Aggiungi una trama nella tua linguaSociety-lady Hattie Leonard organizes her own band of 'gang-busters' when she discovers a garment she sent to the dry-cleaners had been taxed 25 cents to pay for gang 'protection.' She sends... Leggi tuttoSociety-lady Hattie Leonard organizes her own band of 'gang-busters' when she discovers a garment she sent to the dry-cleaners had been taxed 25 cents to pay for gang 'protection.' She sends to New York City for a reformed gangster she had befriended, Frankie O'Fallon, and he hir... Leggi tuttoSociety-lady Hattie Leonard organizes her own band of 'gang-busters' when she discovers a garment she sent to the dry-cleaners had been taxed 25 cents to pay for gang 'protection.' She sends to New York City for a reformed gangster she had befriended, Frankie O'Fallon, and he hires the manpower needed from the usual Columbia hoods. Her gang hijacks the racketeers, rec... Leggi tutto
- Regia
- Sceneggiatura
- Star
- Blinky Mack
- (as Joseph Sawyer)
- Bert the Beetle
- (as Joseph Caits)
- Flanagan - Bank Guard
- (non citato nei titoli originali)
- Brewster - Hattie's Butler
- (non citato nei titoli originali)
- Dry Cleaner
- (non citato nei titoli originali)
- Bouncer at Black Kitten Cafe
- (non citato nei titoli originali)
Recensioni in evidenza
The acting ensemble is perfect from Fay Bainter to Warren Hymer (he is the Thorndyke of the "Give 'em the tacks" line) to Ida Lupino, et al. The plot revolves around a society matron (and owner of the local bank) who decides to rid the town of the "Mob" by putting together a "Mob" of her own. The results are hilarious as she and her gang go about their job with the help of an armored sedan (which drops tacks on the road to disable the pursuing police), machine guns, a jail-break and a bank heist. It's all great fun.
There is a strange interlude when Bainter harangues the local dry cleaners who are being extorted by the bad mob. It smacks of patriotic propaganda and probably was intended as such since Hitler was running rampant in Europe at that point and the United States was still neutral.
It all ends well.....the big boss is revealed, the bad mob is run out of town and Ida Lupino gets married to Lee Bowman, son of the lady of the mob. Sit back and enjoy this little-known gem of a film.
** 1/2 (out of 4)
Slight but mildly entertaining comedy about an elderly woman (Fay Bainter) who grows sick and tired of the gangsters taking over her city so she forms her own gang to run them out of town. This film runs just 65-minutes and for the most part it moves along pretty good, although the ending gets dragged out longer than it should have. Bainter is good in her role but a young Ida Lupino seems out of place and fails at all of her comedy scenes. Seeing as when this film was released, there's some big speeches about standing up for your country, taking down dictators and other things to that nature. Joe Sawyer plays one of the woman's gang members. Another interesting tidbit is that this Columbia picture also shows off another one of their films, You Can't Take It With You, during one scene.
That's one of the tasty little nuggets of comedy which gets tossed about, seemingly in a most haphazard manner, in this excellent and user-friendly "gangster comedy," from 1939. In a very real sense, the writers and the director of this film were seeking to do something that is always difficult and sometimes impossible ... which is ... to make a social satire that has more laughs than bites.
Consider that "The Lady and the Mob" is a window on a time before our times, before the cruelties and barbarities of World War Two, the Cold War, the Korean War, the Viet Nam War and the never-ending Gulf War, burned away all pretense of innocence from what was once called "the American Dream." Consider that Faye Bainter's character, Hattie -- and she is delightful in the goofiest possible ways -- lampoons the stuffy, hypocritical matrons so often created in the posh comedies of the 1930s.
To call this a feminist film would be entirely wrong, and yet the strength of the satire, and the plot, lies entirely in the hands of Faye Bainter and Ida Lupino. Indeed, Ms. Ida Lupino gets a plum in this second billing, a role as juicy and sweet as her character is tart with her tongue ! Wealthy Hattie Leonard owns a bank and has a conscience, something most average people who lived during the 1930s and those Depression years probably could not believe -- unless they saw it in a motion picture !
One only has to see "Stagecoach" with John Wayne, Claire Trevor and John Ford directing, to understand how deeply-felt the animosity of "regular folks" was, towards bankers. Both of these films were released in the early part of 1939 and they both tell a tale of truthfulness about how badly damaged people can become decent again, and what it means to be "a True American".
Since there is every prospect that Turner Classic Movies will run this fine, funny, film again soon, it would be spoiling things to give away much of the satirical plot of this comedy. Faye Bainter's classic looks and poise are a salute to all that's ever been the best about the actresses of the United States, and Ida Lupino plays her role cleverly. It is a definite mark of natural ability, as Ms. Lupino -- who is quite gorgeous at twenty-five -- darts in and out of the scenes with Bainter and "her Mob". The character actors selected to play Hattie's "stumble bums" are simply hilarious -- unless the viewer happens to know absolutely nothing about the 1930s and American slang.
Even then, their comedic posturing works really well and is simply visually entertaining. This is a great little gem of a movie and while it does not quite carry the social and satirical "punch" of Frank Capra's "Lady for a Day," from 1933, it is well worth viewing, and for capturing on the digital video recorder to have on a lazy, rainy afternoon. Eight stars for comedy, satire, and snappy jokes.
Ida's mother-in-law to-be is the title character. She's a wealthy woman who sets out to outfox the protection racket that's hitting on businesses she frequents.
Lupino has a reasonably good role. Of course she is wasted but she looks OK and isn't put through anything embarrassing.
Fay Bainter, on the other hand -- what a crime! This lovely looking, gentle woman is trashed in the title role. I will grant that she appears to be having fun with it.
But Bainter had the warmest eyes of any actress in movies I can think of. She gave many superb character performances and is marvelous as the title character in the unduly maligned "Mother Carey's Chickens." (She is Mother Carey, not a chicken.) Here she is done up to look like May Robson. Robson was also a delightful actress but a very different type.
The whole thing is truly painful. If you're a die-hard Lupino fan and you want to see her entire oeuvre, watch it. If not, do yourself a favor and don't.
Lo sapevi?
- QuizOtto Hoffman as "Higgins" is in studio records/casting call lists, but he did not appear or was not identifiable in the movie.
- Citazioni
Lila Thorne: I may have come from gorillas, but that doesn't mean I have to mix with them socially!
- ConnessioniReferences L'eterna illusione (1938)
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- The Lady and the Mob
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 6 minuti
- Colore
- Proporzioni
- 1.37 : 1