Music in My Heart

Robert (Tony Martin) is due to be deported and so he is rushing to the harbor to board the boat. Sharing his cab is Patricia (Rita Hayworth) is a woman rushing to marry a rich guy (Alan Mowbray). However, when there is a wreck and the cab is delayed, both miss the boat and it changes the rest of their lives.

It's strange. For years, I haven't liked singing in most movies and hated that so many classic Hollywood films have songs planted right in the middle of them for no apparent reason. However, recently I have noticed that this doesn't bother me as much as it used to--particularly when the singer has such a beautiful voice. This is definitely the case with Tony Martin. While he didn't make a ton of movies, when he did, his singing was just amazing--among the best you could find. So, as I watched "Music in My Heart", I enjoyed the musical interludes, as Martin's crooning was quite nice.

So, apart from Martin's singing, is there anything else that could make this movie worth your time? Well, it might be worth seeing just to see Rita Hayworth in one of her films before her HUGE make-over. This is because she was a favorite actress of studio head Roy Cohn and he personally groomed both her career and her face. He ordered her hairline to be adjusted (owch!), her skin to be lightened and her hairstyle and color changed. Here in this film, she's about midway through her makeover--not as ethnic as she had been but definitely not the glamor girl she soon was to become.

Another reason to watch the film is the nice little touches. Lots of wonderful supporting actors are in this one--such as Eric Blore and George Tobias. And, more importantly, their dialog is excellent--providing the sort of clever and cute colorful touches that make a film memorable.

So, despite this being a B-movie (due to its short running time and budget), it's very, very good B--almost like a 'B+' film! Enjoyable, fun and well worth your time. And while I'll admit that the ending is hokey, it sure is fun!

I have this movie on DVD and I have to say that I truly enjoy this film. It's too bad that Tony Martin and Rita Hayworth didn't do another film together. They compliment each other perfectly. The songs are great and even though this film isn't exactly a "B" movie, nor is it an "A" movie, it's considered an "A-" film, the production values are really good, the cast is great, and the songs are excellent. The only complaint that I have about this film is that it isn't longer. Had the length been a little longer and been directed by a more famous director, this film could have been a movie musical classic. Besides that, I really enjoyed this film and it's interesting to see Rita in one of her early film roles. Definitely a must see movie for any Rita Hayworth or Tony Martin fans.

It's good to see a very young Rita Hayworth (before her Columbia make-over) looking terrific and having a lot of fun along with young and handsome Tony Martin who's in excellent voice singing pleasant songs including the Oscar nominated IT'S A BLUE WORLD. They give delightful performances and work well together.

A fine supporting cast is headed by the charming, underrated Edith Fellows who assists Martin in two numbers. While Alan Mowbray, Eric Blore, George Tobias and George Humbert all do well in the kind of parts they had played many times before but which was welcomed with glee by audiences of the thirties and forties.

Rita gets a chance to dance a little but her exceptional terpsichorean talents are wasted here.

A most enjoyable way to pass an hour.

Tony Martin has "Music in My Heart," a 1940 B movie also starring Rita Hayworth, Edith Fellows, Alan Mowbray, Eric Blore and George Tobias. Martin is singer Bob Gregory, who is about to be deported. We never get the full story, except his parents never applied for citizenship. Presumably he was born elsewhere but raised in the U.S. On his way to the boat to leave the country, his cab collides with the one carrying gorgeous Patricia O'Malley (Hayworth) who is on her way to the boat, too, so she can marry a rich man (Mowbray). They both miss the boat, and Bob ends up not only staying with Patricia's family but falling in love with her as well.

The film is filled with music and some great singing by Martin, who by the time I was a child, wasn't doing this type of singing any longer. He had a fantastic tenor voice. Rita's hair looks black here but she's no less beautiful. She only has one dance, but it's basically hip movement - we don't get to see much else. She and Martin make a handsome team and give relaxed performances.

"Music in My Heart" is probably a cut above a B, considering the cast. Since Cohn was grooming Rita for stardom, he surrounded her with good talent. Not that she needed anyone else around her - she always glittered like gold.

Music In My Heart was another step up the ladder in the career of Rita Hayworth to when she became the number one sex goddess of the American cinema. For this one, Harry Cohn borrowed Tony Martin from Darryl Zanuck at Fox for her leading man. The song writing team of Robert Wright and Chet Forrest wrote some nice songs for Martin, one of which, It's a Blue World was nominated for an Oscar in 1940.

Tony Martin is an actor/understudy who gets his first break on Broadway just as he's being deported. In full costume as a Ruritanian guardsman, he jumps in a cab. The cab is racing to the Hudson river pier when it collides with another cab in a fender bender. Who should be in that cab, but Rita Hayworth (Martin, you lucky dog). She's racing to the pier to be with Alan Mowbray, a millionaire she's planning to marry.

I think everyone can guess the rest. That's what it was like in Hollywood back then, silly plots, but oh so charmingly presented.

The supporting cast was pretty good for a B film. Alan Mowbray and Eric Blore as the millionaire and his factotum butler have some very funny moments. So does George Tobias as a phony Russian aristocrat.

In his joint memoirs with wife Cyd Charisse, Martin describes a hilarious incident while shooting this. Martin has a song Punchinello to sing to an organ grinder's monkey named same. The monkey had a mind of his own and started up to the roof of the sound stage and wouldn't come down. Martin says Harry Cohn went into an apoplectic rage over this and got no sympathy from his human employees who enjoyed seeing this monkey make a monkey out of Cohn while costing him thousands of dollars while cast and crew sat around getting paid by the hour.

A nice enjoyable film and a step up in the career ladder of Margaret Carmen Cansino.