Il falco del Nord

I've always looked on this film as a perfect blend of obvious location shooting for background very well integrated with the plot of the story which was done on the Paramount back-lot. The best part of the film is the footage of Alaska, of the Inuit, and even of the salmon going upstream to their demise.

Looking at Henry Fonda and George Raft however is quite a contrast between a great actor and a personality. Raft's gangster persona is not quite right for this tale of best friends ending up on opposite sides of the law. Still he gives it his best shot and the results are more than adequate.

However the best acted performance in this film without a doubt goes to Akim Tamiroff as the Russian fish pirate Red Skane. Skane is a swaggering thug and Tamiroff is perfect.

Many years ago I saw Henry Fonda and he said he divided his films in two categories, those he did for art's sake and those he did for the money. Spawn of the North was one for the money, but still he was proud of it as entertainment. His Jim Kimmerlee does not belong in the category of his great parts like Mister Roberts or Oxbow Incident, but it still is a good piece of work. Fonda does the best he can with a part that doesn't call for him to do much, but be noble.

Back in the 1930s location shooting was an expensive proposition and here Paramount did a superb job at masking the studio origins of the film. Looking at those shots with the fisherman against the backdrop of the glaciers and icebergs you really do think you're in Alaska. Great special effects here, especially in the climax which involves boats being crushed by icebergs.

Nice entertainment and Dorothy Lamour does NOT wear a sarong.

... from Paramount Pictures and director Henry Hathaway. Alaskan fish-cannery owner Jim (Henry Fonda) reconnects with old pal Tyler Dawson (George Raft), a seal hunter. They both have to deal with the illegal shenanigans of boat captain Red Skain (Akim Tamiroff) and his crew who keep looting the community's salmon traps. Jim also finds himself in a love triangle, as he pines for recently-returned gal Diane (Louise Platt), while hotel owner Nicky Duval (Dorothy Lamour) yearns for Jim from afar. Also featuring Lynne Overman, Fuzzy Knight, Vladimir Sokoloff, Duncan Renaldo, John Wray, Henry Brandon, and John Barrymore.

The subject matter isn't something that's frequently covered in cinema, and the cast is unexpected, as well. Raft isn't bad, while Fonda is very good, easing into the earnest, noble hero mold that served him well in his career leading up to the war. One of the most notable things about the movie is the presence of John Barrymore as the hopelessly drunk father of Platt's character. Barrymore's standing had sunk so low by this point that he's listed fifth in the credits. The movie was awarded an honorary Oscar for the sound effects and visual effects (there's a lot of rear projection on display).

The setting could have been the OLD WEST or a Prohibition Gangster film, the plots are that interchangeable. Instead we have the great North-West territory of Alaska at the beginning of the 20th Century. The formula, a standard one for the 1930s, two Friends from similar back-rounds in Childhood. Upon maturity both come to a fork in the roads one going for the 'fast buck' the other wanting to build a new civilization.

Casting George Raft as Tyler Dawson assured that his character was going to take short-cuts. That left Henry Fonda's Jim Kimmerlee as the forthright and upright Friend. Each has a girl reflecting their respective temperaments. Dawson's Nicky Duval, Dorothy Lamour with a questionable background and good girl, Diane 'Di' Turlon, Louise Platt. Daughter of Windy Turlon, John Barrymore and with a name like 'RED' Skain you knew Akim Tamiroff was going to be up to no good.

The fight is over the annual Salmon run. 'RED' and Tyler just wanting to skim off others hard work. Jim and his Friends form a Vigilence Committee and with 'Harp Guns' at the ready do battle with the FISH PIRATES. Plenty of action, scenery with skillful directing by Henry Hathaway. Seldom seen now it was often shown on the old AMC. Available on DVD, good print, but NO extras, not even subtitles for the hard of hearing. Ask your library to order this one it is worth the viewing. Though John Barrymore was slipping into a caricature of himself and no longer 'The Great Profile'.

This has been called a western at sea and deservedly, considering the shootouts and roughhousing and a plot line of conflicted loyalties. There is great wildlife and glacier footage and tasty atmosphere. George Raft and Henry Fonda are an odd-couple match, but the chemistry works for the worldly-innocent contrast. In the "egg" incident, notice how both of them seem genuinely tickled. Fonda, of course, is the do-gooder and has little to do here until emotions build toward the climax. Raft has the more interesting role, and a salmon fisherman is a part definitely out of the norm for him. He gets an opportunity to lightly display a variety of talents (singing, swimming, stuntwork). But best of all, this is an example of the kind of performance that thoughtful direction like Hathaway's could bring from him. A vital sequence is emotionally honest without being hysterical or histrionic, and it's perfectly toned to the point of being wrenching. Also having good turns out of the usual are Dorothy Lamour and Akim Tamiroff, though John Barrymore seems a bit wasted - no pun intended.

"Spawn of the North" turns out to be a really good movie. It gets off to a slow start but after that it's really good. The first half does a nice job establishing the characters and the plot. It's just that the first half spends a lot of the time trying to be funny. It is pretty funny but I just wish they got to the meat and potatoes earlier. The second half is very exciting and quite emotional. The cast is very good but for me the star of the show is the production design. It's terrific. "Spawn of the North" is another solid movie from director Henry Hathaway. Honorable mention: a very dreamy Dorothy Lamour. Man, let me tell you, there's a scene towards the end where I couldn't take my eyes off her sweater.