VALUTAZIONE IMDb
5,7/10
691
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA globe-trotting married reporter pursuing women abroad learns his wife is leaving him for someone else. As he rushes home to save his marriage, a woman from Lisbon follows him.A globe-trotting married reporter pursuing women abroad learns his wife is leaving him for someone else. As he rushes home to save his marriage, a woman from Lisbon follows him.A globe-trotting married reporter pursuing women abroad learns his wife is leaving him for someone else. As he rushes home to save his marriage, a woman from Lisbon follows him.
- Regia
- Sceneggiatura
- Star
Irene Coleman
- Barmaid
- (scene tagliate)
Recensioni in evidenza
Another reviewer used the word "trite" to characterize the plot of this film. Amen to that! As for the film as a whole? How about lame? Really lame!
Since this was a 1940s Warner Brothers production featuring several of that studio's stalwart players, I had high hopes when I saw it for the first, and almost certainly ONLY, time. But, really, this is a silly story that is hardly ever funny and simply makes everyone involved look foolish. (Butterfly McQueen absolutely sobs her way through this movie. Makes you wish someone had taken her apron and gagged her with it!)
I love the WB product of the 1940s, but this is really a let down. Don't expect anything like "Christmas in Connecticut"!
Since this was a 1940s Warner Brothers production featuring several of that studio's stalwart players, I had high hopes when I saw it for the first, and almost certainly ONLY, time. But, really, this is a silly story that is hardly ever funny and simply makes everyone involved look foolish. (Butterfly McQueen absolutely sobs her way through this movie. Makes you wish someone had taken her apron and gagged her with it!)
I love the WB product of the 1940s, but this is really a let down. Don't expect anything like "Christmas in Connecticut"!
I absolutely loved this story!Rita Hayworth,Merle Oberon and Dennis Morgan are energetic and entertaining throughout this whole film.Ralph Bellamy doesn't get the girl,but he's great anyway.Merle Oberon once commented that she thought this movie "was a real dud..I hate it!"She conceded that her children did like it.I thought it was wonderful and I love when Dennis ties Merle's foot to something on the pier and after struggling to get away...can't budge!She falls over into the water and catches a cold...which leads to Morgan and Bellamy arguing over who gets Merle.You'll have to watch this film to find out what happens!
For me the brightest spots of this movie are Rita Hayworth and Dennis Morgan. The love triangle, which also includes Merle Oberon, is complicated by interference from Ralph Bellamy and others (at times it's difficult to be sure whose side Rita is on.) Standing by are Hattie McDaniel and Butterfly McQueen, who are rooting for Morgan all the way. The backdrop of the newspaper business - as well as the presence of Ralph Bellamy - reminds one slightly of "His Girl Friday." Not a terrifically funny comedy, but worthwhile, especially for fans of any of the cast members.
In the late 1930s and into the 1940s, Ralph Bellamy had a peculiar niche in films. He was cast as the boyfriend who will lose the leading lady by the end of the film in approximately 48230 films (give or take). Again and again, you KNOW by the end of the movie he'll be left alone, so when I saw him dating Dennis Morgan's ex-wife (Merle Oberon) in this movie, I knew he'd be a miserable loser eventually!
The film begins with Morgan learning that his wife's divorce is final and he connives to get her back--though she's now with Bellamy(!) of all people! So, he's off to get her...and pretty Rita Hayworth is following, as she wants him and is thrilled that he's now divorced. While all of this is reasonably enjoyable, I couldn't help thinking that I've seen similar films many times--and often the other films were a bit better. After all, while Moran and Oberon were fine, the likes of Cary Grant, Irene Dunne or Rosalind Russell simply were better. My advice is see "The Awful Truth", "His Girl Friday"
or "My Favorite Wife" instead. The plots are rather similar (and some even feature Bellamy as the sap) and are just better--better written, acted and directed.
The verdict--a good film but nothing especially new.
The film begins with Morgan learning that his wife's divorce is final and he connives to get her back--though she's now with Bellamy(!) of all people! So, he's off to get her...and pretty Rita Hayworth is following, as she wants him and is thrilled that he's now divorced. While all of this is reasonably enjoyable, I couldn't help thinking that I've seen similar films many times--and often the other films were a bit better. After all, while Moran and Oberon were fine, the likes of Cary Grant, Irene Dunne or Rosalind Russell simply were better. My advice is see "The Awful Truth", "His Girl Friday"
or "My Favorite Wife" instead. The plots are rather similar (and some even feature Bellamy as the sap) and are just better--better written, acted and directed.
The verdict--a good film but nothing especially new.
There's a silly plot about a philanderer (DENNIS MORGAN) who wants to play the field while in Lisbon on a journalistic assignment and making a play for lovely RITA HAYWORTH. But as soon as he finds out his wife is divorcing him, he's back in the USA plotting a way to win back her affection to make her jealous.
Under Lloyd Bacon's direction, this is a formula screwball comedy that hasn't got enough wit to make it shine and relies heavily on the cast to give it some life. Morgan is only mildly amusing in his attempt to play a comic role with GEORGE TOBIAS getting some of the best lines. But Rita does well as a flirtatious lady who'd like to take him away from Merle and RALPH BELLAMY is good in another one of his thankless roles as the man who loses the girl.
Despite the cast, it's too trite to be really enjoyable and the gags just don't work. Even HATTIE McDANIEL and BUTTERFLY McQUEEN are ill used for whatever laughs the script can spare. The slapstick ending with Morgan pretending to be an accident case, just strains credibility until the finish.
Not worth your time.
Under Lloyd Bacon's direction, this is a formula screwball comedy that hasn't got enough wit to make it shine and relies heavily on the cast to give it some life. Morgan is only mildly amusing in his attempt to play a comic role with GEORGE TOBIAS getting some of the best lines. But Rita does well as a flirtatious lady who'd like to take him away from Merle and RALPH BELLAMY is good in another one of his thankless roles as the man who loses the girl.
Despite the cast, it's too trite to be really enjoyable and the gags just don't work. Even HATTIE McDANIEL and BUTTERFLY McQUEEN are ill used for whatever laughs the script can spare. The slapstick ending with Morgan pretending to be an accident case, just strains credibility until the finish.
Not worth your time.
Lo sapevi?
- QuizWarner Bros. technicians duplicated a Boeing 314 Clipper in order to match studio shots with those filmed on location at Lisbon and LaGuardia airports. Boeing built only 12 of these airplanes from 1938 to 1941.
- BlooperWhen Rickey goes into the hotel bathroom and closes the door, the key is on his side but yet he's locked in from the other side. When he leaves the bathroom, the key is back on the other side.
- Citazioni
Owen Wright: You certainly are intuitive.
Sue Mayberry: You certainly are transparent.
- ConnessioniFeatured in Of Black America: Black History: Lost, Stolen or Strayed (1968)
- Colonne sonoreHungarian Dance No. 6
(1869) (uncredited)
Written by Johannes Brahms
Played by the orchestra at the Lisbon Cafe
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Vuelve a ser mía
- Luoghi delle riprese
- Lisbona, Portogallo(airport)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 28min(88 min)
- Colore
- Proporzioni
- 1.37 : 1
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