Though the film seems to have been made on a very low budget, its plot and character development are nuanced. I'm eager to see it again.
Litel is what today would be called a middle-manager. He has an OK job and works hard. He has two daughters in their late teens, whom he adores. He lavishes everything he can afford on them. And, it turns out, more than he can afford.
Urged to bet a horse to show at the races, he slowly gets bitten by the gambling bug. From small bets he moves on to a bookie. And who does the bookie send to collect his money but -- Marie Windsor.
Far be it from me to say exactly what role her character plays in the story. She looks great, as always. This is all I'm saying. But the Litel character is very likable. The money he wants to win is truly only to continue pampering his daughters. And seeing his decline is painful. (And its shocking.)
Though the film seems to have been made on a very low budget, its plot and character development are nuanced. I'm eager to see it again.
And The Agony of Defeat. I've been an avid horse player for the last forty years and this film is an old style but truly realistic portrayal of what can happen to an addictive personality coupled with a big win the first time a man places money on a horse. It can work for any type of gambling but using horses as the money pit gives that little added class. The film is not the greatest piece of acting and writing but it is indeed a realistic look at the Easy Money syndrome Gamble sensibly. Gamble for fun, but never borrow money to gamble. Stay in touch with yourself...the film's message is clear and the minor faults of an early 50's plot are overlooked by this viewer. A hell of a rush to win but...
John Litel is the comptroller of a bank who meets up with some friends at a racetrack. He's never bet on the ponies in his life, but he's badgered in a friendly way into a $2 bet, which he wins. He wins the next one, and gets to enjoy the extra money.... until he starts to lose and embezzles money, hoping to get even.
We're in B movie territory, with director Edward L. Cahn handling it like an extended version of CRIME DOES NOT PAY; he had directed a few of those in his early days at MGM. Although he was never a great director, he was a competent one who let everyone in his cast and crew do their jobs, and with John Litel in the lead, and with Marie Windsor playing one of her shady girl characters, the movie is pretty good.
We're in B movie territory, with director Edward L. Cahn handling it like an extended version of CRIME DOES NOT PAY; he had directed a few of those in his early days at MGM. Although he was never a great director, he was a competent one who let everyone in his cast and crew do their jobs, and with John Litel in the lead, and with Marie Windsor playing one of her shady girl characters, the movie is pretty good.
Lo sapevi?
- Citazioni
Mary Slate: I'm beginning to feel like a heel.
John Hewitt: [Bitterly] Better than being a chump.
- Colonne sonoreQuerido
Written by Jeanne Logan
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Beginner's Luck
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 12min(72 min)
- Colore
- Proporzioni
- 1.37 : 1
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