VALUTAZIONE IMDb
6,9/10
3906
LA TUA VALUTAZIONE
Un pilota di charter in difficoltà economiche si incarica di rapire la figlia sregolata di un magnate del petrolio e impedirle di sposare un insulso capobanda.Un pilota di charter in difficoltà economiche si incarica di rapire la figlia sregolata di un magnate del petrolio e impedirle di sposare un insulso capobanda.Un pilota di charter in difficoltà economiche si incarica di rapire la figlia sregolata di un magnate del petrolio e impedirle di sposare un insulso capobanda.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie totali
Douglas Kennedy
- Second Reporter
- (as Keith Douglas)
William Hopper
- Keenan's Pilot
- (as DeWolf Hopper)
Sol Gorss
- Reporters' Pilot
- (scene tagliate)
Jean Ames
- Mabel - Hatcheck Girl
- (non citato nei titoli originali)
Peter Ashley
- Reporter in Amarillo
- (non citato nei titoli originali)
Recensioni in evidenza
When I watch a movie, I like to laugh, and that's why this is my favorite movie of all time.
It's the only pairing of James Cagney and Bette Davis, and the sparks do fly. You might call this a variation on the theme of "It Happened One Night." James Cagney plays a cargo pilot asked to aid in an elopement that would result in a disastrous marriage for an heiress. Her father offers him payment if he delivers her home unmarried. The ending is predictable, but the journey to it is not. Great fun.
Oh, I know there are so many other "important" and wonderful movies out there. I love a lot of them. But rarely has one tickled and surprised me the way this one did.
Let others favor the big famous movies. I'll take this little gem.
I'm surprised that more people haven't recognized its charm.
It's the only pairing of James Cagney and Bette Davis, and the sparks do fly. You might call this a variation on the theme of "It Happened One Night." James Cagney plays a cargo pilot asked to aid in an elopement that would result in a disastrous marriage for an heiress. Her father offers him payment if he delivers her home unmarried. The ending is predictable, but the journey to it is not. Great fun.
Oh, I know there are so many other "important" and wonderful movies out there. I love a lot of them. But rarely has one tickled and surprised me the way this one did.
Let others favor the big famous movies. I'll take this little gem.
I'm surprised that more people haven't recognized its charm.
Enjoyable screwball comedy with Bette Davis and James Cagney, helped out by a great supporting cast that includes Eugene Palette, Jack Carson, George Tobias, William Frawley, Harry Davenport, and many others. WB movies back in the day were more often than not defined by their supporting players. They had a premium stable of actors to choose from and many times they're more enjoyable to watch than the leads.
Davis has a lot of fun with this role and, while her comedic talents were always so-so, she shines here. This is also one of the movies where she looks prettiest and curviest. One dress in particular fits her just right.
The movie isn't perfect. It drags a bit more than a screwball comedy should. Davis and Cagney, while having nice comedic timing, don't really have much romantic chemistry. So the inevitable conclusion to a film like this might be a bit hard for some to buy. Still, I recommend it to any Bette Davis or James Cagney fan. Also to any fan of WB films from the 1930s and 40s.
Davis has a lot of fun with this role and, while her comedic talents were always so-so, she shines here. This is also one of the movies where she looks prettiest and curviest. One dress in particular fits her just right.
The movie isn't perfect. It drags a bit more than a screwball comedy should. Davis and Cagney, while having nice comedic timing, don't really have much romantic chemistry. So the inevitable conclusion to a film like this might be a bit hard for some to buy. Still, I recommend it to any Bette Davis or James Cagney fan. Also to any fan of WB films from the 1930s and 40s.
This is a pretty obvious take on "It Happened One Night" except in a post gangster pre war era, narrow and short lived as that era was.
Joan Winfield (Bette Davis) is a spoiled heiress who is about to elope and marry bandleader Allen Brice (Jack Carson) after having known him for only four days. They are going to fly to Las Vegas on Steve Collins' (James Cagney's) plane, if the finance company doesn't repossess the plane first. As such, Joan's wealthy father (Eugene Pallette), who hates Brice, agrees to pay Collins the money he needs to keep the finance company at bay if Collins delivers Joan to Amarillo unmarried. Collins manages to take off with Joan and without Allen Brice, but the plane crashes in the desert when the engine stalls. Fortunately, they are near an almost abandoned mining town. Complications ensue, one of which being that nobody knows where they are.
This is definitely an odd one - a definite B effort from Warner Brothers with their two biggest A list stars of the time. There is so much slapstick that it resembles a Looney Tunes cartoon. I half way expected Davis and Cagney to erupt into a "Duck Season! Rabbit Season!" exchange at some point. And after the pair make it to the abandoned mining town with the lone but friendly inhabitant, the script literally goes in circles for about an hour waiting for the energetic and reinvigorated conclusion.
Anything with Davis and/or Cagney is worth seeing, and maybe that was why Jack Warner didn't put much effort into this one. Because he realized that too.
Joan Winfield (Bette Davis) is a spoiled heiress who is about to elope and marry bandleader Allen Brice (Jack Carson) after having known him for only four days. They are going to fly to Las Vegas on Steve Collins' (James Cagney's) plane, if the finance company doesn't repossess the plane first. As such, Joan's wealthy father (Eugene Pallette), who hates Brice, agrees to pay Collins the money he needs to keep the finance company at bay if Collins delivers Joan to Amarillo unmarried. Collins manages to take off with Joan and without Allen Brice, but the plane crashes in the desert when the engine stalls. Fortunately, they are near an almost abandoned mining town. Complications ensue, one of which being that nobody knows where they are.
This is definitely an odd one - a definite B effort from Warner Brothers with their two biggest A list stars of the time. There is so much slapstick that it resembles a Looney Tunes cartoon. I half way expected Davis and Cagney to erupt into a "Duck Season! Rabbit Season!" exchange at some point. And after the pair make it to the abandoned mining town with the lone but friendly inhabitant, the script literally goes in circles for about an hour waiting for the energetic and reinvigorated conclusion.
Anything with Davis and/or Cagney is worth seeing, and maybe that was why Jack Warner didn't put much effort into this one. Because he realized that too.
Sure it had been done once or twice before, and it was done a dozen times following... but this one is a classic on merit alone.
Davis and Cagney were the top two Warner's actors at the time and had fought their own respective legal battles with the studio in the years prior, as well as being very good friends.
This film catches them at the tops of their game, just being allowed to be silly and have fun in a movie no one really expected much out of.
The formula works and though the pacing isn't the best, hang-in because it's worth it.
Saturday afternoon popcorn film.
Davis and Cagney were the top two Warner's actors at the time and had fought their own respective legal battles with the studio in the years prior, as well as being very good friends.
This film catches them at the tops of their game, just being allowed to be silly and have fun in a movie no one really expected much out of.
The formula works and though the pacing isn't the best, hang-in because it's worth it.
Saturday afternoon popcorn film.
I had always avoided this flick because I love both its stars and had read and heard not-so-flattering things about it. Finally caught up with it on the beautiful DVD transfer, and was either laughing or smiling from beginning to end, and believe me that's a rarity! How nice to see all those naysayers proved wrong. Granted, this is one of the most contrived and tortured "meet cute" setups in screwball history, but the plot mechanics are dispensed with quickly and it's all Cagney and Davis at their most sparkling from there on. I actually think it's best to watch this not knowing what happens, so I'll just say WATCH IT if you have a liking for either -- or both -- of these stars. And the Epstein-brothers' script is hilarious; it should be studied by today's comedy writers.
Lo sapevi?
- QuizAlthough the movie was publicized as the first screen pairing of Warner Bros.'s two biggest stars, James Cagney and Bette Davis had co-starred in Jimmy il gentiluomo (1934) seven years earlier and had wanted to find another opportunity to work together.
- BlooperThe American Airlines plane Brice is shown boarding in Los Angeles is not the same one he gets off at Amarillo. The registration of the departing plane is NC16006. The one that arrives in Amarillo is NC21752.
- Citazioni
Joan Winfield: Don't you get lonesome being here all alone?
Pop Tolliver: No, I like people. Not seeing many of 'em keeps me liking 'em.
- Curiosità sui creditiThe opening credits appear on a series of luggage tags.
- Versioni alternativeAlso available in a computer colorized version.
- ConnessioniFeatured in Brother Can You Spare a Dime (1975)
- Colonne sonoreOchi Tchornya (Dark Eyes)
(uncredited)
Traditional Russian ballad
Played by the orchestra at the Embassy Club for The Rogers Dancers act
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Dettagli
- Tempo di esecuzione
- 1h 32min(92 min)
- Colore
- Proporzioni
- 1.37 : 1
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