La strada del sud

This small, unpretentious, but very wonderful film from the combined pens of Langston Hughes and actor Clarence Muse is one of the very few films that deals with slavery and from the point of view of the slave. Remarkable also that this came out in the same year as Gone With The Wind which dealt with the lost Confederacy which founded on the notion of keeping slavery alive in North America.

Muse and Hughes also borrowed a great deal from Mark Twain's Huckleberry Finn in developing the relationship of the young master Bobby Breen and house servant Muse. Breen while still a minor child inherits father Ralph Morgan's plantation and unfortunately an executor in the person of Edwin Maxwell.

Maxwell wants to basically loot the estate, in the meantime he hires a very cruel overseer in Charles Middleton. When Muse does voice some mild objection to new policies instituted, Maxwell says he'll sell him. Breen and Muse make an escape worthy of Huck Finn and Jim and with Muse in drag and a veil they check into a posh New Orleans hotel operated by Alan Mowbray who is a Creole character out of Charles Dickens. Eventually they learn that Maxwell just wants to sell all the slaves and take the profits and run. Of course the slaves who have families don't have any say in the matter. In fact some whippings are dished out by Middleton though we never actually see one.

The Hall Johnson Choir play the plantation slaves and they have several numbers singing Negro spirituals both happy and sad depending on the mood of the film. Breen also sings some songs like Oh Dem Golden Slippers and Sometimes I Feel Like A Motherless Child with the Choir. Also at Mowbray's dinner table Breen sings Stephen Foster's Some Folks Do which was my favorite musical number.

This film should be seen and revived as a great treatise on the slave experience. There is some stereotyping, but it's done in the context of the condition and servitude of the slaves and there is never any demeaning of anyone in this film. And when you've Langston Hughes and Clarence Muse taking some inspiration from such authors and Twain and Dickens you know this film is something special.

A lot of people in this cast from Bobby Breen on down got career roles here. Way Down South should be bought or rented at Amazon, it's a wonderful and moving viewing experience.

"Way Down South" is based on a story by Langston Hughes and the screenplay was written by Clarence Muse--who also was a major character in the film. "Way Down South" is bound to play a lot differently today than when it debuted in 1939. The notion of happy and well-fed slaves is far from politically correct and I am sure many will blanch at this antiquated view of the Old South. While I am sure some slave owners were more benign in how their treated blacks, they still were slaves!! Oddly, Hughes and Muse were black men and, in an odd way, the film was progressive for its time as it promoted fair treatment of blacks...but they still were slaves!!

The film stars one of the more unusual stars in Hollywood history, Bobby Breen. Breen was a child star who only appeared in nine films--though they were starring roles. His AMAZING voice cannot be described--you just need to see and hear him for yourself. The films he made were mostly pleasant but forgettable pictures--though it's easy to like the boy in the films as he always seemed incredibly nice.

When the film begins, Bobby is very happy and the family's slaves on the plantation are equally happy. In fact, Bobby's best friend is one of the slaves (Stymie Beard of the Our Gang films)! But, when Bobby's father dies unexpectedly, his father's executor comes in and dramatically changes the place--selling slaves and beating them soundly. But Bobby can't stand to see his friends treated that way. Plus, what he doesn't know is that the executor actually is planning on taking EVERYTHING for himself! What's to happen of Bobby and the happy slaves?! This is an odd film in that it IS entertaining but it is a bit uncomfortable as well due to the odd subject matter. Well made but weird...that's for sure!

I liked everything about this forgotten, unpretentious, good-natured, well-made film ahead of its time regarding "the race problem". It delivers far more solid good time than many a famous films. It's a thrill to see nothing but unknown actors, all of them good. Bobby Breen is also an exceedingly confident and accomplished singer.

At times this movie is brilliant beyond my powers of description to note. At other times it turns stupid. Langston Hughes' poetry and powerful images dominate some scenes. At others we have the sight of Clarence Muse in a dress and veil, or Bobby Breen advancing the plot while Alan Mowbray does his best to make it interesting by a little judicious mugging. Even the musical numbers are erratically choreographed. The last may have been an attempt to either appease white audiences who would never see this movie or a choreographer utterly ignorant of jazz dancing. In 1939? It doesn't make sense. Perhaps it was shot, edited, tested and then someone else went back to do some ham-handed reshooting.

The problems I have with the execution of this movie cannot be denied, but its strengths are likewise undeniable. Take a look at it and bear in mind that this was released in he same year as GONE WITH THE WIND.

An orphan in pre-Civil War Louisiana fights to save his late father's plantation (and his slave friends!) from a crooked lawyer's machinations. Oh boy will this one set some alarms off today. Probably the only reasons it isn't more hated is that (a) it is not as well-known as, say, Song of the South and (b) the script was written by two black men -- noted poet Langston Hughes and actor Clarence Muse, who also appears in this film as Uncle Caton. The star of the movie is Bobby Breen, a Canadian-born soprano with a brief acting career who is just about the corniest thing I've ever seen. The rest of the cast includes Alan Mowbray, Ralph Morgan, Matthew 'Stymie' Beard, Sally Blane, Edwin Maxwell, and the aforementioned Clarence Muse, who is probably the best part of the film.

It's not a bad movie if one can put aside one's political correctness. The short runtime helps. I'm not saying it's great or anything. Breen is an acquired taste and the depiction of slavery is...well, controversial is the kindest way of putting it. That being said, the slaves are positive sympathetic characters all and written with more respect than is usual for the period. That is likely thanks to Hughes and Muse. One also has to wonder if some hidden meaning was in the scene where Ralph Morgan's "friendly massa" character dies. Watch and you'll probably see what I mean. There's some singing, as you might expect from a movie starring a boy soprano. Frankly, I enjoyed the singing from the Hall Johnson Choir more than Breen. The historical qualities of the film alone should warrant viewing but it does have entertainment value, as well. I encourage everyone who is interested to give it a shot and judge for yourself instead of making up your mind before seeing it. The same goes for any old film that is considered controversial or offensive today.