Aggiungi una trama nella tua linguaElmer Fudd walks out of a typical Bugs cartoon, so Bugs gets back at him by disturbing Elmer's sleep using "nightmare paint."Elmer Fudd walks out of a typical Bugs cartoon, so Bugs gets back at him by disturbing Elmer's sleep using "nightmare paint."Elmer Fudd walks out of a typical Bugs cartoon, so Bugs gets back at him by disturbing Elmer's sleep using "nightmare paint."
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
- Bugs Bunny
- (voce)
- …
- Elmer Fudd
- (voce)
- (non citato nei titoli originali)
Recensioni in evidenza
Above all, it's a good thing that I first saw this cartoon now, when I'm old enough to fully understand what it portrays (not to mention that I know who Bette Davis was). Had I watched this when I was six or somewhere thereabouts, I would have naively laughed at it without realizing what the gist was; or it might have scared me. As Looney Tunes screenwriter Michael Maltese said in an interview: "We wrote cartoons for grownups, that was the secret."
But overall, this is a really cool cartoon. Bob Clampett, during the approximately one decade that he worked with the Termite Terrace crowd, created a body of work beyond what I could have ever conceived of. I recommend it.
The cartoon starts very abruptly and continues in that vein as scenes appear to just jump around very quickly and without a huge amount of internal structure. The plot cleverly acknowledges a reality of contracts (which of course, isn't reality for cartoon characters) and also has some funny asides from Bugs, but it doesn't appear to have a central plot. The dream sequence is colourful and well drawn but not necessarily funny as a result. I never fully got why Bugs took this approach to the problem!
The characters are good. Bugs does his usual stuff but doesn't seem relaxed in the cartoon - the dialogue is edited too fine and close for his style I felt. Fudd has little to do and his character doesn't serve as well as he usually does as a foil to Bugs - he simply isn't given the time to respond in a way he normally is.
Overall, almost any cartoon with Bugs and Fudd is going to be work watching for me, but this one just seemed a bit aimless - like the dream sequence was the original idea and the rest of it was just a thin excuse to get to it. It is all over a bit fast and without any really hilarious action, it is OK but really is a poor entry from this famous double act.
I like the turn and going meta. I am less convinced of the dreamland sequence. I can think of many ideas for dreams including Elmer Fudd turning into a rabbit being chased by Bugs Bunny dressed as a hunter. Most of all, I don't buy the ending. If he gets hounded by Bugs in his nightmare, he would never go back to his job. This is adventurous although I have questions.
Lo sapevi?
- QuizIn the sequence where Bugs ties Elmer to the railroad tracks and pretends to run him over with a train, Elmer's cries of "Oh, agony, agony, agony!" are provided by Mel Blanc instead of Arthur Q. Bryan.
- BlooperAfter the dream, Elmer arrives back at the log in a rush and the pieces of contract blow about in the air. A nearly off-screen Bugs on the left looks like he mouthes his catchphrase: "Ehhhh, What's up Doc?", but there is no sound.
- Citazioni
Bugs Bunny: [trying to convince Elmer not to leave] No. No, doc. You can't do this to me. Think of what we've been to each other. Why, we've been like... like Rabbit and Costello, Damon and Runyon...
[tugs at Elmer's pants]
Bugs Bunny: Stan and Laurel...!
[rips them off accidentally]
Bugs Bunny: Uh-oh!
[He puts them back on]
Bugs Bunny: You can't do this, I tell ya. You don't want to break up the act, do ya?
[aside to audience]
Bugs Bunny: Bette Davis is gonna hate me for this.
[back to Elmer]
Bugs Bunny: Think of your career.
[turns back to audience, shocked]
Bugs Bunny: And for that matter, think of my career.
[breaks down in tears]
- Versioni alternativeOne version omits the scene where Bugs Bunny takes the sleeping pills (possibly an act of political correctness). This scene is left intact in the 2004 Looney Tunes 4-disc box set.
- ConnessioniEdited from All This and Rabbit Stew (1941)
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Dettagli
- Tempo di esecuzione
- 7min
- Mix di suoni
- Proporzioni
- 1.37 : 1