Tu sei il mio destino

A musicalization of a classic “woman’s picture” is about as unappetizing a prospect as can get for me film-wise, but the polished Hollywood expertise here wins out in the end and makes for a refreshing and appealing movie that I had long underestimated (it was shown several times on Italian TV but I never bothered with it).

Doris Day and, especially, Frank Sinatra are well-matched as star-crossed lovers in small-town America; Day comes from a classically-trained musical family headed by Robert Keith and including Dorothy Malone (with spinster aunt Ethel Barrymore watching maternally from the sidelines). Amiable popular music composer Gig Young bursts in on their quiet, happy family life (all the girls naturally fall for his charms) but this is further exacerbated by the belated introduction of his arranger pal, embittered long-time loser Frank Sinatra. The film’s narrative is largely made up of the romantic entanglements of the trio of girls (two of whom are engaged to local guys but pine for Young) while Day is longed for by Young but is immediately drawn to outsider Sinatra. Robert Keith is really no match for Claude Rains – who had played the father in Michael Curtiz’s original FOUR DAUGHTERS (1938) – but Sinatra does manage to make John Garfield’s star-making, Oscar-nominated turn his own.

Curiously enough, the screenwriters of YOUNG AT HEART – Julius J. Epstein and Lenore Coffee – were the very same duo who had earlier adapted FOUR DAUGHTERS to the screen; however, as is already apparent, the original movie had four daughters instead of three, the character names were also altered and the remake was even given a schmaltzy, happy ending! Naturally, both Day and Sinatra get to sing in the film but they only have a modest duo of sorts at the very end; incidentally, I was let down by the finale not just because of its improbable “all’s well that ends well” qualities but also because, after Sinatra is seen toiling at his magnum opus throughout the whole movie, the result is just a corny love song! At the very least, I was expecting the classic title tune to be it (which he does get to sing over the opening credits). Incidentally, he seems to have had a good working relationship with director Gordon Douglas – since they would reteam three more times in the next 14 years.

I'd forgotten how much i loved this film until i watched it yesterday. I remember watching it a lot years ago but it isn't the sort of film that sticks out as being mind-blowing. Nevertheless it's still a really good one to watch when you don't want anything too heavy. There are some nice floaty songs, a few teary scenes and overall a nice mix of everything a good film needs, without anything harsh thrown in.

Frank Sinatra and Doris Day are totally believable throughout and compliment each other perfectly. The cast as a whole works very well, the characters are all complex and not over-the-top or dull. In short, it is a perfectly likable film.

Once again Gordon Douglas deals with characters faced with moral dilemmas. In this case the three sisters and their infatuation with Gig Young, Doris Day's commitment to Frank Sinatra, and Sinatra's decision. From the opening scene of the neighborhood in which they live to the very end this movie is much more then it seems. Within the artificial look of the sets,there's no hiding the many themes that meander throughout this somewhat dark (musical?). For those who don't get it, take another look. These characters are far deeper then the picture perfect world they live in might make you believe.

This film features Sinatra relishing some great songs and some fine dialogue which suits him perfectly. The scene where he sings "Someone to Watch Over Me" at the cafe piano is quite unforgettable. This is a very re-watchable movie with a fine cast - Doris Day, Gig Young, Ethel Barrymore, Brian Keith etc.

The standard songs are joined by some new ones written for the production - and they too are a total delight. A fine example of 1950s Americana as seen by Hollywood.

This is not a classic film. It won't be on any "Best Of" Lists. It is simply a wonderful film that you can enjoy when you want to see a good movie. I keep returning to this one, because it provides pure, unadulterated enjoyment. It is glossy entertainment, and unabashedly romantic. A perfect rainy afternoon movie.