Charlie Chan e i morti che parlano

Very nice cinematography in this installment of the Chan series - beautiful lighting that really does the most with black and white film. The story is a nice one, but for me there's just too much of son Jimmy playing the fool. This is one of those Chans where the son is really a co-star in the film, with a resulting comic-relief drag on the mystery. I know the sons were very popular back in the day when the formula was a little drama, a little comedy, a little action, a little romance and maybe a little music, but for me the bug-eyed, bumbling Jimmy just stops the story in its tracks over and over. Watching the DVD on my laptop, I find myself pausing the film every time Jimmy jumps to the front of the scene and surfing the web for a while.

If Jimmy doesn't bother you like he does me, then I'd give it a 7. For me, it's a 5 in the world of Chan.

A "treasure hunt cruise" is all lined up—but the ship never leaves the dock in this mystery featuring a pirate ghost, a treasure map, a couple of murders, and the usual lineup of suspicious characters.

Jimmy Chan helps get the action started by sneaking aboard the darkened ship to investigate, his imagination fired by news about the expedition to retrieve $60 million of hidden treasure. Pop Charlie Chan comes looking for Jimmy, intending to take him home—which is how both Chans happen to be on the ship when the first murder occurs.

Sidney Toler is fine as always as the elder Chan; Sen Yung has a larger role than usual as Jimmy, and gives an energetic—practically manic—performance as the would-be detective whose curiosity is matched only by his enthusiasm. Toler and Yung, by now veterans of several films in these roles, complement each other perfectly.

The plot concerns an alleged treasure map, divided into four pieces and distributed among the would-be passengers. When the map's owner (and tour sponsor) is murdered and her map portion disappears, it becomes apparent that someone else on board is out to grab all four sections. Not surprisingly, practically all of the passengers and crew seem to harbor secrets of one kind or another….

The entire film is set inside the ship, outside in the harbor, or in a neighboring waterfront bar…and it all takes place at night. Nicely designed sets and good shadowy photography create an atmosphere that is sinister and just slightly spooky.

Jimmy Chan can't seem to keep out of the water in this one….And my favorite line from the picture is the elder Chan's response to Jimmy's apology for falling in yet again: "Please. Save alibi for autobiography."

There is murder on board a ship that is taking its customers to an island where there is a 60,000,000 dollar treasure (or so we're told). The map has been divided into fourths to be distributed once they reach the island. Jimmy Chan stows away (what else is new) and while there an old lady is murdered (she has one of the pieces) by someone dressed as a pirate. Meanwhile, Charlie Chan comes aboard, looking for his number two son. As it turns out there are all sorts of people who could be responsible, including the captain of the ship who hates people and would rather have nothing to do with them. Jimmy, who is in this episode too much, starts investigating. He ends up dropping the water on at least four occasions. He muddles up the case again. This is fun because of the locale. There are numerous misleading clues. By the way, George Reeves appears in this one. He is the one who starred in "The Adventures of Superman" back in the fifties. This is a decent mystery.

An agreeable entry in the Charlie Chan series, this is an extremely well-made little movie, directed by Harry Lachman, and featuring some striking shots of an old pirate vessel in port and a tough waterfront dive. It's all cliches, nicely cobbled together, and served up with good humor by actors who don't seem to be taking themselves too seriously. Sidney Toler makes an agreeably phlegmatic and dignified Chan; while Sen Yung's Number Two Son gets into his usual hot water,--in this case actually sea water--as he tries to bail his old man out. Ethel Griffies is splendid as the haunted (and hunted) Mrs. Nodbury, Truman Bradley sinister as a pipe-smoking captain, George Reeves breezy as a suspect. I especially liked the quietly neurasethenic performance of Milton Parsons as a Boston Brahmin on vacation, trying to overcome a recent nervous breakdown. He picked one hell of a vacation spot! Highly recommended for fans of maritime mysteries, treasure maps, talking parrots and nocturnal strolls around creaking, fogbound wharves.

This is an interesting Chan in several ways. First, the DVD print looks great! Our setting is a classic type old sailing ship and the adjacent docks, tavern, etc. Tons of fog, so I guess we are in San Francisco, though I don't recall anyone specifying that.

This film is also notable, for the action all taking place in a few sets: sailing ship deck, cabins, docks, tavern, a few others. Think of an old mansion story--like Castle in the Desert--but here we are on a ship at dock. I imagine this saved a lot on the budget. The sets are A-1; just about anything nautical is crammed on that old ship!

I was a bit surprised by the acting styles in this film; a lot of the actors play it very broad, with long, big visual reaction takes, more like an early 1930's film. The pace of the film is very deliberate, almost slow at times, but I enjoyed it. There is good humor with Number Two Son. Toler underplays very effectively; he owns the part, at this point. This is a good one; recommended.