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That Way with Women

  • 1947
  • Approved
  • 1h 24min
VALUTAZIONE IMDb
6,5/10
385
LA TUA VALUTAZIONE
Sydney Greenstreet, Dane Clark, and Martha Vickers in That Way with Women (1947)
A bored automobile industry tycoon assumes a false identity, buys a half interest in a gas station, and plays matchmaker for his daughter.
Riproduci trailer2:15
1 video
23 foto
CommediaRomanticismo

Aggiungi una trama nella tua linguaA bored automobile industry tycoon assumes a false identity, buys a half interest in a gas station, and plays matchmaker for his daughter.A bored automobile industry tycoon assumes a false identity, buys a half interest in a gas station, and plays matchmaker for his daughter.A bored automobile industry tycoon assumes a false identity, buys a half interest in a gas station, and plays matchmaker for his daughter.

  • Regia
    • Frederick De Cordova
  • Sceneggiatura
    • Leo Townsend
    • Francis Swann
    • Earl Derr Biggers
  • Star
    • Dane Clark
    • Martha Vickers
    • Sydney Greenstreet
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,5/10
    385
    LA TUA VALUTAZIONE
    • Regia
      • Frederick De Cordova
    • Sceneggiatura
      • Leo Townsend
      • Francis Swann
      • Earl Derr Biggers
    • Star
      • Dane Clark
      • Martha Vickers
      • Sydney Greenstreet
    • 15Recensioni degli utenti
    • 3Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    Official Trailer
    Trailer 2:15
    Official Trailer

    Foto23

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 17
    Visualizza poster

    Interpreti principali55

    Modifica
    Dane Clark
    Dane Clark
    • Greg Wilson
    Martha Vickers
    Martha Vickers
    • Marcia Alden
    Sydney Greenstreet
    Sydney Greenstreet
    • James P. Alden
    Alan Hale
    Alan Hale
    • Herman Brinker
    Craig Stevens
    Craig Stevens
    • Carter Andrews
    Barbara Brown
    Barbara Brown
    • Minerva Alden
    Don McGuire
    Don McGuire
    • Slade
    John Ridgely
    John Ridgely
    • Sam
    Richard Erdman
    Richard Erdman
    • Eddie
    • (as Dick Erdman)
    Herbert Anderson
    Herbert Anderson
    • Melvyn Pfeiffer
    Howard Freeman
    Howard Freeman
    • Dr. Harvey
    Ian Wolfe
    Ian Wolfe
    • L.B. Crandall
    Olaf Hytten
    Olaf Hytten
    • Davis
    Joe Devlin
    Joe Devlin
    • Police Desk Sergeant
    Charles Arnt
    Charles Arnt
    • Harry Miller
    Suzi Crandall
    Suzi Crandall
    • First Party Girl
    Janet Murdoch
    • Alice Green
    Creighton Hale
    Creighton Hale
    • Briggs
    • Regia
      • Frederick De Cordova
    • Sceneggiatura
      • Leo Townsend
      • Francis Swann
      • Earl Derr Biggers
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti15

    6,5385
    1
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    10

    Recensioni in evidenza

    7atlasmb

    Greenstreet In A Modest Comedy

    This light-hearted, lightweight comedy is also a romance, since the story revolves around the (far-fetched) falling in love of two main characters.

    But the film's significance orbits Sydney Greenstreet's portrayal of J.P. Alden, an automobile magnate who has moved to sunny Pasadena and now follows the orders of his doctor, his wife and his daughter--who are concerned for his health. He is cantankerous and bored. He longs for the old days, when he could eat whatever he preferred and he could work on cars.

    After a series of coincidences and Alden's assumption of a false identity, he finds a way to assuage his cravings. Soon he is smiling again and ditching the pharmaceuticals. There's a solid message here for those who lose sight of their heart's desires.

    It's nice to see Greenstreet in a comedy. And there are some notable appearances by recognizable character actors, notably Ian Wolfe as L. B. Crandall, Alden's personal attorney.

    The mating dance between boy and girl is fairly routine (no surprises), but the real joy of this film is watching Sydney's character blossom and learn to self-actualize again.
    6bkoganbing

    Bored with retirement

    The avuncular Sydney Greenstreet dominates this film as his sinister image is turned upside down in The Way With Women. Greenstreet plays an automobile tycoon who like Henry Ford came from humble beginnings and is Ford like wealthy now without the Fordian idiosyncrasies.

    Bored with retirement Greenstreet on impulse buys a half interest in a gas station with war veteran Dane Clark incognito and the two start to build a business. Then they have to fight off a nasty protection racket with Clark and Greenstreet in jail where no one believes he's the wealthy tycoon he says he is. Henry Ford never had problems like this.

    The fact that Greenstreet is incognito allows for a romance to develop between his daughter and Clark who really doesn't hit it off with her. The daughter is played by Martha Vickers known for two things, playing Lauren Bacall's psychotic sister in The Big Sleep and being one of Mickey Rooney's wives.

    Although Clark and Vickers are attractive the film really belongs to Greenstreet and it is nice to see him not being the mastermind behind some sinister plot or hanging around the fringes of polite society. The man had a real gift for comedy that was not utilized all that often, the only other film I can think of with a funny Greenstreet is Christmas In Connecticut.

    Not the best of films, but entertaining and a must for fans of Greenstreet. To see the funny side of Caspar Guttman by all means see The Way With Women.
    4boblipton

    Too Much

    This post-war remake of the George Arliss comedy, THE MILLIONAIRE, tries to do a little too much with a little too by-the-numbers story and, as a result, doesn't give the audience much in the way of laughs. To the basic plot of Greenstreet being a retired magnate who buys a garage in partnership with Dane Clark in order to have something to do, is added daughter Martha Vickers' boyfriend, a hood running a protection racket. This gives Miss Vickers more to do than wait for her scenes with Greenstreet and Clark. However, while they increase the screen time, and makes the plot a bit more interesting -- well, who needs much of a plot in a well-performed comedy?

    And that's where this movie fails to shine. Greenstreet is fine in his role -- although I do prefer Arliss' lazy slyness in the role -- but neither Clark nor Vickers seem to have anything in the way of comedy chops. Only Alan Hale manages any laughs in his brief scenes. A waste of time.
    6evshapiro

    Pompadour...mopadour

    Dane Clark's hair remains a distraction; that any leading man should look like a cheap $5.00 party wig was provided as part of costuming/makeup shall forever remain a mystery. Whenever Dane appeared on screen it would appear a pompadour was glued about his head. Of the many romance comedies on TCM from the 1930s and 40s, this singular distraction of a leading man is comical in its own right.
    8SnoopyStyle

    surprisingly good

    James P. Alden (Sydney Greenstreet) is a frustrated auto tycoon. He has been forced to retire by his family and his doctor. They moved to an estate in California from his Detroit factory. His daughter Marcia (Martha Vickers) is throwing a society party. Greg Wilson (Dane Clark) is a working man attending the party and won't stop complaining about the social ills of the rich which annoys Marcia to no end. She is pursued by the dashing Carter Andrews (Craig Stevens). Mr. Alden decides to buy a gas station in secret just to get back to work. It turns out to be only half of a gas station as he becomes a partner with Greg Wilson. Greg reveals his hatred of the Aldens and Mr. Alden quickly lies about his identity.

    It's a fun comedy which surprised me a little. I like the sitcom misunderstandings and I love Greenstreet in the role. The two younger leads could be better but they are functional enough. They could improve if they have more time together. Even the short manufactured time at the ball game is enough for them to build chemistry. It's a fun comedy and I actual laughed during the fight. I love the bit where she calls out the guys' names. This seems to be another version based on the same Saturday Evening Post story. I wouldn't mind another one for the modern times.

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    Interessi correlati

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    Romanticismo

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The opening scene is of the War Memorial Flagpole in Pasadena, California. It was dedicated in 1927 in memory of the city's citizens who died in World War I. The traffic circle around it has since been eliminated and the flagpole was moved to the northeast corner of South Orange Grove Blvd. and West Colorado Blvd.
    • Blooper
      Two times Marcia is entering her vehicle outside of the jail - once she enters from the sidewalk side and as there's no one sitting in the drivers seat the car zooms off one second after the door closes. The second time she enters from the street side and it appears there's a driver on the right front seat side. This as she drives herself in earlier scenes.
    • Connessioni
      Featured in Okay for Sound (1946)
    • Colonne sonore
      Gotta Be This or That
      (uncredited)

      Music by Sunny Skylar

      Played on piano at the party

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    Dettagli

    Modifica
    • Data di uscita
      • 29 marzo 1947 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • El pobre ricachón
    • Luoghi delle riprese
      • Pasadena, California, Stati Uniti(opening scene)
    • Azienda produttrice
      • Warner Bros.
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 24min(84 min)
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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