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Notte e dì

Titolo originale: Night and Day
  • 1946
  • T
  • 2h 8min
VALUTAZIONE IMDb
6,1/10
3391
LA TUA VALUTAZIONE
Cary Grant, Eve Arden, Mary Martin, Ginny Simms, Alexis Smith, and Jane Wyman in Notte e dì (1946)
A fictionalized biopic of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s.
Riproduci trailer2:18
1 video
59 foto
Drammi storiciMusical classicoBiografiaDrammaMusicale

Aggiungi una trama nella tua linguaA fictionalized biopic of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s.A fictionalized biopic of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s.A fictionalized biopic of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s.

  • Regia
    • Michael Curtiz
  • Sceneggiatura
    • Charles Hoffman
    • Leo Townsend
    • William Bowers
  • Star
    • Cary Grant
    • Alexis Smith
    • Monty Woolley
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,1/10
    3391
    LA TUA VALUTAZIONE
    • Regia
      • Michael Curtiz
    • Sceneggiatura
      • Charles Hoffman
      • Leo Townsend
      • William Bowers
    • Star
      • Cary Grant
      • Alexis Smith
      • Monty Woolley
    • 67Recensioni degli utenti
    • 13Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 2 candidature totali

    Video1

    Official Trailer
    Trailer 2:18
    Official Trailer

    Foto59

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    Interpreti principali99+

    Modifica
    Cary Grant
    Cary Grant
    • Cole Porter
    Alexis Smith
    Alexis Smith
    • Linda Lee Porter
    Monty Woolley
    Monty Woolley
    • Monty
    Ginny Simms
    Ginny Simms
    • Carole Hill
    Jane Wyman
    Jane Wyman
    • Gracie Harris
    Eve Arden
    Eve Arden
    • Gabrielle
    Victor Francen
    Victor Francen
    • Anatole Giron
    Alan Hale
    Alan Hale
    • Leon Dowling
    Dorothy Malone
    Dorothy Malone
    • Nancy
    Tom D'Andrea
    Tom D'Andrea
    • Tommy
    Selena Royle
    Selena Royle
    • Kate Porter
    Donald Woods
    Donald Woods
    • Ward Blackburn
    Henry Stephenson
    Henry Stephenson
    • Omar Cole
    Paul Cavanagh
    Paul Cavanagh
    • Bart McClelland
    Sig Ruman
    Sig Ruman
    • Wilowski
    Carlos Ramírez
    Carlos Ramírez
    • Specialty Singer of Song 'Begin the Beguine' Number
    Milada Mladova
    Milada Mladova
    • Specialty Dancer in 'Begin the Beguine' Number
    George Zoritch
    George Zoritch
    • Specialty Dancer in 'Begin the Beguine' Number
    • Regia
      • Michael Curtiz
    • Sceneggiatura
      • Charles Hoffman
      • Leo Townsend
      • William Bowers
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti67

    6,13.3K
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    Recensioni in evidenza

    7kenandraf

    Porter!Grant!

    Good musical that could have been even better if it had better editing.Starts slow and then builds momentum.The directing style was inconsistent where in there are scenes that are top quality and then there are scenes that are just done in a rushed and sloppy way which is weird because those bungled scenes are those that are easily done.Despite these faults,the MUSIC here to any big music fan will certainly encourage you to forgive and enjoy.Grant is very stiff here but this is due to his capturing Porter's mannerisms.The biography is toned down/adjusted to Porter's version for the mainstream audience,so if one really wishes to dig into his real life which is very x-rated stuff,read his bio books instead.The production of this film coupled with it's great music will be great for one who wants uncontroversial musical entertertainment.I love the 1940's color technique here too.Only for early 2oth century POP music fans and big fans of the lead actors......
    TxMike

    Cary Grant in the life story of Cole Porter.

    Thanks to the TCM channel, we can easily view old classics like this. Although nicely shot in Technicolor, the print is just a shade pastel, and looks better with the TV's color cranked up just a little bit. The movie starts in 1914, with Porter at Yale and already writing songs, even though he was a law student. However, at Christmas break, after he told his mother that he wasn't going back, he was going to focus on writing music instead, 'Oh, I could be a lawyer, but not a very good one. When I look at a lawbook I think of a song. When I read a legal case, I hear a melody.' Like almost any biographical movie, certain parts are fictionalized, and many things have to be left out. But this movie gives us the pleasure of many Cole Porter classics and a glimpse into the man behind the songs. A good movie for anyone who is a fan of Porter's, or American musical history in general.

    Cary Grant was 41/42 when this was filmed, so it is a bit of a stretch imagining him, in the beginning, as a college student. This movie came out the same year (1946) as 'Notorious', and one year before one of my favorite Cary Grant movies, where he plays an angel in 'The Bishop's Wife (1947).'
    8bobilene

    Skip Delovely and Catch this One again

    After suffering through "Delovely", I had to feel good again about Cole Porter's music. Where Delovely focuses on Porters Homosexuality, a subject that Night and day ignores, Night and day performs his music in brilliant fashion. Forget the corny fictionalized screenplay and just sit back and enjoy:

    Mary Martins version of My Heart Belongs to Daddy.

    Cary Grant singing "Your The Tops".

    Cole Porter's stirring "Night and Day", "Begin the Beguine". A song that Delovely totally butchers.

    "It was Just One of Those Things" The Haunting "In the Still of the Night"

    And so many more.

    This is strictly for Cole Porter's music. If your interested in how he enjoyed his spare time, Delovey is for you. For me, I just enjoy his music.
    Enrique-Sanchez-56

    Hollywood Loves to Fictionalize

    The only reason to watch this is:

    COLE PORTER'S MUSIC COLE PORTER'S MUSIC

    Hey.....I am a big fan of Cary Grant, but the only reason to watch this is:

    COLE PORTER'S MUSIC COLE PORTER'S MUSIC

    The musical productions are pretty, the musical arrangements are enjoyable. And the only reason to watch this is:

    COLE PORTER'S MUSIC COLE PORTER'S MUSIC

    Most of this story was completely fabricated because Hollywood just didn't deal with gay life then. It was verbotten...everything had to be glazed over. Hollywood made such an industry of Fictionalized Biographies that I must choose my favorite of these genre: the George Gershwin "story" called RHAPSODY IN BLUE.

    So, if you haven't guessed yet what the only reason to watch this movie is...it's:

    COLE PORTER'S MUSIC!!!
    7harry-76

    Cole Porter Bio

    Have you ever liked a film you knew wasn't all that great, yet one you simply enjoyed watching? That's the way I feel about "Night and Day," a musical bio with a large dose of fantasy mixed in on that great American songwriter Cole Porter. Perhaps it's the pleasure of watching Cary Grant having a ball playing the composer, and even singing a few tunes to boot. Or maybe it's the youthful Alexis Smith as a perfect "Mrs. Porter," coping with challenges as a famous songwriter's spouse. Certainly Monty Woolley is amusing as himself, playing a role he reportedly lived with the real-life composer. Then there's that honey-coated contralto Ginny Simms looking gorgeous in Technicolor and beautifully singing some of Porter's most expressive music and lyrics. In the supporting cast is a sprighty Jane Wyman (before she became laden with heavy dramatic roles) doing several comic-singing turns, and even a surprise bit from Eve Arden as a French cabaret star, "Gabrielle," performing an early, lesser-known show number. The screen has only one bio of this outstanding American songwriter, one who is respected by both popular and "serious" composer-peers, as well as by the critics and general public alike. Surely the scripters "did a job" on Porter's factual life, yet at least we have this elaborate effort, with a gung-ho cast that's ready & willing to give it their all. They all look like they're having a great time, and I for one have fun with them. Until a better Porter bio comes along, this one will have to do.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      After attending the premiere of the film, Cole Porter supposedly remarked to his wife, Linda, "if I could survive that, I can survive anything."
    • Blooper
      When in England, there are street performers singing "Rosalie". The accordion player's hands never press the keys; in fact, his right hand is static throughout the whole scene.
    • Citazioni

      Monty Woolley: Haven't you ever wanted to be alone?

      Gracie Harris: Yes, but with somebody.

    • Connessioni
      Edited from Don't Fence Me In (1945)
    • Colonne sonore
      Night and Day
      (1932) (uncredited)

      Written by Cole Porter

      Played during the opening credits and often in the score

      Sung by Bill Days

      Reprised by passengers on a train

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    Domande frequenti17

    • How long is Night and Day?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 12 agosto 1948 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Night and Day
    • Luoghi delle riprese
      • George Lewis Mansion - Benedict Canyon Drive, Bel Air, Los Angeles, California, Stati Uniti
    • Azienda produttrice
      • Warner Bros.
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 4.445.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 2h 8min(128 min)
    • Proporzioni
      • 1.37 : 1

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