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Black History: Lost, Stolen or Strayed

  • L’episodio è andato in onda il 2 lug 1968
  • 51min
VALUTAZIONE IMDb
7,5/10
94
LA TUA VALUTAZIONE
Black History: Lost, Stolen or Strayed (1968)
Documentary

Aggiungi una trama nella tua linguaBill Cosby examines the problematic way blacks are represented in American history and films and the effects it has on black children's self-perception..Bill Cosby examines the problematic way blacks are represented in American history and films and the effects it has on black children's self-perception..Bill Cosby examines the problematic way blacks are represented in American history and films and the effects it has on black children's self-perception..

  • Sceneggiatura
    • Andrew Rooney
    • Perry Wolff
  • Star
    • Bill Cosby
    • John Churchville
    • Charles J. Correll
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,5/10
    94
    LA TUA VALUTAZIONE
    • Sceneggiatura
      • Andrew Rooney
      • Perry Wolff
    • Star
      • Bill Cosby
      • John Churchville
      • Charles J. Correll
    • 6Recensioni degli utenti
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto

    Interpreti principali27

    Modifica
    Bill Cosby
    Bill Cosby
    • Narrator
    John Churchville
    • Self
    Charles J. Correll
    • Amos
    • (filmato d'archivio)
    Freeman F. Gosden
    • Andy
    • (filmato d'archivio)
    Emanuel F. Hammer
    • Self - Child Psychologist
    • (as Emanuel HammeR)
    Lionel Barrymore
    Lionel Barrymore
    • Self
    • (filmato d'archivio)
    • (non citato nei titoli originali)
    • …
    Stepin Fetchit
    Stepin Fetchit
    • Self
    • (filmato d'archivio)
    • (non citato nei titoli originali)
    • …
    Roy Glenn
    Roy Glenn
    • Self
    • (filmato d'archivio)
    • (non citato nei titoli originali)
    • …
    Katharine Hepburn
    Katharine Hepburn
    • Self
    • (filmato d'archivio)
    • (non citato nei titoli originali)
    • …
    Katharine Houghton
    Katharine Houghton
    • Self
    • (filmato d'archivio)
    • (non citato nei titoli originali)
    • …
    Avonne Jackson
    • Self
    • (filmato d'archivio)
    • (non citato nei titoli originali)
    • …
    Walter Long
    Walter Long
    • Self
    • (filmato d'archivio)
    • (non citato nei titoli originali)
    • …
    Mae Marsh
    Mae Marsh
    • Self
    • (filmato d'archivio)
    • (non citato nei titoli originali)
    • …
    Hattie McDaniel
    Hattie McDaniel
    • Self
    • (filmato d'archivio)
    • (non citato nei titoli originali)
    • …
    Butterfly McQueen
    Butterfly McQueen
    • Self
    • (filmato d'archivio)
    • (non citato nei titoli originali)
    • …
    Mantan Moreland
    Mantan Moreland
    • Self
    • (filmato d'archivio)
    • (non citato nei titoli originali)
    Sidney Poitier
    Sidney Poitier
    • Self
    • (filmato d'archivio)
    • (non citato nei titoli originali)
    • …
    Nyanza Potts
    • Self
    • (filmato d'archivio)
    • (non citato nei titoli originali)
    • …
    • Sceneggiatura
      • Andrew Rooney
      • Perry Wolff
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti6

    7,594
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    Recensioni in evidenza

    8lar-5

    This really needs to be seen!

    If your only impression of Bill Cosby is the funny man from FAT ALBERT, or the kindly Cliff Huxtable from THE COSBY SHOW, this documentary is a revelation. Basically, the filmmakers take you through a history of African-Americans in cinema. Now, this being the late 60's, it is a very ANGRY retrospective, hosted by a very, shockingly, ANGRY Cos. This doc is loaded with really amazing historical footage and some rather shocking footage from the time. The "Black Power" elementary school is a true masterwork. It is a shame that this doc isn't available on home video, because it is a slice of a life and an insight into a time that has been glossed over by the slow drift of history. Call your local PBS station, petition home video distributors, demand that you see this piece! Bill seems so angry in it, that he may scare younger viewers, but it sure seems more 'real,' than the guy who sells you the Jello.
    2mhollifield-1

    racism in reverse

    This film was perhaps a reflection of the times but to say that Picasso "stole" some of his artistic inspiration from Africans is absurd. He fully acknowledged and credited the influence and was hardly trying to pass off any work as unoriginal.

    This film reminds me of the old Black Athena nonsense. Rewrite history to fit a black ideology.
    8waterpologoat

    Definitely Worth Watching

    I really enjoyed this documentary. It really makes us realize that due to the fact that most history books (back then especially) were written by white people, that much of the information is one-sided. We hardly get any real or true facts about the African American history. For example, all of these feats were accomplished by an African American: The first open heart surgery First blood bank (developed the technology to do so) Invented the traffic light Processing sugar etc.

    It's amazing to find out how many inventions that we take for granted that makes our lives comfortable were by African Americans! How do we not know about this?

    The only thing most people seem to know (if anything) was that George Washington Carver invented peanut butter...
    10planktonrules

    Great, but I'd really love to see this updated

    This is a very poignant documentary that was narrated by Bill Cosby back in 1968. The film is about Black identity and pride and how they have been compromised due to omissions in history books as well as Hollywood's depiction of Black America. Both of these problems essentially boil down to a disdain for Black culture and identity. This film came out in the 1960s when Black Americans were no longer accepting that they were second best--a very positive step in our society.

    I first saw this film when I was in middle school back in the late 1970s. Sadly, our teacher tried showing it to us because the film had many wonderful lessons but what I remembered most about the film is how the White students laughed at the images of Blacks in films, such as from BIRTH OF A NATION or the antics of Steppin Fetchit. Now, thirty years later I was able to get my own copy of this documentary--no small feat considering how obscure it now is.

    I was very impressed by this film and liked the overall message. Bill Cosby is a reasonable man but it's also nice to see that at times, he's angry as he talks about the de-humanization of Black men and women in films--with "Aunt Jemima" images, the myth of the "happy slave" as well as the "slow-witted Negro". All this is very poignant and can't help but make his point. If anything, this documentary actually was somewhat gentle in its condemnation of these films--and made no mention of the worst offenders, cartoons (such as the horrible COAL BLACK AND DE SEBBEN Dwarfs).

    Also seen in the film is some of the counter-reaction to these images in the Black community--such as a school intended to "brain-wash Black kids" (Cosby's words) so they won't buy into the lies that make a Black man any less of a man. Sadly, however, this film was made in 1968 and there is so much to the Black Power movement and the 1970s that couldn't have been covered. In fact, there's so much from the 80s and 90s and today that couldn't be covered. This film is aching to be remade by Cosby, as racism is seen in different forms today and there are still unnecessary divisions in our country that need to be identified and addressed. He's a very, very smart and talented man and I would love to see his take today on what's going on right and wrong between Black and White America.
    9strong-12

    Powerful, even decades later

    I saw this documentary only once, when I was about 8 or 9 years old, and shortly after it came out. I was in second grade, in a segregated school in Houston, Texas. They were in the process of mandating integration in the school, and our teacher showed this to our class. to help us understand why integration was important. I had only seen Bill Cosby before on "I Spy", and had always liked him more than the other characters because he seemed so nice and funny. In this, he was stern and angry, and made an incredible impression on me. I felt ashamed for how whites had treated blacks in America, and vowed then and there that I would do better. I like to think I have. I still think about his righteous anger from time to time. I am amazed that his message made such an impression on me, and that I still remember this piece, almost 40 years later.

    Trama

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    Lo sapevi?

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    • Quiz
      Many of the same clips from old films were used in Public Enemy's music video "Burn Hollywood Burn" (1990).
    • Citazioni

      Narrator: [after listing many Black historical achievements] Now, this list could go on forever. Blacks who made it, Blacks who made history, but who didn't get into the history texts at all. And the strange thing is how little there is about us in the textbooks. Napoleon once said "History is a fable agreed upon", and the fable agreed upon up to now is that American history is White On White.

    • Connessioni
      Features Uncle Tom's Cabin (1903)

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    • Data di uscita
      • 2 luglio 1968 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Azienda produttrice
      • CBS News
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      51 minuti
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.33 : 1

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