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'Libeled Lady' is a marvellous and thoroughly enjoyable comedy, a near-classic with three of the four stars on top form (especially Jean Harlow and William Powell, Spencer Tracy's comedic chops became more refined and more at ease in his later films in my opinion).

'Easy to Wed' is a musical remake but is nowhere near as good and one may question its point. It is by no means a bad film though and makes for more than serviceable entertainment. Starting with its faults, Esther Williams has little to do and her role does not play to her strengths while Van Johnson is wooden in a role just as underwritten and looks uninterested.

The musical numbers don't feel necessary (despite Ethel Smith contributing very nicely on the organ), are not that compellingly staged and are also not particularly memorable, while the story is even more contrived than that of 'Libeled Lady' and lacks its zippy energy (the musical numbers do it no favours), some of it badly drags. The ending feels too pat and incomplete.

However, the classy cinematography, beautiful use of colour and elegant wardrobe more than compensates as does a script that is almost as witty and sophisticated as that of 'Libeled Lady'. The duck hunting scene is not as hilarious as the fishing scene in 'Libeled Lady' but still an amusing scene. Edward Buzell does his best to inject some energy and style and does very competently.

Keenan Wynn has very deft comic timing and doesn't come over as heavy-footed. It's Lucille Ball's exuberant and very funny performance that steals the show though, especially when she indulges into a flight of Shakespeare.

On the whole, vastly inferior but serviceable and watchable. 5/10 Bethany Cox

The "Morning Star" is desperately collecting their papers in fear of the powerful J. B. Allenbury. He promises to sue the paper for $2 million for defaming his daughter Connie Allenbury Chandler (Esther Williams). It's an open and shut case. The paper has been a thorn in the side of Allenbury and this is his chance to shut it down. Warren Haggerty (Keenan Wynn) leaves his wedding to performer Gladys Benton (Lucille Ball) to fix the problem. He has to rehire philandering reporter Bill Chandler (Van Johnson) to go on a mission to sully Connie's reputation. They come up with a scheme involving Gladys.

It gets a bit boring after the wedding. I've never seen Esther Williams as a particularly good actress. I hoped that reintroducing Lucille Ball would add some more screwball comedy. She does what she could but her role is somewhat limited. Van Johnson does the bulk of the comedic heavy lifting with mixed results. I like his solo duck hunting effort more so for its audacity. He is alone with the dog for a long time. As a trio, they are mostly bland like a 50's white toast sandwich with mayo. The movie picks up whenever Lucy gets to play. She's a fun drunk.

Keenan Wynn's newspaper has been a political opponent of Cecil Kellaway for years. So when they publish an actionable story about his daughter, Esther Williams being a man-stealer, Kellaway wastes no time filing a lawsuit. The solution is to get womanizing Van Johnson to seduce her.... and to marry him to Wynn's fiancee, Lucille Ball, to make the first story retroactively true.

It's a remake of LIBELED LADY, with a few musical numbers and a swimming pool for Esther Williams to potsker around in. It's directed more as a straight farce than the original, and that part works all right; given that the original cast was Spencer Tracy, William Powell, Myrna Loy and Jean Harlow, it's hard for any of these to come up to snuff, although Miss Ball is very good. Johnson gives the impression of a small boy playing dress-up, and Keenan Wynn seems to think the movie is a lot funnier than it is.

The film Easy To Wed had an impossible task to follow the film and stars of one of the best screen comedies ever made Libeled Lady. I would take nothing away from Van Johnson, Esther Williams, Lucille Ball, and Keenan Wynn. But frankly they're all not a patch on the quartet of William Powell, Myrna Loy, Jean Harlow, and Spencer Tracy.

Music and MGM technicolor is what distinguishes this film and the music primarily Latin in origin is pretty good and comes from a variety of sources. Colombian singer Carlos Ramirez contributes a native song and Ethel Smith plays her famous Tico Tico on the organ. Part of the film is set in Mexico so these acts are brought in without any strain on the plot. When the stars do their numbers, the results are pretty tepid.

Esther Williams stays fairly dry in Easy To Wed. Only a dip on a water slide and a brief swim in the family pool where she unplugs a rubber raft and sends Van Johnson into the water are all you see of her. No classic water ballets in Easy To Wed which must have disappointed her fans tremendously.

In Libeled Lady the character Loy/Williams's father is played by Walter Connolly and he's an avid fisherman. Here he's a hunter and Van Johnson has to take a crash course in duck hunting to make an impression on father Cecil Kellaway. Van's best moments like William Powell's in the first film are in the hunting scenes.

The basic outline of the story remains the same. A false story about heiress Esther Williams's romantic escapades has caused a lawsuit to be filed by Cecil Kellaway. Editor Keenan Wynn postpones for the umpteenth time his wedding to Lucille Ball to meet the crisis at the paper.

Wynn's plan, to hire back his ace reporter Van Johnson and marry his girl friend Ball to Johnson and then have Johnson strike something up with Williams. Just as Jean Harlow did, Lucille Ball amazingly enough goes along with this madcap scheme.

Everybody performs well, but after you've seen Libeled Lady you will think of Easy To Wed as a road company version of that classic.

This film has its plusses -- Esthers swimming, her swimming, and her swimming. It's also in technicolor, which is always a treat to the eye. It really surprised me that a socco screenplay that made 1936's Libled Lady such a rip-roaring funny film could go so flat 10 years later. Of course Myrna Loy, Jean Harlow, William Powell, and Spencer Tracy were more highly skilled performers than this cast. Williams has some to the stoic, amused calm that Loy had and she does okay as Connie, but Lucille Ball is almost unfunny in this, which really surprised me. She lacks Harlows warmth and vulnerability and timing. Harlow really carried Libled Lady and one always looks forward to her scenes. Ball is too arch and steely here. It puts a damper on the films success.