[go: up one dir, main page]

    Calendario delle usciteI migliori 250 filmI film più popolariEsplora film per genereCampione d’incassiOrari e bigliettiNotizie sui filmFilm indiani in evidenza
    Cosa c’è in TV e in streamingLe migliori 250 serieLe serie più popolariEsplora serie per genereNotizie TV
    Cosa guardareTrailer più recentiOriginali IMDbPreferiti IMDbIn evidenza su IMDbGuida all'intrattenimento per la famigliaPodcast IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestival CentralTutti gli eventi
    Nato oggiCelebrità più popolariNotizie sulle celebrità
    Centro assistenzaZona contributoriSondaggi
Per i professionisti del settore
  • Lingua
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista Video
Accedi
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usa l'app
  • Il Cast e la Troupe
  • Recensioni degli utenti
  • Quiz
IMDbPro

Solo una notte

Titolo originale: Sylvie et le fantôme
  • 1946
  • Unrated
  • 1h 37min
VALUTAZIONE IMDb
6,9/10
565
LA TUA VALUTAZIONE
Solo una notte (1946)
Coming-of-AgeRomantic ComedySupernatural FantasyTeen DramaComedyFantasyRomance

Aggiungi una trama nella tua linguaSylvie's father sells her grandmother's lover's painting for cash. The ghost appears on Sylvie's 16th birthday. Two suitors dress as the ghost to impress her. The real ghost helps resolve th... Leggi tuttoSylvie's father sells her grandmother's lover's painting for cash. The ghost appears on Sylvie's 16th birthday. Two suitors dress as the ghost to impress her. The real ghost helps resolve the love triangle.Sylvie's father sells her grandmother's lover's painting for cash. The ghost appears on Sylvie's 16th birthday. Two suitors dress as the ghost to impress her. The real ghost helps resolve the love triangle.

  • Regia
    • Claude Autant-Lara
  • Sceneggiatura
    • Alfred Adam
    • Jean Aurenche
  • Star
    • Odette Joyeux
    • François Périer
    • Pierre Larquey
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,9/10
    565
    LA TUA VALUTAZIONE
    • Regia
      • Claude Autant-Lara
    • Sceneggiatura
      • Alfred Adam
      • Jean Aurenche
    • Star
      • Odette Joyeux
      • François Périer
      • Pierre Larquey
    • 6Recensioni degli utenti
    • 13Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 candidatura in totale

    Foto2

    Visualizza poster
    Visualizza poster

    Interpreti principali22

    Modifica
    Odette Joyeux
    Odette Joyeux
    • Sylvie
    François Périer
    François Périer
    • Ramure
    Pierre Larquey
    Pierre Larquey
    • Baron Eduard
    Claude Marcy
    • La comtesse des Vertus
    Jean Desailly
    Jean Desailly
    • Frederick
    Paul Demange
    Paul Demange
    • The Counsellor
    Marguerite Cassan
    • Marthe
    Raymond Rognoni
    • Damas
    • (as Rognoni)
    Lise Topart
    • Girl
    Gabrielle Fontan
    • Mariette
    Ana María Cassan
    Ana María Cassan
    • Girl
    • (as Anne-Marie Paillard)
    Françoise Paillard
    Pierre Houssier
    • Boy
    Michel Houssier
    • Boy
    Jacques Tati
    Jacques Tati
    • The Ghost of Alain de Francigny
    Louis Salou
    Louis Salou
    • Anicet
    Julien Carette
    Julien Carette
    • Hector
    Jean Gabert
    • Regia
      • Claude Autant-Lara
    • Sceneggiatura
      • Alfred Adam
      • Jean Aurenche
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti6

    6,9565
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Recensioni in evidenza

    5bob998

    More tiresome than charming

    Sylvie et le fantome came in a 4-pak from Criterion, along with the three other films Autant-Lara made during the war. Of the four, Douce is the only one really worth watching. The script is by Jean Aurenche, the cinematography by Philippe Agostini--the chateau is made to seem very elegant. Francois Perier and Jean Desailly are suitably ardent, Pierre Larquey is a wonderful father to Sylvie, Julien Carette as the servant Hector is everywhere, enjoyably so. Just one big problem: Odette Joyeux makes no impression on me at all, and she's the star. So I can't give a high rating to this item, because of her bland performance.
    7Bob A-2

    Atmospheric comedy-romance treads lightly on the "ghost story" at its center by focusing on the underlying dreams and desires of the young people who are caught up in Sylvie's fantasy (or is it?) t

    There really is a ghost, by the way, yet to most of the residents of this once-grand palatial estate the ghost is merely the fantasy of an over-imaginative 17-year-old named Sylvie. The great mansion is now being sold off piece by piece to satisfy creditors, and when a portrait, believed by Sylvie to be occupied by her beloved phantom, is sold, her grandfather decides to hire an actor to portray the ghost in order to give Sylvie one last chance to believe in her dreams before she grows up.

    As the real ghost, roaming the mansion more than usual now that his resting place of choice, the portrait (Sylvie was right), has been removed, observes the errant artifices of Sylvie's grandfather, it turns out that no fewer than three persons have shown up claiming to be the actor who will haunt Sylvie's forthcoming birthday party: two young men who have fallen in love with Sylvie, one of them a fugitive, and an older man, the one actually sent by the casting agency. Grandpere decides to employ all three. One could say there are three young men, since the ghost himself also appears enamored of Sylvie, and absconds with the older actor's white sheet in an attempt to make a appearance himself (the French filmmakers appear blissfully unaware of how these ghost costumes stand a chance, unintentionally, of transmitting a completely different subtext to an American audience!). He has a time managing the costume, however, and so for the most part Sylvie's tangible contact with "phantoms" is by way of her two erstwhile, earthly suitors. Irony abounds in the fact that while there really is a ghost, the appearance of same continues to be sustained almost entirely by the fanciful dialogues of the living. The fact that her phantom has not only two different voices but distinctly different personalities begs a comparison to Robert Jean Nathan's Portrait of Jennie, filmed three years later, in which the title spirit is a somewhat different character each time the hero encounters her.

    On the negative side, the comedy's ability to work independently of the actual ghost also means that the character of the ghost is largely unemployed. Care was taken to have a known comedian, Jaques Tati, in the role (this is a few years before Tati's emergence as auteur in his Postman and Monsieur Hulot films), yet for much of this film his pale image is seen merely wandering through the set -- some great double-exposure effects here -- looking wistful. To both credit and deficit, this is a> film version of a play; it's great that the fantasy is sustained to such a large extent by the almost poetic dialogue, yet one wishes that the filmmakers had pushed a little further to make this a ghost movie, depending more on sonic and visual effects to make the experience a little spookier.

    The Ravel-like music is often beautiful, helping to bridge reality, fabrication, and the ethereal. It's never allowed to overpower the rest of the film, yet I suspect that a modern stereo recording of the music alone would probably give a stronger statement of what moods the composer was trying to infuse. The English subtitles are just enough to keep the francophonically-impaired abreast of the conversation, without covering half the screen nor detracting from the flow of the original French, which in this case sounds good whether one can understand all of it or not. One blooper does occur when one of the ghosts, according to the subtitles, assures Sylvie that he is "discrete" (discreet).

    The idea of the grandfather creating a "ghost story" as an attempt to give Sylvie one last adventure before she grows up is possibly (I'd speculate) the inspiration for the treatment used in Disney's animated film version of Peter Pan, which differs significantly from Barrie's original story in that the adventures of Wendy and her brothers, plus the issue of Wendy's impending adulthood, are compressed into a single evening.

    Sylvie and the Phantom is a very satisfying film in all:

    hopefully it will continue to teach filmmakers a thing or two about where their audience's sense of fantasy can be found, and awakened.
    6boblipton

    Ghosts, Like Childhood, Linger

    Odette Joyeux is about to celebrate her sixteenth birthday. He father has sold the painting of her grandmother's lover, but has left the ghost and his hunting dog behind, played by Jacques Tati -- the ghost, not the dog. Mlle Joyeux believes in the ghost, but no one else does. Nonetheless, her father has sent to the local talent agency for a man to play the ghost. Three show up: an old trouper, and two young men, who both fall in love with the girl. The ghost does his best to make sure she chooses the right one.

    There's a nice subtext in this movie about the fantasizing that a girl does when she becomes a woman. That is, after all, what fantasy is about: permitting us to consider matters in a symbolic fashion that insulates us from the pain. Director Claude Autant-Lara handles the effects in a simple manner that allows the audience to enjoy the silliness of the situation and yet still consider the serious side.
    8jan-bollen

    The Ghost of Jacques Tati.

    The film tells the story of a young girl that has fallen in love with a man in a painting. This man however is no longer alive but is still wandering around as a ghost (a charming role for Jacques Tati). Therefore two suitors think they could conquer her by pretending to be that ghost.

    This film is an elegant, delicious escapist movie. But what do you expect when the costumes are designed by none other than Christian Dior and the film is photographed by Philipe Agostini (DoP of a.o. 'Day Break' and the early Bresson films). That fact that the film was shot while World War II was still waging can in no way shape or form be noticed when you're watching it. Only during one moment in the film in which one of the 'fake' ghosts is caught and the apprehenders notice they've caught the wrong one there is a line that you could potentially regard as a hint to WWII. One of the apprehenders says that there must be many ghosts wandering around to which the ghost replies: 'Nous sommes nombreux, comme les morts.' ('We are many, as are the dead.') A nice example of the elegant dialogue by Jean Aurenche who just has too many great credits to his name to mention. The fact that Betrand Tavernier was dying to work with him should say enough.

    There is a lovely scene in which Jacques Tati as the ghost -who can only be seen by children and animals- finds a ghost costume of one of his impersonators. When he enters it he can finally start walking around as a ghost that everyone can see which gives him a whole new set of options.Currently available on DVD in France only without subtitles(ASIN: B00BSVSSP4). Please visit my blog bttcinema.com.
    10ochri

    an unconditional of this wonderful film

    This french film is a jewel of poetry, humor, imagination with polished, right dialogs!! The emotion, is carried there by the music and the play without fault of the actors! One finds in the role of the phantom Jacques Tati! I don't know if this film can be founded in the USA but i hope that people will discover it because of the kind of poetry the same that you can find in "The beauty and the beast" a "Jean Cocteau's "film with Jean Marais and Josette Day. or "The children's of paradise" of "Marcel Carné" with the dialogs of the great poet "Jacques Prévert"!!Odette Joyeux brings all her thanks and her smoothness with the role of Sylvie... The special effects are extremely well adapted and technically realized. No violence, no unaptness, not of vulgarity nor of bad taste in this anthem with imaginary and the love! Sorry for my bad English but I should like to speak of this film that will please everybody who keep already his child soul!

    Altri elementi simili

    Becoming Hitchcock: The Legacy of Blackmail
    7,2
    Becoming Hitchcock: The Legacy of Blackmail
    I ragazzi del retrobottega
    7,1
    I ragazzi del retrobottega
    Spia in nero
    6,9
    Spia in nero
    Anatomia di un delitto
    6,5
    Anatomia di un delitto
    Il diavolo in corpo
    7,0
    Il diavolo in corpo
    Senza domani
    6,8
    Senza domani
    Tonight or Never
    6,5
    Tonight or Never
    Giorno di festa
    7,2
    Giorno di festa
    Miracle on Main Street
    6,3
    Miracle on Main Street
    In viaggio con la zia
    6,3
    In viaggio con la zia
    Evasione
    7,1
    Evasione
    His Royal Slyness
    6,2
    His Royal Slyness

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The special effect used for when the ghost appears was achieved by using two identical sets and a pane of glass angled in between them. This technique is called "Pepper's ghost," named after the English scientist John Henry Pepper (1821-1900) who popularized the effect with a demonstration at a theater in 1862. Teleprompters are a modern use of this technology.
    • Blooper
      When the ghost Pyramus stops and sits down on the stairs, the lead used to stop him on his mark is visible.
    • Citazioni

      Sylvie: Perhaps when you're dead, nothing seems silly.

    • Connessioni
      Edited into Histoire(s) du cinéma: Seul le cinéma (1994)

    I più visti

    Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
    Accedi

    Dettagli

    Modifica
    • Data di uscita
      • 6 febbraio 1946 (Francia)
    • Paese di origine
      • Francia
    • Lingua
      • Francese
    • Celebre anche come
      • Sylvie and the Ghost
    • Luoghi delle riprese
      • Studios Saint Maurice, Val-de-Marne, Francia(Studio)
    • Azienda produttrice
      • Écran Français
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 37 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

    Contribuisci a questa pagina

    Suggerisci una modifica o aggiungi i contenuti mancanti
    Solo una notte (1946)
    Divario superiore
    By what name was Solo una notte (1946) officially released in Canada in English?
    Rispondi
    • Visualizza altre lacune di informazioni
    • Ottieni maggiori informazioni sulla partecipazione
    Modifica pagina

    Altre pagine da esplorare

    Visti di recente

    Abilita i cookie del browser per utilizzare questa funzione. Maggiori informazioni.
    Scarica l'app IMDb
    Accedi per avere maggiore accessoAccedi per avere maggiore accesso
    Segui IMDb sui social
    Scarica l'app IMDb
    Per Android e iOS
    Scarica l'app IMDb
    • Aiuto
    • Indice del sito
    • IMDbPro
    • Box Office Mojo
    • Prendi in licenza i dati di IMDb
    • Sala stampa
    • Pubblicità
    • Lavoro
    • Condizioni d'uso
    • Informativa sulla privacy
    • Your Ads Privacy Choices
    IMDb, una società Amazon

    © 1990-2025 by IMDb.com, Inc.