Il signore resta a pranzo

Robert Osborne of TCM said that Warners intended John Barrymore but the Great Profile was too ill by 1942) for the role of Sheridan Whiteside (whose real life model was columnist & broadcaster Alexander Woolcott. Monty Woolley, who originated the role on Broadway (if one can originate what is a copy of the original) brought his smart performance from stage to screen. Others including Clifton Webb, Orson Welles, Simon Callow, Vincent Price and Nathan Lane have attempted the role with various degrees of success, and no doubt Barrynmore would have been great in the juicy, flamboyant role. Indeed, The Man Who Came to Dinner (MWCD), like all scripts written by George S. Kaufman and his various collaborator (Edna Ferber, Mac Connolly and Moss Hart) offers a great roles for all its actors. The screen cast was excellent, especially Reginald Gardiner who, in the role of Mr Beverly Carlton) captured Noel Coward perfectly. Gardiner and Monty Woolley recreated their roles for TV in 1954 (CBS' Best of Broadway 1954). Surprising to me was that Bette Davis actually underplayed and fit very nicely into the ensemble as the sane counterweight to a bunch of madcap egoists. Ann Sheridan sparkled in the slightly unpleasant role based on Gertrude Lawrence. And when did Billie Burke ever disappoint? Jimmy Durante played Banjo (based on Harpo Marx who, as a bachelor, palled around with the same sophisticated set in real life). Davey Burns created Banjo on Broadway, but Durante worked as a more famous casting choice, though in the 1954 Best of Broadway TV revival of this play, Banjo was played by Bert Lahr, and I preferred Lahr's performance. Although Mary Wickes was perfect as the nurse (she played the role in the Broadway production as well as in the film), Zasu Pitts was even more suited to the nurse ("Miss Bedpan!") role in the telecast, and casting Buster Keaton as the doctor in the TV version was brilliant. Most Kaufman plays, including MWCD, written with various partners (who probably supplied structure), remain playable and funny today. He was a master.

Orry-Kelly manages to communicate the prinicpal female characters' personas without their speaking a word.

Ann Sheridan's willowy figure, plus his fluid blouses/gowns, minus any foundation garments left Monty Woolley struggling to keep his eyes on her face. I must admit, i couldnt take my eyes off her myself. Every entrance is a chance to revel in her delightful over-the-top style

Contrasted with Bette Davis' perfectly tailored wool suits and accessories, this film shows the exceptional range of Orry-Kelly's Costume Design in one film.

Fabulous.

George S. Kaufman co-wrote this play-turned-film based on the real-life characters with whom he regularly associated. Alexander Woolcott, the famed Broadway critic was the inspiration for Sheridan Whiteside, a publicly loved figure who's private, curmudgeonly demeanor was less than idyllic. Kaufman even went so far as to have Whiteside occasionally sing jibberish with a child's speech impediment, which was a practice of Woolcott's.

Monty Wooley brilliantly delivers the Groucho-like insults penned with supreme wit by the Marxian play and film write. Kaufman, of course, co-wrote many of the Marx's best works and was a good friend of Harpo, upon whom the character "Banjo" is based.

The entire cast is brilliant save for Richard Travis who, while not distractingly bad, is somewhat outclassed by the likes of Bette Davis, Billie Burke, Mary Wickes, and Reginald Gardiner.

All in all, this is solid comedy that bears repeated seasonal viewing. I can't figure out why it's not on DVD. That's not true. I CAN figure it out. I doubt it would sell large numbers of copies given movie audiences' limited awareness of the film. What I meant was, I wish it were available on DVD.

This delightful film is based on one of the three great stage comedies written by Moss Hart and George Kauffman, two of America's most celebrated comedy playwriting teams. A classic farce which spoofs the arrogance of the self important writer, Sheridan Whiteside, and exposes the hidden foibles of high society including a household member who is a secret axe murderer, it's nicely offset by a light comedy romance between two supporting players. Bette Davis gives one of her better performances as the female romantic lead and is, for a change, neither ascerbic nor bitchy. This is a nice piece of ensemble acting, and a perfect example of American comedy of its period.

Yes, most of the below reviewers are correct. "The Man Who Came to Dinner" is a splendid comedy. But what no one has mentioned - and this is especially relevant, given some of the negative comments here - is that Kaufmann and Hart wrote the play, basing the Whiteside character on their friend Alexander Woolcott, who was a hugely famous and influential - not to mention opinionated and acerbic - theatre critic of the day. The presence of Jimmy Durante, playing "Banjo" is important because a high profile member of the Woolcott "rat-pack" was Harpo Marx, clearly the model for Banjo. Monty Wooley played "Sheridan Whiteside" in the play's initial run (and of course here in the movie) but it's a tribute to Woolcott's ability to laugh at himself that during the play's national tour of the US Woolcott actually played the Sheridan Whiteside part himself. (I only know all of this because I've just finished reading Harpo Marx' autobiography, "Harpo Speaks", which I highly recommend to all IMDBers)